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    History

    BROADWAY NATION

    A lively and opinionated cultural history of the Broadway Musical that tells the extraordinary story of how Immigrants, Jews, Queers, African-Americans and other outcasts invented the Broadway Musical, and how they changed America in the process.In Season One, host David Armstrong traces the evolution of American Musical Theater from its birth at the dawn of the 20th Century, through its mid-century “Golden Age”, and right up to its current 21st Century renaissance; and also explore how musicals have reflected and shaped our world — especially in regard to race, gender, sexual orientation, and equality.

    Advertise

    Copyright: © David Armstrong & Broadway Podcast Network

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    Latest Episodes:
    Episode 127: Private Lives, Gertrude Lawrence & The Lives of Lives of Noel Coward, part 3 Nov 23, 2023
    Show notes

    This is the third part of my interview with Oliver Soden author of the truly extraordinary new book MASQUERADE — THE LIVES OF NOEL COWARD.

    In this episode we discuss Noel Coward’s life and career during the 1930s including what has become his most produced play Private Lives, his spectacular patriotic anti-war pageant Cavalcade, and his final musical revue, Words And Music (which was titled Set To Music on Broadway.) And most especially his relationship with the great Gertrude Lawrence.

    If you missed the first two episodes you may want to catch up with those before embarking on this one.

    Oliver Sodon is a writer and broadcaster whose previous books include the critically acclaimed 2019 biography of composer Michael Tippett. Oliver’s writing on art, music and literature has appeared in the Guardian, Spectator, London Review of Books, and the Times Literary supplement, and he is a frequent guest speaker on BBC radio and television broadcasts.

    Noel Coward was without a doubt one of the most remarkable figures of the 20th Century and as you will hear Oliver and I had a great time talking about him. And it will be my pleasure to share that conversation with you over the next several episodes.

     Become a PATRON of Broadway Nation!

    This episode is made possible in part through the generous support of our Patron Club members.

    If you would like to help support the work of Broadway Nation I will information at the end of the podcast about how you too can become a Patron.

    If you are a fan ofBroadway Nation, I invite you too to become a PATRON!

    For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.

    All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits.

    If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link:

    https://broadwaynationpodcast.supercast.tech/

    Thank you in advance for your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Special Encore Episode: GYPSY vs THE SOUND OF MUSIC in the Golden Age of Broadway Nov 17, 2023
    Show notes

    Hello Broadway Nation listeners! This week for the first time in more than 126 episodes some unforeseen technical complications have reared their ugly heads and those, on top of the tech rehearsals for the upcoming production of White Christmas that I am co-directing at Seattle’s 5th Avenue Theatre, and some important deadlines for my upcoming book, have all come together and kept me from posting a new episode of this podcast as planned.

    This is especially frustrating to me because we are in the middle of what I think is a fantastic series of episodes about Oliver Soden’s new biography of Noel Coward which I promise we will get back to as soon as possible!

    In the meantime, here is another of my favorite episodes Gypsy vs The Sound Of Music in The Golden Age Of Broadway which I thought would be appropriate since the The Sound Of Music opened on November 16, 1959, 63 years ago this week. Enjoy!

    The 1950s were crowned by four legendary musicals that went head to head for the “Best Musical” prize at the TONY Awards. In the last episode we looked at the 1958 contest of West Side Story vs. The Music Man,. In this episode I focus on the 1959–1960 which brought us Gypsy vs. The Sound Of Music. And you could subtitle this episode Ethel Merman vs. Mary Martin!

    Spoiler alert: There was a tie for the Best Musical Tony Award that season, but if you don’t already know the story, it probably didn’t end up the way you think it would have. As with the previous pair, there are still Broadway mavens that remain outraged over which show won, and which musical was in their view unjustly denied its rightful award!

    And in addition to Merman and Martin, the giants of Broadway that are figure significantly in this episode include: David Merrick, Leland Hayward,, July Styne, Stephen Sondheim, Arthur Laurents, Jerome Robbins, Joe Layton and, of course, Rodgers & Hammerstein,

    WARNING:: There are a few historically correct curse words used in this episode. You know how theater people are!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Special Encore Episode: PAL JOEY & the Silver Age of Broadway Nov 09, 2023
    Show notes

    This is a special encore episode of Broadway Nation.

    In light of the recent revisal of Rodgers & Hart's musical comedy Pal Joey at New York's City Center I thought it would be interesting to revisit one of my favorite episodes.

    I’ll be back next week with the third part of my conversation with Oliver Soden regarding his amazing new biography of Noel Coward. In the meantime please enjoy Pal Joey and the Silver Age of Broadway, part 2:

    During the 1930s Broadway was severely impacted by the economic disaster of the "Great Depression". However, somehow out of all that hardship and struggle came an extraordinary period of artistic achievement and spectacular continuing development for the Broadway Musical. The inventors of these shows included several new and defining masters of the musical, as well as many of the bright lights of the 1920’s, who now achieved their full wattage in the 1930’s. Among these were Dietz & Schwartz., Lindsay & Crouse, Cole Porter, Rodgers & Hart, The Gershwins, and George "Mr" Abbott.

    Become a PATRON of Broadway Nation!

    This episode is made possible in part through the generous support of our Patron Club members!

    If you would like to help support the work of Broadway Nation I will information at the end of the podcast about how you too can become a Patron.

    If you are a fan ofBroadway Nation, I invite you too to become a PATRON!

    For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.

    All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits.

    If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link:

    https://broadwaynationpodcast.supercast.tech/

    Thank you in advance for your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Episode 126: THE LIVES OF NOEL COWARD, part 2 Nov 02, 2023
    Show notes

    My guest again this week is Oliver Soden, author of the amazing new biography:

    Masquerade — The Lives of Noel Coward.

    Today in the second part of our conversation Oliver relates how Noel Coward, while still in his early 20s, emerged as one of the signature voices of the 1920s, both in London and on Broadway.

    If you missed part one of our conversation you may want to catch up with that before listening to this one.

    Oliver Sodon is a writer and broadcaster whose previous books include the critically acclaimed 2019 biography of composer Michael Tippett. Oliver’s writing on art, music and literature has appeared in the Guardian, Spectator, London Review of Books, and the Times Literary supplement, and he is a frequent guest speaker on BBC radio and television broadcasts.

    Coward was without a doubt one of the most remarkable figures of the 20th Century and as you will hear Oliver and I had a great time talking about him. And it will be my pleasure to share that conversation with you over the next several episodes.

    Become a PATRON of Broadway Nation!

    This episode is made possible in part through the generous support of our Patron Club members!

    If you would like to help support the work of Broadway Nation I will information at the end of the podcast about how you too can become a Patron.

    If you are a fan ofBroadway Nation, I invite you too to become a PATRON!

    For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.

    All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits.

    If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link:

    https://broadwaynationpodcast.supercast.tech/

    Thank you in advance for your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Episode 125: MASQUERADE — THE LIVES OF NOEL COWARD Oct 26, 2023
    Show notes

    My guest this week is OLIVER SODEN, the author of a truly remarkable new book:

    Masquerade — The Lives of Noel Coward.

    As frequent listeners to this podcast may remember, as a teenager growing up in Cincinnati, Ohio, I developed an unlikely affinity for all things related to Noel Coward, inspired I am sure by that double record cast recording of the 1972 musical revue, Oh, Coward! — an album that I still love listening to. And from then on I was hooked! So this book is right in my wheelhouse!

    This is the first biography of Coward in nearly thirty years and it is a spectacular achievement — incredibly thorough and brilliantly researched. Perhaps most remarkably, as the title would indicate, Oliver Soden is able to encompass all of the many lives of Noel Coward — including his multiple careers as actor, singer, dancer, playwright, lyricist, composer, director, media celebrity, screenwriter, film director, and night club entertainer, as well as his hair-raising espionage career during World War II and his personal life, and romantic gay relationships which, of course, had to be kept secret at the time. But because of Soden’s exclusive and unrestricted access to Coward’s unpublished diaries and correspondence they are revealed here in more detail than ever before.

    And I was especially happy that this book gives equal weight to Coward’s musicals, revues, and songs as it does to his brilliant plays.

    Oliver Sodon is a writer and broadcaster whose previous books include the critically acclaimed 2019 biography of composer Michael Tippett. Oliver’s writing on art, music and literature has appeared in the Guardian, Spectator, London Review of Books, and the Times Literary Supplement, and he is a frequent guest speaker on BBC radio and television broadcasts.

    Noel Coward was without a doubt one of the most remarkable figures of the 20th Century, and as you will hear over the next several episodes, Oliver Soden and I had a great time discussing Coward and this extraordinary new biography.

     Become a PATRON of Broadway Nation!

    This episode is made possible in part through the generous support of our Patron Club members.

    If you would like to help support the work of Broadway Nation I will information at the end of the podcast about how you too can become a Patron.

    If you are a fan ofBroadway Nation, I invite you too to become a PATRON!

    For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.

    All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits.

    If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link:

    https://broadwaynationpodcast.supercast.tech/

    Thank you in advance for your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Episode 124: A PASSION FOR PASTICHE! Oct 19, 2023
    Show notes

    I am thrilled to announce that today’s episode is a Broadway Nation take over!

    Since I am currently wearing a number of hats including returning to Seattle's 5th Avenue Theatre to co-direct Irving Berlin’s White Christmas (which started rehearsals this week), AND working on deadline for my upcoming book (also titled Broadway Nation) but still in the midst of all that firmly committed to keeping new episodes of this podcast rolling out on a regular basis — this week I asked my frequent co-Host and audience favorite, ALBERT EVANS to take over the podcast and talk about any musical theater topic of his choice.

    And I couldn’t be happier that he selected: “Pastiche Musicals.”

    Many, many, musicals contain "pastiche songs" — new compositions that are designed to evoke or mimic song styles from the past. Stephen Sondheim, is a genius at these, and may be the most famous and adept creator of them. He loves writing pastiche and every Sondheim show includes at least one example. In Follies, of course, half the score is pastiche!

    Albert talks a bit about those, but his main focus in on musicals in which the entire show — book, music & lyrics — is pastiche. Most especially, the West End and Broadway hit, The Boyfriend, and the long running off-Broadway sensations Little Mary Sunshine, and Dames At Sea.

    All three of these musicals are tuneful, hilarious, and extremely gay — in every sense of that word!

    And with Albert as your guide I know that you will have a wonderful time discovering or reinvigorating your own passion for pastiche!

     Become a PATRON of Broadway Nation!

    This episode is made possible in part through the generous support of our Patron Club members including one of our newest members: Lois Hunter.

    If you would like to help support the work of Broadway Nation I will information at the end of the podcast about how you too can become a Patron.

    If you are a fan ofBroadway Nation, I invite you too to become a PATRON!

    For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.

    All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits.

    If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link:

    https://broadwaynationpodcast.supercast.tech/

    Thank you in advance for your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Special Encore Episode: Jesus Christ Superstar & the Rise of The Rock Musical! Oct 12, 2023
    Show notes

    Although nobody knew it at the time, in April of 1968 “The Golden Age of Broadway” came to an abrupt end on the opening night of the “tribal rock musical” HAIR, which took America by storm and created a shocking jump cut into what I call “The Modern Era" of the Broadway Musical. In this episode I share the story of the emergence and rise of the so called “Rock Musical”.

    To many HAIR, and the "Rock Musical", seemed like a total betrayal of the values, craftsmanship and traditions of Broadway. However, I see it, and the other new forms of musicals that rose to the forefront in The Modern Era, as just part of the inevitable ongoing evolution of a form that had always closely reflected what was going on in American culture.

    In the immediate wake of HAIR there were many shows that tried to emulate its triumph -- but only three found real success: Jesus Christ Superstar, Godspell, and Two Gentlemen of Verona. Later, the success of Godspell would lead directly to PIPPIN, and the success of Superstar led to Webber & Rice’s 1979 blockbuster EVITA, and the expansion and of their early musical Joseph And His Technicolor Dreamcoat.

    The term “Rock Musical” is something of a misnomer. Rock music, in is purest form, actually does not lend itself very well to musical theater storytelling. It’s musical, rhythmic, and lyric forms are much too limited and repetitive. The most successful “Rock Musicals” – from HAIR to RENT -- would more actually be called “rock flavored” musicals that employ a variety of rock, pop, R&B, folk, and latin styles mixed with traditional forms of songwriting.

    Over the coming years both Stephen Schwartz and Andrew Lloyd-Webber would move further and further away from Rock and do what Broadway composers had always done – combine the pop music of their day with an eclectic mix of musicals styles that best suited the story and characters they were dramatizing.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Episode 123: National Identity and the British Musicals, part 2 Oct 05, 2023
    Show notes

    Today’s episode is the second half of my recent discussion with author Grace Barnes whose fascinating new book it titled:

    National Identity and the British Musical — From Blood Brothers to Cinderella.

    In this conversation we explore how British national identity has, and often has not, been dramatized in British musical theater, and among the topics that we discuss are the musicals Blood Brothers, Mama Mia, Billy Elliott, The Last Ship, Bend It Like Beckham, and the current smash hit SIX, and, of course, the tremendous impact and domination that the mega musicals of Andrew Lloyd Webber and Cameron Mackintosh have had on the British musical theatre industry.

    We also discuss why UK critics so seldom give any serious consideration to musical theater , the near complete absence of female voices in British musical theater, and the future of British musicals.

    Grace Barnes is an independent scholar, director, and playwright who has worked as an associate and resident director on productions of My Fair Lady, Fiddler On the Roof, Into The Woods, Sunset Blvd, The Witches of Eastwick, Martin Guerre, West Side Story, and Guys And Dolls in the United Kingdom, Germany, and Australia. She has a PhD from the University of Technology in Sydney and her previous book is titled Her Turn Onstage — The Role Of Women In Musical Theatre.

    Become a PATRON of Broadway Nation!

    This episode is made possible in part through the generous support of our Patron Club members including one of our newest members: Lois Hunter.

    If you would like to help support the work of Broadway Nation I will information at the end of the podcast about how you too can become a Patron.

    If you are a fan ofBroadway Nation, I invite you too to become a PATRON!

    For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.

    All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits.

    If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link:

    https://broadwaynationpodcast.supercast.tech/

    Thank you in advance for your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Episode 122: National Identity and the British Musical — From Blood Brothers to Cinderella. Sep 28, 2023
    Show notes

    My guest today is Grace Barnes whose new book it titled:

    National Identity and the British Musical — From Blood Brothers to Cinderella.

    This is a fascinating book that explores how British national identity has, and often has not, been dramatized in British musical theater, and she does this by examining the content and context of musicals such as Blood Brothers, Mama Mia, Billy Elliott, The Hired Man and the current smash hit SIX.

    And, of course, she also considers the tremendous impact that the "mega musicals" such as Les Miserable and The Phantom Of The Opera (both of which are still running in London), as well as the tremendous power and domination that Andrew Lloyd Webber and Cameron Mackintosh have had on the British musical theatre industry.

    In addition she explores why UK critics so seldom give any serious consideration to musical theater and — in contrast to the way American musicals are often discussed — why British musicals are so often overlooked in national debates regarding culture and identity.

    This is the first part of our recent conversation in which we discuss all of that and more!

    Grace Barnes is an independent scholar, director, and playwright who has worked as an associate and resident director on productions of My Fair Lady, Fiddler On the Roof, Into The Woods, Sunset Blvd, The Witches of Eastwick, Martin Guerre, West Side Story, and Guys And Dolls in the United Kingdom, Germany, and Australia. She has a PhD from the University of Technology in Sydney and her previous book is titled Her Turn Onstage — The Role Of Women In Musical Theatre.

    Become a PATRON of Broadway Nation!

    This episode is made possible in part through the generous support of our Patron Club members including one of our newest members: Lois Hunter.

    If you would like to help support the work of Broadway Nation I will information at the end of the podcast about how you too can become a Patron.

    If you are a fan ofBroadway Nation, I invite you too to become a PATRON!

    For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.

    All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits.

    If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link:

    https://broadwaynationpodcast.supercast.tech/

    Thank you in advance for your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Special Encore Episode: Katherine Dunham & Agnes DeMille — The Craft & Art Of Broadway Choreography Sep 21, 2023
    Show notes

    This is an encore presentation of my conversation with author Liza Gennaro, regarding her fascinating book : Making Broadway Dance.

    Liza is currently the Dean of Musical Theater at the Manhattan School of Music and prior to that she had a very active and successful career as a dancer and choreographer on Broadway and with prominent theater companies across the country. Most notably she choreographed the hit Broadway revival of Frank Loessor’s The Most Happy Fella.

    As she writes in the introduction to her book, Liza came to her love and interest in musical theater dance genetically. Her father was Peter Gennaro, the Tony Award winning choreographer and star dancer of Broadway musicals and TV variety shows. And her mother, Jean Gennaro, was a ballerina turned Broadway dancer who danced for Bronislava Nijinska, Agnes De Mille, and Michael Kidd.

    As you might imagine, Liza grew up immersed in the world of Broadway, and all manner of dance, and she is able to weave all of that life experience into this remarkable book. I can’t think of anyone more uniquely qualified to write it.

    This episode focuses largely on two great female choreographers — Katherine Dunham and Agnes de Mille. I have stated that De Mille is arguably the most important woman in the history of Broadway musical – not including the star performers, of course — and she has received quite a bit of focus in previous episodes of this podcast. However, I am especially happy today to shine a spotlight on Katherine Dunham whose influence on Broadway dance — like that of many other black artists — has often been overlooked and undervalued. But her impact and significance cannot be denied.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


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