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    History

    Breaking Walls

    Breaking Walls: The Podcast on the History of American Network Radio Broadcasting.

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    Latest Episodes:
    BW - EP126—006: April 1954—Gildersleeve's Dinner Party Apr 12, 2022
    Show notes

    Willard Waterman had been portraying Throckmorton P. Gildersleeve since the fall of 1950 when Harold Peary left the program. In the spring of 1954 The Great Gildersleeve was airing Wednesdays at 8:30PM eastern time over NBC. Kraft had sponsored the program since its debut in 1941. The show’s 5.8 rating was good enough for fourteenth overall, and NBC’s fourth-highest program. It easily beat out CBS’ 21st Precinct, airing opposite at the same time. On April 14th, Gildersleeve hosted a “Dinner Party for Bronco’s Boss.” Parley Baer played Mr. Hammond. In the fall, Gildersleeve shifted formats, becoming a weeknight fifteen-minute serial, before returning to a half-hour in the fall of 1955. The last Great Gildersleeve radio episode would air on March 21st, 1957. For more info on the show’s transition from Peary to Waterman, tune into Breaking Walls episode 120.


    BW - EP126—005: April 1954—Illegal Immigrant Fears Apr 09, 2022
    Show notes

    In 1954, CBS Radio’s documentary unit presented a special feature series on a variety of hot-button topics. On April 11th, illegal Immigration from Mexico was their focus. Today, the term Wetback is rightfully one of derision and insult. It might have privately been considered the same in 1954, but in the mainstream it was used to describe anyone who swam into the US from across the Rio Grande River. At the height of Red Scare Mania, the fear was a communist spy could pose as a Mexican migrant. The next day in New York City, Bill Haley and the Comets recorded the ground-breaking single, “Rock Around The Clock.”


    BW - EP126—004: April 1954—Barrie Craig, Confidential Investigator Apr 07, 2022
    Show notes

    By April 1954, Himan Brown had been involved in radio for more than two decades. He’d directed, produced, or created shows like Inner Sanctum Mysteries, The Adventures of the Thin Man, Grand Central Station, Bulldog Drummond, Dick Tracy, Flash Gordon, and Barrie Craig, Confidential Investigator. William Gargan was born in Brooklyn, New York on July 17th, 1905. His father was a detective, and his mother a teacher. Gargan became a bootleg whiskey salesman, and later a private eye. His brother Edward was an actor. One day while visiting him at rehearsal, Gargan was offered a stage job. He began his career in Aloma of the South Seas. Gargan's first film was Rain. Later, he played in Misleading Lady and starred in three Ellery Queens. In 1940, he was nominated for a Best Supporting Actor Oscar for his role as Joe in They Knew What They Wanted. And in 1945, he starred with Bing Crosby and Ingrid Bergman in The Bells of St. Mary's. He was perhaps most famous for his role as Martin Kane, Private Eye. It was conceived as one of TV’s earliest detective shows, and ran concurrently on radio. Gargan played the lead on both mediums, until the TV show became—as he alleged in his autobiography, “a vehicle for the flesh parade.” He balked when actresses were hired more for cleavage than ability. Gargan’s last performance as Kane occured in June of 1951. That October 3rd, he began playing Barrie Craig in a similar sounding series. Craig worked alone from a Madison Avenue office, and had good relationships with the cops. NBC produced the show in New York until the Summer of 1954. Himan Brown directed. Production of Barrie Craig moved to Hollywood in the summer. It ran until June 30th, 1955. Gargan's acting career came to an end in 1958 when he developed throat cancer. Doctors were forced to remove his larynx. Speaking through an artificial voice box, he became an activist and spokesman for the American Cancer Society. No longer able to act, he formed William Gargan Productions, making film and tv shows in Hollywood.


    BW - EP126—003: April 1954—Nightwatch Apr 04, 2022
    Show notes

    In April 1954 Bill Froug was supervisor for a new CBS series called Night Watch. The show attempted to take Dragnet’s realism to the next level. It placed reporter Donn Reid in Culver City Officer Ron Perkins’ car. Reid rode the 6PM to 2AM shift, wearing a hidden wire to capture the high drama of the job. Before the premiere broadcast, Reid accumulated one-hundred reels of tape. It included criminals caught in the act, a homicide confession, and the statement of a drug addict. The show was produced by Sterling Tracy and announced by Dan Cubberly. Vernon McKenny was the engineer, and Ray Gerhardt the editor, removing all traces of real names and locales. Night Watch premiered on Monday April 5th at 10PM with an episode called “Nude Prowler.” Traveling in an unmarked car, Reed used a reel-to-reel tape recorder, with a microphone hidden in a flashlight. These were authentic, unscripted, and unrehearsed. In one case, Reid was nearly shot; in another, he was stabbed but was saved by a leather jacket. At the end of each show, Police Chief W. N. Hildebrand gave listeners updates on what happened to the people in each incident. Night Watch aired until April 21st, 1955. Donn Reed went on to be one of the first traffic helicopter reporters, and Ron Perkins eventually was elected Mayor of Culver City.


    BW - EP126—002: April 1954—The Eternal Light Apr 03, 2022
    Show notes

    In October 1944, in conjunction with the Jewish Theological Seminary, NBC began one of the longest-running religious programs in radio history. It was called The Eternal Light. Then in its tenth year, The Eternal Light dramatized stories from ancient Judaea, along with contemporary works like The Diary of Anne Frank. It was produced by Milton Krents. Many top New York radio actors appeared. NBC donated the air time and the Seminary paid for the show's production. On April 4th at 12:30PM eastern time over NBC’s WRCA in New York, The Eternal Light took to the air with a story entitled “Children of Liberty.” Although many radio programs were being canceled, The Eternal Light would air on radio and then television until 1989.


    BW - EP126—001: April 1954—Eisenhower Talks Fear, Lum And Abner Play Jokes Mar 31, 2022
    Show notes

    As the United States entered April 1954 with the cold war at its height, Congress and The President authorized the founding of the U.S. Air Force Academy in Colorado. Walt Disney was signing a contract with ABC—TV for a Disneyland series, with plans to build a new theme park in Southern California. Legendary conductor Arturo Toscanini was retiring, as Elvis Presley was recording his debut single, “That’s All Right.” The hydrogen bomb now existed. Brown vs. The Board of Education was being decided. A certain senator from Wisconsin was claiming the armed forces were rife with communist spies. And there was worry about involvement in present-day Vietnam. On April 4th, Dwight Eisenhower gave this speech on fear. Three days later, he unveiled his “Domino Theory,” portending that for every country who fell under Communism’s grip, more were likely to follow. It was no secret that Eisenhower didn’t see eye-to-eye with Senator McCarthy, and the former Supreme Commander of World War II’s Allied Forces understood how internal division could make a country vulnerable. That was the same for the radio industry, where those who could find work in TV were doing so with rapidity. Of the top fifteen TV shows, at least nine had begun on radio in some form. This included Dragnet, Arthur Godfrey, The Life of Riley, Our Miss Brooks, This Is Your Life, and The Jack Benny Show. But, American forefather Alexander Hamilton once said that, “in times of great chaos, people can make their name.” That was never truer than in the spring of 1954. Of course, as Joseph McCarthy would find out, people who create great chaos, can at times, lose theirs. Tonight, we’ll find out more. ________________________ In April 1954 Lum and Abner was airing as a weekday, fifteen minute serial. The show was syndicated out of KABC in Los Angeles. That year, The American Broadcasting Company’s flagship L.A. station had changed its call letters from KECA. Chester Lauck was Lum Edwards. Norris Goff was Abner Peabody. Although the comedy was reaching the end of the line, it was still one of the most beloved, folksy radio shows of all-time. On this day, Lum found out he needed famous ancestors if he wanted to marry Miss Priddle, while Abner set up a prank. Lum and Abner would sign off the air for the final time on May 7th. However the duo would star in one more film: Lum and Abner Abroad, in 1956.


    BW - EP125: March 1954—A World In Turmoil Mar 24, 2022
    Show notes

    In Breaking Walls episode 125 we continue our mini-series in March of 1954. —————————— Highlights: • Edward R. Murrow Sees It Now • Perry Mason Busts The Syndicate • The 1954 DNC in Florida • Cathy and Elliott Lewis Can’t Fight City Hall • Groucho Marx Bets His Life • Phil Harris and Alice Faye: Happy Couple In Cancellation • The End of the Expense Account For Johnny Dollar? • Escape’s Violent Night • Bing and Frank Swap Oscar Stories and Sing Songs • The 1954 Tony Awards from NBC with Audrey Hepburn • Looking Ahead to April with The Army/McCarthy Hearings —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today’s episode was: • On the Air — By John Dunning • Network Radio Ratings — by Jim Ramsburg • The Complete Escape Log — By Keith Scott As well as articles from • Broadcasting Magazine • LIFE Magazine —————————— On the interview front: • Alice Faye and John Guedel spoke to Chuck Schaden. Hear their full chats at SpeakingOfRadio.com. • Mandel Kramer and William N. Robson spoke to Dick Bertel and Ed Corcoran for WTIC’s The Golden Age of Radio. Hear these full interviews at Goldenage-WTIC.org. • Harry Bartell, Mary Jane Croft, Don Diamond, Jack Johnstone and Byron Kane spoke to SPERDVAC. For more info, go to SPERDVAC.com. • Dick Joy, Elliott Lewis, and E. Jack Neuman spoke with John Dunning for his 71KNUS program from Denver. • Norman Macdonnell was with John Hickman for his Gunsmoke documentary. • William Conrad spoke to collector Chris Lambesis in 1969. • And Bing Crosby spoke with Barbara Walters in 1977. —————————— Selected music featured in today’s episode was: • Fever — By Peggy Lee • Sleep Walk — By Henri René • Exotique Bossa Nova — By Martin Denny • The Venice Dreamer Parts 1 & 2 — By George Winston • Danse Macabre — By Camille Saint-Saëns —————————— A special thank you to Ted Davenport, Jerry Haendiges, and Gordon Skene. For Ted go to RadioMemories.com, for Jerry, visit OTRSite.com, and for Gordon, please go to PastDaily.com. —————————— Thank you to: Tony Adams Steven Allmon Orson Orsen Chandler Phil Erickson Jessica Hanna Briana Isaac Thomas M. Joyce Ryan Kramer Gary Mollica Barry Nadler Christian Neuhaus Aimee Pavy Ray Shaw —————————— WallBreakers Links: Patreon - patreon.com/thewallbreakers Social Media - @TheWallBreakers


    BW - EP125—010: March 1954—Looking Ahead To April Mar 22, 2022
    Show notes

    As March drew to a close, Mutual Broadcasting’s Frank Hemingway took to the air on March 30th with the evening news from KHJ in Los Angeles. ___________ With the hydrogen bomb in development, Russia wanted to join NATO. In Washington, President Eisenhower was making changes to the Taft-Hartley Labor Law. And in present-day Vietnam, a massive battle was taking place at the French military base at Dien Bien Phu. The March 30th news broadcast hinted at things to come. ___________ Next time on Breaking Walls, April ushers in the Army-McCarthy Hearings, Presidential Speeches, Schemers, Slanderers, Nude Prowlers, and even a Benny Seance.


    BW - EP125—009: March 1954—The 1954 Tony Awards on NBC with Audrey Hepburn Mar 20, 2022
    Show notes

    The eighth-annual Antoinette Perry Awards for Excellence in Broadway Theatre were held at the Plaza Hotel’s Grand Ballroom on March 28th, 1954. Broadcast on radio by NBC, it was emceed by Ben Grauer and Faye Emerson. ____________ The entire post-dinner awards ceremony took thirty minutes. Some of the plays and musicals of note that season were Ondine, Kismet, Can-Can, The Teahouse of The August Moon, and John Murray Anderson's Almanac. ____________ Dolores Grey won a Tony for Carnival in Flanders, even though this Broadway musical ran for only six performances. It’s a still-standing record for the briefest run by a Tony winner. ____________ This was David Wayne's second and final Tony award. He would appear in numerous films and TV, including starring alongside Paul Muni in the 1959 film, The Last Angry Man. ____________ 1954 was a banner year for the twenty-five year old Audrey Hepburn. Three days earlier she won a Best Actress Oscar for her starring role in Roman Holiday. She’d also won a Golden Globe for the same film. In September, Sabrina would premiere, for which she was again Oscar nominated the following year.


    BW - EP125—008: March 1954—Frank And Bing Sing After Frank's Oscar Win Mar 17, 2022
    Show notes

    By March of 1954 Bing Crosby’d been in the public eye for more than two decades. He had numerous hit records, and won an Oscar for best actor in Going My Way in 1944. On Radio, Bing helped usher in primetime transcription with Philco in 1946. Crosby had been on CBS radio since 1949 and sponsored by General Electric since 1952. He was reluctant to star in a regular TV show, fearing overexposure. The 1954 Academy Awards were held on March 25th. That same day, RCA announced the first color television set. It was a twelve-inch screen, priced at one-thousand dollars, or roughly ten grand today. On the Sundays bookending those awards, Frank Sinatra was a guest on Bing’s program. Frank would win a Best Supporting Actor Oscar for Maggio in From Here to Eternity. On this latter program from March 28th, Frank talks and jokes about his experience. The two are in rare form, especially with a trio of songs. The series ended on May 30th, 1954. With radio audiences in steep decline, Crosby decided against a weekly radio show with expensive guest stars and a twenty-two piece orchestra. Bing’s son Gary took over the timeslot in June for thirteen weeks. In November 1954, Bing returned to the airwaves with a weeknight fifteen-minute program. He spoke about all manner of different subjects and usually included three songs. Broadcasting Magazine estimated the production cost to be twenty-seven hundred dollars per episode.


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