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    History

    Breaking Walls

    Breaking Walls: The Podcast on the History of American Network Radio Broadcasting.

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    Latest Episodes:
    BW - EP130—008: Philip Marlowe Comes To Radio—The Celebrated Life And Tragic Death Of Jeff Chandler Aug 16, 2022
    Show notes

    The August 8th episode of Philip Marlowe was called “Robin and The Hood.” Jeff Chandler guest-starred playing a dual role. Born Ira Grossel in Brooklyn, New York on December 15th, 1918, he acted in high school with classmate Susan Hayward. Chandler went to the Feagin School of Dramatic Art and had a stint with a theater troupe. He served in the Pacific, finishing World War II as a Lieutenant. After being discharged in December of 1945, he moved to Los Angeles. By August of 1947 he was all over radio as one of hollywood's reliable character men. That autumn he was cast as the lead in The New Adventures of Michael Shayne, a syndicated program produced by Bill Rousseau and Don W. Sharpe. In July of 1948, Chandler was cast opposite Eve Arden in Our Miss Brooks. But on August 8th, 1947, he was featured on The Adventures of Philip Marlowe. In 1949 Chandler was cast as Israeli leader “Kurta” in the film, Sword in the Desert. He impressed studio executives so much with his work that shortly into filming, Universal signed him to a seven-year contract. The next year, 20th Century Fox borrowed Chandler for the role of Cochise in Broken Arrow. He starred alongside James Stewart. The performance earned him an Academy Award nomination and established him as an A-list star. Radio suddenly was less of a possibility due to time constraints, but if Chandler was leaving radio, it was against his will. In May of 1951 Chandler told the Chicago Tribune that he didn’t find film acting nearly as gratifying as radio. He wanted to eventually branch off into writing and directing. When Our Miss Brooks moved into TV in 1952, he wasn’t allowed to make the transition with the rest of the cast. Chandler would spend the rest of the decade making films. On April 15th, 1961, Jeff Chandler was in the Philippines while working on Merrill’s Marauders. While playing a pickup game of basketball with some soldiers he severely injured his back. He was given injections to deaden the pain so he could finish the film. On May 13th, he entered a Culver City hospital to have surgery for a spinal disc herniation. An artery was damaged during surgery and Chandler hemorrhaged. Four days later, in a seven-and-a-half-hour emergency operation, he was given fifty-five pints of blood. A third operation followed, on May 27th. An infection followed, complicated by pneumonia he caught at the hospital in his weakened state. Jeff Chandler never recovered. He died on June 17th, 1961. He was forty-two. More than fifteen hundred people attended his funeral. Pallbearers included Tony Curtis and Gerald Mohr. For more information on Jeff Chandler, tune into Breaking Walls episode 90, or episode 106.


    BW - EP130—007: Philip Marlowe Comes To Radio—The King In Yellow Aug 13, 2022
    Show notes

    On July 8th, 1947, NBC broadcast an adaptation of “The King In Yellow,” originally published in Dime Detective Magazine in March of 1938. It’s a seedy saga of a hot trumpet player whose boorish behavior gets him killed. Among those featured in this episode were Gerald Mohr, Gloria Blondell, Bill Johnstone, Willard Waterman, and Howard McNear. By the late 1940s many of Chicago’s radio stars had migrated to Hollywood, working on shows across all four networks. By the end of July, Marlowe’s 8.0 rating was seventh overall, and the show’s production cost just one dollar per the number of urban listeners.


    BW - EP130—006: Philip Marlowe Comes To Radio—Initial Reviews Aug 11, 2022
    Show notes

    The June 17th, 1947 edition of Billboard Magazine reviewed the first Marlowe episode. It was noted that similar shows were expected to pull a rating of 7.5. The magazine stated that “Milton Geiger's adaptation adhered to Red Wind's language almost to the letter, and captured most of the colorful, almost poetic flavor. “On the debit side was the enormity of the job of breaking down Chandler's complex plotting within the thirty minute limit. The program galloped through the first fifteen minutes as the action unfolded. “The Second half pace slowed down to a crawl, however, as everyone desperately strove to clarify the proceedings. Repeated conjecture and explanation of the cast's intricate relationships unfortunately had confusion rampant by the end.” The reviewer was quick to point out that “Even films, found that ninety minutes was hardly enough to cram in all of Chandler’s ideas. Perhaps the shorter stories will prove more suited for air. Their flair for mood and language certainly is hard to surpass. “The commercials were harsh and repetitive, stressing that Pepsodent is "preferred three to one" by American families. Foote, Cone & Belding seems to be trying its Lucky Strike technique on the dentifrice. It's a three to one bet that the incessant "three to one" chatter becomes as notorious as LS/MFT.” On the lead Billboard stated: “Heflin's emoting in the role of the tough guy with a heart was effective, with excellent character projection. Lurene Tuttle, as the woman in the case, put on her usual good performance. Producer James Fonda struggled valiantly to keep the pacing level, but was handcuffed by the urgency of the story. The script contained an inside joke. The name of Lola’s dead lover was changed to Johnny Dalmas, the name of the original detective in Chandler’s “Red Wind” before the story became Marlowe’s. Chandler thought it was flat. Van Heflin was too recognizable. He didn’t like picturing Heflin’s face emoting Marlowe’s lines. Erle Stanley Gardner told Chandler the show’s plot and narration moved too fast to be understood. There was a bigger argument at stake within the industry: Were summer replacements a worthwhile investment? Sponsor Magazine claimed that it cost advertisers money to take a thirteen-week hiatus. It was money lost in the form of lower summertime ratings. But, You couldn’t just blame it on Summer replacements though. For example, Bob Hope’s 1946-47 rating was 27.6, but his combined rating for June and September 1947 was 14.4. People spent more time outdoors in warm months. It didn’t matter what was on the air. Plus, there was still no way to effectively measure car radio ratings. Given that Hope’s show cost twenty-one thousand weekly dollars to produce, while Marlowe cost just four thousand, Pepsodent was getting a bargain. By the end of summer, Marlowe was the highest-rated summer replacement series on the air.


    BW - EP130—005: Philip Marlowe Comes To Radio—Marlowe Launches With Red Wind Aug 09, 2022
    Show notes

    The Adventures of Philip Marlowe debuted on NBC with “Red Wind” on June 17th, 1947. The 1938 short story is set on one of those evenings when the hot, dry Santa Ana wind gusts through Los Angeles, turning the mood sour. The program aired live at 10PM on the east coast, with a second broadcast done at 9PM for the west. The script was adapted by Milton Geiger. Jim Fonda directed. Wendell Niles announced. Harry Bartell played the bartender. Lurene Tuttle was Lola Barsley. The episode also featured Elliot Reid, Bill Johnstone, and William Conrad. By the summer of 1947, Lurene Tuttle was well-known for co-starring on The Adventures of Sam Spade. It was a decidedly different character.


    BW - EP130—004: Philip Marlowe Comes To Radio—Radio Ratings In The Spring Of 1947 Aug 07, 2022
    Show notes

    By the middle of 1947, nearly eleven million babies had been born in the U.S. since the end of World War II. Young parents were staying home with their children. Homes with radios jumped six percent, car radios twenty-nine percent. Over the next year, radio would have its largest audience in history. The four major networks added one-hundred forty-seven affiliates. Network revenue topped two-hundred million dollars. NBC had the top seven shows. The Bob Hope Show closed the 1946-47 season as radio’s highest-rated program. The comedian pulled a rating of 27.6. Network fed programs generally had thirteen, twenty-six, thirty-nine, or fifty-two weeks contracts. Hope’s NBC contract ran for thirty-nine. Pepsodent would sponsor the new Philip Marlowe series in Hope’s time slot. Hope’s show cost twenty-one thousand dollars each week to produce. Marlowe would cost four-thousand. Heflin guest-starred on Hope’s June 3rd program to help promote the series. The Adventures of Philip Marlowe would begin the first week of June. For more information on the state of the world in 1947, tune into Breaking Walls episodes 97, 98, and 99.


    BW - EP130—003: Philip Marlowe Comes To Radio—Van Heflin, Movie Star Aug 03, 2022
    Show notes

    Van Heflin was born on December 13th, 1908 in Walters, Oklahoma. The son of a dentist, he began his acting career on Broadway in the late 1920s. Between 1928 and 1936 he appeared in. Mr. Moneypenny, The Bride of Torozko, The Night Remembers, Mid-West, and End of Summer. That year Heflin signed with RKO and made his film debut opposite Katherine Hepburn in A Woman Rebels. He spent the next five years playing character parts. He made his radio debut on The Columbia Workshop in 1938. Heflin signed with MGM as the U.S. was getting into World War II. In 1942 his role as Jeff Hartnett in Johnny Eager won him a best-supporting actor academy award. He got top billing in two B-Films, Kid Glove Killer and Grand Central Murder. Both were popular. Encouraged, MGM cast him as Kathryn Grayson's love interest in a musical, Seven Sweethearts. He soon played Judy Garland's love interest in Presenting Lily Mars, before enlisting in the US army airforce as a combat cameraman. He made a radio appearance too, in Arch Oboler’s Parade over Mutual on August 2nd, 1945. This was less than two weeks before the end of the war. After the war, MGM loaned him to Hal Wallis to appear opposite Barbara Stanwyck in The Strange Love of Martha Ivers, and to Warner Bros to co-star with Joan Crawford in Possessed. It was a hit and more radio followed. On January 30th, 1947 Heflin guest-starred on this episode of Suspense. A month later he guest-starred on Family Theater, and in May, he was featured on Lux Radio’s “Vacation From Marriage.” Three weeks later, Heflin would begin playing Philip Marlowe.


    BW - EP130—002: Philip Marlowe Comes To Radio—Who Is Philip Marlowe Aug 02, 2022
    Show notes

    Philip Marlowe, born in Santa Rosa, California, is six feet tall and weighs one-hundred ninety pounds. He has dark wavy hair. In Chandler’s first Marlowe novel, The Big Sleep, set in 1936, he’s thirty-three. Marlowe had two years of college and was an investigator for the LA District Attorney. He was fired for insubordination. His office is in the Cahuenga Building on Hollywood Boulevard near Ivar. James Bond author Ian Fleming once asked Raymond Chandler why he set the Marlowe stories in Los Angeles. Through Marlowe’s eyes, L.A. comes to life. He frequents everything from the nightclubs of West Hollywood to the seedy downtown hotels, from the Pasadena mansions to the Santa Monica gambling ships, from the Hollywood glamor factories to the rundown bus depots. He drinks whiskey, usually Four Roses or Old Forester, and sometimes drinks Gin. His preferred coffee is black and his cigarette brand is Camel. At home, he smokes a pipe, especially while playing chess by himself. It was said that Chandler wrote like “a slumming angel invested in the sun-blinded streets of LA with a romantic presence.” The second Marlowe novel, Farewell, My Lovely, was published in 1940. This was followed by The High Window in 1942 and The Lady In The Lake in 1943. The first official Marlowe film was Murder My Sweet with Dick Powell in 1944. Powell played the adaptation of Farewell, My Lovely on the June 11th, 1945 episode of The Lux Radio Theatre. Humphrey Bogart starred in the 1946 adaptation of The Big Sleep heard opposite Lauren Bacall at the beginning of this act. That same year Chandler and his wife bought a home in ​​La Jolla. In early 1947 two new Marlowe films came to theaters. The Lady In The Lake starring Robert Montgomery was released in January. Montgomery reprised his role on the February 9th, 1948 episode of Lux. Then in February, an adaptation of The High Window called The Brasher Doubloon came to theaters starring the unrelated George Montgomery. Marlowe was a hot commodity. On March 22nd, it was announced that NBC would be bringing a summer series to the air. Tuesday nights were NBC’s highest-rated evening, and although summer ratings were always the year’s lowest, NBC executives had high-hopes that Marlowe would be a perfect fit Tuesday nights at 10PM eastern, 9PM pacific. The ad agency Foote, Cone, and Belding made a deal with MGM. They tabbed rising leading man Van Heflin to play Marlowe.


    BW - EP130—001: Philip Marlowe Comes To Radio—Who Was Raymond Chandler Jul 31, 2022
    Show notes

    La Jolla, California. 1947. We’re at 6005 Camino de la Costa at the home of Raymond Chandler. It’s been three years since the fifty-nine year-old wrote a full length novel. Instead he’s worked on two screen plays. Chandler co-adapted Double Indemnity with Billy Wilder, and penned The Blue Dahlia. Both earned him Academy Award nominations. Looking for more income, his agent has negotiated a deal for Chandler to help bring a thirteen-week summer series to NBC. It’ll sub for Bob Hope on Tuesday nights. The main character? Chandler’s detective Philip Marlowe. To date Marlowe had been the focal point of four novels and four films — including two almost simultaneously released this past winter. This will, however, be the first time that Philip Marlowe comes to radio’s airwaves in a regular show. Tonight, we’ll go back in time and spotlight that summer’s highest-rated replacement series The Adventures of Philip Marlowe, starring Van Heflin. ___________ Raymond Chandler was born on July 23rd, 1888 in Chicago, Illinois. He spent his early years in Nebraska until his father, an alcoholic railway civil engineer, abandoned the family. In 1900 his Irish mother Florence moved with Raymond to England. Chandler went to Dulwich College in London. In 1907 he became a naturalized British subject and took a job as an Admiral, but resigned. He grabbed a reporter position at the Daily Express and later the Westminster Gazette. Unhappy in England, Chandler wanted to be a writer, so he returned to America in 1912. He settled in San Francisco, where he took a correspondence course in bookkeeping. His mother joined him there soon after. They moved to Los Angeles in 1913, where he strung tennis rackets, picked fruit, and found steady employment with the Los Angeles Creamery. But then, The U.S. and Canada finally joined World War I. In 1917 Chandler enlisted in the Canadian Expeditionary Force. He saw combat in the trenches in France and was twice hospitalized with Spanish flu. He was in flight training with the Royal Air Force when the war ended. He returned to Los Angeles and began a love affair with Cissy Pascal, a married woman eighteen years his senior. She amicably divorced her husband in 1920, but Chandler's mother disapproved of the relationship and refused to sanction the marriage. For the next four years Chandler supported both. His mother passed away in 1923. Raymond married Cissy on February 6th, 1924. Having begun in 1922 as a bookkeeper and auditor, by 1931 he was a highly paid VP at the Dabney Oil Syndicate. But he suffered frequent mental health breakdowns. He drank too much, skipped work, was promiscuous with female employees, and he publicly threatened suicide. Chandler was fired in 1932. Detective and suspense shows had been on radio since the medium’s inception. They were often similar to dime store novels. Sherlock Holmes began in 1930. Chandler taught himself to write pulp-style fiction by analyzing a novelette by Erle Stanley Gardner. His first story, "Blackmailers Don't Shoot", was published in Black Mask Magazine in 1933. His lead character was called “Mallory.” It took him five months to finish the story. Erle Stanley Gardner wrote entire stories in three or four days. He later said, “Wandering up and down the Pacific Coast in an automobile, I began to read pulp magazines. This was in the great days of Black Mask. It struck me that some of the writing was pretty forceful and honest, even though it had a crude aspect. I decided that this might be a good way to try to learn to write fiction and get paid a small amount of money at the same time. I spent five months on an eighteen-thousand word novelette and sold it for one-hundred-eighty dollars. After that I never looked back, although I had many uneasy periods looking forward.”


    BW - EP129: Radio, Roswell And The Flying Saucer Craze (1947 - 1955) Jul 28, 2022
    Show notes

    In Breaking Walls episode 129 we honor the seventy-fifth anniversary of the Roswell incident by focusing on Radio and the mid-century flying saucer craze. —————————— Highlights: • World War II, Kenneth Arnold, Roswell, and “Project Saucer” • The Chicago Roundtable Attempts to Answer What Life on Other Planets Would Look Like • Sightings in The Spring of 1950 — Dimension X Launches • The 1950 Radio Landscape with Red Skelton • Fibber McGee Sees a UFO • Harris And Remley’s UFO Hoax • Edward R. Murrow’s Report on Flying Saucers • Dangerous Assignment’s UFOs in Ecuador • UFO Sightings during the Korean War • You Bet Your Life’s UFO Enthusiast • KNX, Ralph Story, And UFO Mania • Roy Rogers Takes Us Home • Conclusions? Closing Credits and a New Mystery —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today’s episode was: • On the Air — By John Dunning • Network Radio Ratings — by Jim Ramsburg As well as articles from: • Broadcasting Magazine • LIFE Magazine • Radio Daily —————————— On the interview front: • Alice Faye, Jim Jordan, Elliott Lewis, and Lurene Tuttle spoke to Chuck Schaden. Hear their full chats at SpeakingOfRadio.com. • John Gibson, Jim Jordan, and Arnold Moss spoke to Dick Bertel and Ed Corcoran for WTIC’s The Golden Age of Radio. Hear these full interviews at Goldenage-WTIC.org. • Jim Jordan also spoke with John Dunning for his 71KNUS program from Denver • Lilian Buyeff and Sam Edwards spoke to SPERDVAC. For more info, go to SPERDVAC.com. • Elliott Reid spoke with Frank Bresee • Red Skelton spoke with Dini Petty —————————— Selected music featured in today’s episode was: • I Put a Spell on You — By Screaming Jay Hawkins • Pyramid of the Sun — By Les Baxter • What A Fool I Was — By Percy Mayfield • Happy Trails To You — By Dale Evans and Roy Rogers • Someone To Watch Over Me — By Blossom Dearie —————————— A special thank you to Ted Davenport, Jerry Haendiges, and Gordon Skene. For Ted go to RadioMemories.com, for Jerry, visit OTRSite.com, and for Gordon, please go to PastDaily.com. —————————— Thank you to: Tony Adams Steven Allmon Orson Orsen Chandler Phil Erickson Jessica Hanna Perri Harper Briana Isaac Thomas M. Joyce Ryan Kramer Earl Millard Gary Mollica Barry Nadler Christian Neuhaus Aimee Pavy Ray Shaw Filipe A Silva —————————— WallBreakers Links: Patreon - patreon.com/thewallbreakers Social Media - @TheWallBreakers


    BW - EP129—013: Radio, Roswell And The Flying Saucer Craze—Conclusions And Looking Ahead To August Jul 27, 2022
    Show notes

    By 1955 radio’s days as America’s chief entertainment medium were over. However, while radio drama was dying out, UFO sightings were becoming more prevalent. Some were so outlandish they were hard to believe. Others were chillingly real. For example: On September 19th, 1961 Betty and Barney Hill had a widely known abduction experience. The Hills saw a huge flying disc while driving home one night on Route 3 in New Hampshire. They later awoke back in their car with missing time, something common for abductees. Hypnosis later revealed they were abducted and medically examined by small extraterrestrials. What added to the Hills’ credibility was the fact that both were afraid to tell their story. They were an interracial couple, and concerned it would hurt their credibility as they were active in the Civil Rights movement. Their experience was most certainly not for publicity. In recent years, Unidentified Aerial Phenomena has been verified by various world governments, and the public’s fascination with the mystery remains. Well, it’s a good thing that the subject of our next Breaking Walls episode knows how to get to the bottom of a hard-boiled mystery. Next time on Breaking Walls we head back to the Summer of 1947 as for the first time in a major series, Raymond Chandler’s famous detective Philip Marlowe signs on the air.


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