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Escape - The Most Dangerous Game (10-01-47) Oct 29, 2009

Show notes

Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with the introduction, intoned by Paul Frees and William Conrad: "Tired of the everyday routine? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven," George R. Stewart's Earth Abides, Richard Connell's "The Most Dangerous Game," F. Scott Fitzgerald's "The Diamond as Big as the Ritz," John Collier's "Evening Primrose", later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. Vincent Price and Harry Bartell were heard in the chilling "Three Skeleton Key," the tale of three men trapped in an isolated lighthouse by thousands of rats. The half-hour was adapted from an Esquire short story by the French writer George Toudouze. THIS EPISODE:October 1, 1947. CBS network. "The Most Dangerous Game". Sustaining. A big game hunt for the biggest game of all...man! Hans Conried, Irving Ravetch (adaptor), Paul Frees, Richard Connell (writer), William N. Robson (producer), Richard Sanville (director), Cy Feuer (music conceiver, conductor). 1/2 hour.

The Adventures Of Sam Spade - The Fairly-Bright Caper (10-31-48) Oct 28, 2009

Show notes

The Adventures of Sam Spade was a radio series based loosely on the private detective character Sam Spade, created by writer Dashiell Hammett for The Maltese Falcon. The show ran for 13 episodes on ABC in 1946, for 157 episodes on CBS in 1946-1949, and finally for 51 episodes on NBC in 1949-1951. The series starred Howard Duff (and later, Steve Dunne) as Sam Spade and Lurene Tuttle as his secretary Effie, and took a considerably more tongue-in-cheek approach to the character than the novel or movie. In 1947, scriptwriters Jason James and Bob Tallman received an Edgar Award for Best Radio Drama from the Mystery Writers of America. Before the series, Sam Spade had been played in radio adaptations of The Maltese Falcon by both Edward G. Robinson (in a 1943 Lux Radio Theater production) and by Bogart himself (in a 1946 Academy Award Theater production), both on CBS.THIS EPISODE:October 31, 1948. CBS network. "The Fairly Bright Caper". Sponsored by: Wildroot Cream Oil. Spade is hired to protect a Halloween party, which is only slightly complicated by a witch and a murder! Howard Duff, Lurene Tuttle, Dick Joy (announcer), Dashiell Hammett (creator). 29:28.

Dragnet - The Big Pair (09-21-50) Oct 27, 2009

Show notes

Dragnet was a long-running radio and television police procedural drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as "a cop's cop, tough but not hard, conservative but caring." (Dunning, 210) Friday's first partner was Sgt. Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. When Dragnet hit its stride, it became one of radio's top-rated shows. While most radio shows used one or two sound effects experts, Dragnet needed five; a script clocking in at just under 30 minutes could require up to 300 separate effects. Accuracy was underlined: The exact number of footsteps from one room to another at Los Angeles police headquarters were imitated, and when a telephone rang at Friday's desk, the listener heard the same ring as the telephones in Los Angeles police headquarters. A single minute of "A Gun For Christmas" is a representative example of the evocative sound effects featured on "Dragnet". While Friday and others investigate bloodstains in a suburban backyard, the listener hears a series of overlapping effects: a squeaking gate hinge, footsteps, a technician scraping blood into a paper envelope, the glassy chime of chemical vials, bird calls and a dog barking in the distance. Scripts tackled a number of topics, ranging from the thrilling (murders, missing persons and armed robbery) to the mundane (check fraud and shoplifting), yet "Dragnet" made them all interesting due to fast-moving plots and behind-the-scenes realism. In "The Garbage Chute" (15 December 1949), they even had a locked room mystery. THIS EPISODE:September 21, 1950. Program #67. NBC network. "The Big Pair". Sponsored by: Fatima Cigarettes. A couple run a racket of selling all the furniture in the houses of families out of town, starting with a little girl and her grandfather. Jack Webb, Barton Yarborough. 29:31.

CBS Radio Mystery Theater - The Oblong Box (01-08-75) Oct 25, 2009

Show notes

The CBS Radio Mystery Theater - As you walk through the creaking door you enter into another world, the world of imagination. This world is inside you, a part of you, and you take this journey alone. Each person hears and then sees with his or her mind's eye the events portrayed within these dramas. All of us interprets what they hear differently. The images we see is unique to ourselves. A voice becomes a person, living, breathing they come alive. They take on a physical form and characteristics that we assign to them. The wonders of your own mind are boundless. Scary thoughts? Perhaps, but what powers they bring us! To exercise one's imagination is to exercise one's soul. These dramas provide us with an escape from reality. To adventures beyond our own lives. Enjoy them. And pleasant dreams!THIS EPISODE:January 8, 1975. Program #199. CBS network. "The Oblong Box". Sponsored by: Buick, Sine-Off. E. G. Marshall (host), Edgar Allan Poe (author), George Lowther (adaptor), Richard Mulligan, Grace Matthews, Bryna Raeburn, Court Benson. 52 minutes.

Confession - Leo J Fowler Case (08-30-53) Oct 24, 2009

Show notes

Confession - NBC 30 minutes Sunday at 9:30PM.Cast Paul Frees, James Edwards, Jester Hairston, Jay Loughlin, Jonathan Hole, Mady Norman, Don Brinkley (writer), Michael Samoge (? music), Warren Lewis (script supervisor), Homer Canfield (director), John Wald (announcer). Had a texture and sound not unlike Dragnet, indeed the influence was realized throughout the show. These were true stories of Crime and Punishment, the obvious difference that Dragnet began with the crime while Confession unfolded in reverse order, from the end. Confession was less noisy, it's theme was played on a single piano, but there was still the deadpan dialogue, the thief or killer giving his confession with an air of resignation and defeat. The criminal thus became a stream-of-consciousness narrator, with the action frequently cutting away into drama. "Names were changed to protect the legal rights of the subject".

The Amos & Andy Show - Raiding The Piggy Bank (09-09-47) Oct 23, 2009

Show notes

The Amos 'n' Andy Show - Amos 'n' Andy was a situation comedy popular in the United States from the 1920s through the 1950s. The show began as one of the first radio comedy serials, written and voiced by Freeman Gosden and Charles Correll and originating from station WMAQ in Chicago, Illinois. After the series was first broadcast in 1928, it grew in popularity and became a huge influence on the radio serials that followed. Amos 'n' Andy creators Gosden and Correll were white actors familiar with minstrel traditions. They met in Durham, North Carolina in 1920, and by the fall of 1925, they were performing nightly song-and-patter routines on the Chicago Tribune's station WGN. Since the Tribune syndicated Sidney Smith's popular comic strip The Gumps, which had successfully introduced the concept of daily continuity, WGN executive Ben McCanna thought the notion of a serialized drama could also work on radio. He suggested to Gosden and Correll that they adapt The Gumps to radio. They instead proposed a series about "a couple of colored characters" and borrowed certain elements of The Gumps. Their new series, Sam 'n' Henry, began January 12, 1926, fascinating radio listeners throughout the Midwest. That series became popular enough that in late 1927 Gosden and Correll requested that it be distributed to other stations on phonograph records in a "chainless chain" concept that would have been the first use of radio syndication as we know it today. When WGN rejected the idea, Gosden and Correll quit the show and the station that December. Contractually, their characters belonged to WGN, so when Gosden and Correll left WGN, they performed in personal appearances but could not use the character names from the radio show.THIS EPISODE:September 30, 1947. Program #72. NBC network origination, AFRS rebroadcast. "Piggy Bank Show". The Stevens' twenty fifth anniversary piggy bank is empty and must be refilled...quickly! Freeman Gosden, Charles Correll, Jeff Alexander and His Orchestra, The Jubalaires, James Basquette, Eddie Green, Ernestine Wade, Art Gilmore (nouncer). 30:09.

Cloak & Dagger - Behind The Lines (05-07-50) Oct 21, 2009

Show notes

Cloak & Dagger - "Are you willing to undertake a dangerous mission for the United States, knowing in advance you may never return alive?" Cloak and Dagger first aired over the NBC network on May 7, 1950. It had a short run through the Summer on Sundays, changing to Fridays after its Summer run. The last show aired Oct. 22, 1950. This is the story of the WWII special governmental agency, the OSS, or Office of Strategic Services. Its mission was to develop and maintain spy networks throughout Europe and into Asia, while giving aid to underground partisan groups and developing espionage activities for Allied forces overseas.The show is based on the book of the same name by Lt. Col. Corey Ford and Major Alastair MacBain (who were associated with the OSS from its early days.) The dramas are not Hollywood-style, in that they sometimes end with plans foiled or leading characters dead. THIS EPISODE:May 7, 1950 "Behind The Lines" - NBC network. Sustaining. 4:00 P. M. Colonel Corey Ford introduces the series before the story. An announcement is made that this is the first show of the series, but in an ambigiuous way. The stories are based on a book by Corey Ford and Alistair McBain. An American O. S. S. member parachutes into occupied Austria on a spying mission, but makes a serious mistake. Keep your eye on the button! The story is untitled in NBC records. The program of May 14, 1950 was pre-empted for a speech by President Truman. Joseph Julian, Berry Kroeger, Raymond Edward Johnson, Karl Weber (announcer), Winifred Wolfe (writer), Louis G. Cowan (producer), Ross Martin, Bernard Philips (?), Dolly Haas, Sherman Marks (director, supervisor), Jon Gart (music director), Corey Ford (host, author), Alistair MacBain (author). 29:50.

Academy Award Theater - Pride Of The Marines (06-15-46) Oct 21, 2009

Show notes

Academy Award Theater - Stars and movies with Oscars were the idea - in most cases, the movie stars recreated their academy award roles for the show, or in other cases, fine actors played the parts and gave it a different character. Both ways make for great radio drama and first class Hollywood motion picture star entertainment. The Lux Radio Theater had been doing this kind of radio show in the grandest manner for many years, but sponsor Squibb had the hubris and deep pockets to take on the competition by doing Academy Award Theater right after the Second World War. The year 1946 was pre-television, and so movies were still the major American visual art form, with radio the other popular network entertainment. In this final pre-TV time, Academy Award Theater was thought of as a premier radio production, a wow show, much like CinemaScope was to be in the 1950's when Hollywood felt the box office blow of early TV.All text on OTRCAT.com are ©2006 OTRCAT INC - All Rights Reserved. Reproduction is prohibited.THIS EPISODE:June 15, 1946. CBS netword. "Pride Of The Marines". Sponsored by: Squibb. A marine blinded in the war finally returns to the girl he left behind. John Garfield, Rosemary De Camp, Frank Wilson (adaptor), Leith Stevens (composer, conductor), Dee Englebach (producer, director), Hugh Brundage (announcer). 29:43.

The General Mills Radio Adventure Theater - A Different Ghost Story (04-30-77 Oct 19, 2009

Show notes

The General Mills Radio Adventure Theater - The series had it origins in the meeting of two minds: the ad agency for General Mills at the time, Dancer-Fitzgerald-Sample was looking for a different means to reach a child audience besides television, which was decreasing commercial minutes and increasing costs; and Himan Brown, producer-director of the CBS Radio Mystery Theater, who wanted to introduce new audiences to the dramatic form on radio. Tom Bosley was chosen as the host because of his television recognition from a kid's oriented series, Happy Days. CBS chose to produce 52 original broadcasts followed by 52 repeat broadcasts. I believe they had hoped to maintain General Mills sponsorship during the complete 104 episodes, but General Mills dropped their sponsorship after the original broadcasts. The series continued for the next 52 repeats as the CBS Radio Adventure Theater.THIS EPISODE:April 30, 1977. Program #25. CBS network. "A Different Ghost Story". Sponsored by: General Mills. The program was repeated on October 30, 1977 as, "The CBS Radio Adventure Theater." Tom Bosley (host), Elizabeth Pennell (writer), Corinne Orr, Skip Hinnant, Himan Brown (producer, director).

Radio City Playhouse - Deception (11-20-49) Oct 18, 2009

Show notes

The Radio City Playhouse - A Half-hour drama, sometimes comedy, often very exciting and suspenseful. The cast were made up of New York veterans of radio and stage, including Jan Minor and John Larkin as featured performers. The director, Harry W. Junkin, also served as the show's host and narrator. Each week the show introduced a new story, often written by well-known writers of fantasy and suspense such as Ray Bradbury, Cornell Woolrich, Agatha Christie and Paul Gallico. They were dramatized with a full orchestral soundtrack and excellent sound effects. THIS EPISODE:November 20, 1949. Program #62. NBC network, WIS, Columbia, South Carolina origination. "Deception". Sustaining. Not auditioned. The first network origination from WIS. The program is announced as, "Attraction #61). With the exception of Jan Miner, all the cast is from South Carolina. Harry W. Junkin (writer, director, host), Jan Miner, Roy Shield (composer, conductor from New York City), Mackie Quave (?), Josephine Brown, Tom Lentin, Roy Lind, Sam Zurich, Phil Lagraska (? announcer). 29:37.

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