Boxcars711 Old Time Radio

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Calling All Cars - Fingerprints Don't Lie (07-11-34) Dec 01, 2009

Show notes

Calling All Cars was one of radio's earliest cop shows, dramatizing true crime stories and introduced by officers from the Los Angeles and other police departments. The narrator of the program was speech professor Charles Frederick Lindsley, and the only other regular voice heard on the program week after week belonged to that of Sergeant Jesse Rosenquist of the L.A.P.D., whose name and voice were so unusually distinctive that he was retained for the show's entire run. None of the actors on the show ever received on-air credit, but among the talent OTR fans can hear the likes of Elvia Allman, Jackson Beck, Charles Bickford, John Gibson, Richard LeGrand and Hanley Stafford, just to name a few.THIS EPISODE:July 11, 1934. Program #33. CBS Pacific network (Don Lee net). "Fingerprints Don't Lie". Sponsored by: Rio Grande Oil. Officer #734 has been held up, shot and robbed by two men who escaped in a Hudson. The Department of Records and Identification uses fingerprints to apprehend the criminals. The system cue has been deleted. Not auditioned. William N. Robson (writer, producer), Charles Frederick Lindsley (narrator). 29:28.

Lux Radio Theater - King Solomon's Mines (12-01-52) Nov 30, 2009

Show notes

Lux Radio Theater - In October of 1934, "Lux Radio Theater" debuted in New York on NBC's Blue radio network. Presenting audio versions of popular Broadway plays, the show failed to garner an audience and soon ran out of material. After switching networks to CBS and moving to Hollywood, Lux found its true market. The show began featuring adaptations of popular films, performed by as many of the original stars as possible. With an endless supply of hit films scripts and an audience of more than 40 million, Lux enjoyed a prosperous run until the curtain fell in 1956.THIS EPISODE:King Solomon's Mines aired December 01, 1952 starring Deborah Kerr and Stewart Granger in their original roles from the1950 film. Adventure stories don't come more ripping than King Solomon's Mines, the classic Great White Hunter tale. Novelist H. Rider Haggard's hero, Allan Quatermain (Stewart Granger), reluctantly agrees to lead an Englishwoman (Deborah Kerr) and her brother deep into uncharted territory in Africa, in search of the lady's lost husband. Stewart Granger plays Allan Quatermain, the intrepid hero of a whole series of adventure novels by Haggard over a period of almost thirty years. Quartermain is a big-game hunter and guide, brave, resourceful, wise, weary, cynical, and very, very British. Granger is perfect for the role; he sounds, and acts like the Quatermain of the novels. It's a spectacular adventure story with romance, while they fight with wild animals and cannibals.

Inspector Thorne - The Nickles And Dimes Murder Case (09-06-51) Nov 29, 2009

Show notes

Inspector Thorne - By the 1940's, Frank and Ann Hummert controlled four and a half hours of national weekday broadcast schedules. Their features reportedly spawned more that 5 million pieces of correspondence annually from steadfast fans. Simultaneously they brought in more than half of the national radio chain's advertising revenues generated during the daylight hours. The couple broadcast 18 quarter-hour serials five times weekly, a total of 90 original episodes for 52 weeks per year, with none of those ever repeated. Some shows were "Amanda of Honeymoon Hill", "Backstage Wife","Chaplin Jim USA", "David Harum", "Easy Aces", "Front Page Farrell", "John's Other Wife", "Just Plain Bill", "The Life of Mary Sothern","Lora Lawton", "Lorenzo Jones", "Ma Perkins", "Mrs Wiggs of the Cabbage Patch", "Our Gal Sunday", "The Romance of Helen Trent" and "Young Widder Brown".

The Whistler - Lie Or Consequences (12-25-44) Nov 28, 2009

Show notes

The Whistler was one of radio's most popular mystery dramas, with a 13-year run from May 16, 1942 until September 22, 1955. If it now seems to have been influenced explicitly by The Shadow, The Whistler was no less popular or credible with its listeners, the writing was first class for its genre, and it added a slightly macabre element of humor that sometimes went missing in The Shadow's longer-lived crime stories. Writer-producer J. Donald Wilson established the tone of the show during its first two years, and he was followed in 1944 by producer-director George Allen. Other directors included Sterling Tracy and Sherman Marks with final scripts by Joel Malone and Harold Swanton. A total of 692 episodes were produced, yet despite the series' fame, over 200 episodes are lost today. In 1946, a local Chicago version of The Whistler with local actors aired Sundays on WBBM, sponsored by Meister Brau beer.THIS EPISODE:December 25, 1944. CBS Pacific network. "Lie Or Consequences" ("Christmas Bonus). Sponsored by: Signal Oil. An ex-convict is fired from his job in a department store after $10,000 is stolen. As long as he's considered guilty, he might as well steal some more, but he is saved by a music box! Ken Christy, George W. Allen (producer), Bob Anderson (announcer), Wilbur Hatch (music). 29:47.

Challenge Of The Yukon - Thanksgiving In The Wilderness (11-28-46) Nov 27, 2009

Show notes

Challenge of the Yukon was a long-running radio series that began on Detroit's station WXYZ (as had The Lone Ranger and The Green Hornet). The series was first heard on February 3, 1938. Under the title Sergeant Preston of the Yukon, it later transferred to television. The program was an adventure series about Sergeant William Preston of the Northwest Mounted Police and his lead sled dog, Yukon King, as they fought evildoers in the Northern wilderness during the Gold Rush of the 1890s. Preston, according to radio historian Jim Harmon, first joined the Mounties to capture his father's killer, and when he was successful he was promoted to Sergeant. Preston worked under the command of Inspector Conrad, and in the early years was often assisted by a French-Canadian guide named Pierre.THIS EPISODE:November 28, 1946. WXYZ, Detroit origination, The Michigan Radio Network. "Thanksgiving In The Wilderness". Sustaining. A flashback story: Father Haley has been kidnapped, along with the church funds. The townspeople suspect that the new priest may have stolen the money. Father Haley's dog Shep helps Sergeant Preston solve the mystery. The system cue has been deleted. Jay Michael, Mildred Merrill (writer), Larry McCann (announcer). 14:20.

The Great Gildersleeve - Thanksgiving (11-22-42) Nov 27, 2009

Show notes

The Great Gildersleeve (1941-1957), initially written by Leonard Lewis Levinson, [1] was one of broadcast history's earliest spin-off programs. Built around a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catch phrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (10/22/40). He soon became so popular that Kraft Foods — looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Throckmorton P. Gildersleeve as the central, slightly softened, and slightly befuddled focus of a lively new family.THIS EPISIODE:November 22, 1942. NBC network. Sponsored by: Kraft Parkay, Kraft Dinner. Thanksgiving Program. Gildersleeve tries to get a "B" ration book. Billy Mills (composer, conductor), Earle Ross, Harold Peary, John Whedon (writer), Ken Carpenter (announcer), Lillian Randolph, Lurene Tuttle, Richard LeGrand, Shirley Mitchell (?), Verna Felton, Walter Tetley. 29:27.

The Lives Of Harry Lime - Double Double Cross (01-18-52) Nov 25, 2009

Show notes

The Third Man (The Lives of Harry Lime) was a old-time radio adventure series that ran in 1951 and 1952. It was based on the 1949 film of the same name. Orson Welles stars as Harry Lime, a perpetually broke confidence man, smuggler, and general scoundrel. He will participate in virtually any criminal activity to make a fast buck, but uses his wits rather than a gun. He draws the line short of murder, blackmail, or drugs. Even so, Harry is an endearing character and listeners love to hear of his one-step-ahead-of-the-law misadventures as he hops around the globe looking for his next pigeon. The zither music of Anton Karas adds a wonderful Viennese ambience to each episode and really makes this show special.THIS EPISODE:January 18, 1952 - The Double Double Cross - Lang-Worth syndication. A Love Affair. Commercials added locally. In a remote Saudi Arabian town, Harry finds a murder and a double-cross in oil. Harry has the oil concession rights and two foreign agents set to buy. Orson Welles, Anton Karas (zither), Harry Alan Towers (producer), Tig Roe (director). 27:00.

Hear It Now - Episode 02 (12-22-50) Nov 24, 2009

Show notes

Hear It Now, an American radio program on CBS, began in 1950 and was hosted by Edward R. Murrow and produced by Fred Friendly. It ran for one hour on Fridays at 9 p.m. One of the most popular and best selling records of 1948 was I Can Hear It Now 1933-1945. The record was a collaboration between Edward R. Murrow and Fred W. Friendly. The record interwove historical events with speeches and Murrow's narration and marked the beginning of one of the most famous pairings in journalism history. The huge success of the record prompted the pair to parlay it into a weekly radio show for CBS. That show was Hear It Now. The show had a "magazine format." It drove to include a variety of sounds from current events such as an atom smasher at work or artillery fire from Korea. It was the artillery fire that produced one of the show's more poignant moments as it backdropped the words of American soldiers fighting the Korean War. The entire premise of the show was to include the "actual sound of history in the making," according to Murrow. Some of the show's audio was what Time Magazine called "fairly routine" in 1950. Such audio soundbites as Communist China's General Wu and Russia's Vishinsky along with the U.S. Delegate Warren Austin were included among the routine group of audio use. Television, by 1955, usurped radio in terms of audience share and a reluctant Murrow, in 1951, set about doing a TV version of the radio show called See It Now. With the inception of the television version of the show in 1951 Hear It Now ended its on air run.THIS EPISODE:December 22, 1950. Program #2. CBS network. Sustaining. Abe Burrows reviews Santa Claus, Peoria, Illnois and mobilization: how a small town is affected by the Korean war. The final 29:32 of the program only. Edward R. Murrow (narrator, editor, producer), Abe Burrows, Fred Friendly (editor, producer), Joseph Wershba ("active assistant"), Brooks Watson (Peoria), David Diamond (composer), Warren Sweeney (announcer). 29:22.

Candy Matson - 26NC9-8012 (01-02-50) Nov 23, 2009

Show notes

CANDY MATSON was the private eye star of Candy Matson, YUkon 2-8208, an NBC West Coast show which first aired in March 1949 and was created by Monty Masters. He cast his wife, Natalie Parks, in the title role of this sassy, sexy PI. Her understated love interest, Lt. Ray Mallard, was played by Henry Leff while her assistant and best pal, aptly named Rembrandt Watson, was the voice of Jack Thomas. Every show opened with a ringing telephone and our lady PI answering it with "Candy Matson, YU 2-8209" and then the organ swung into the theme song, "Candy". Each job took Candy from her apartment on Telegraph Hill into some actual location in San Francisco. The writers, overseen by Monty, worked plenty of real Bay Area locations into every plot.THIS EPISODE:January 2, 1950. NBC net, San Francisco origination. Sustaining. Candy investigates a plane crash and is asked to certify the safety of an airport. Bill Brownell (sounworkd effects), Dudley Manlove (announcer), Eloise Rowan (organist), Harry Bechtel, Henry Leff, Jack Cahill, Jay Rendon (sound effects), Lou Tobin, Monte Masters (writer, producer), Natalie Masters. 29:38.

Author's Playhouse - The Kracken (07-08-44) Nov 21, 2009

Show notes

Author's Playhouse - Famous stories by celebrated authors: among them, Elementals (Stephen Vincent Benet), The Piano (William Saroyan), and The Snow Goose (Paul Gallico).March 5, 1941 till June 4, 1945, NBC; Blue Network until mid-October 1941, then the Red Network. Many briefly held 30m timeslots, including Sundays at 11:30, 1941-42; Wednesdays at 11:30, 1942-44; Mondays at 11:30, 1944-45. Sponsor was Philip Morris, 1942-43. Cast: John Hodiak, Fern Persons, Arthur Kohl, Laurette Fillbrandt, Kathryn Card, Bob Jellison, Nelson Olmsted, Marvin Miller, Olan Soule, Les Tremayne, Clarence Hartzell, Curley Bradley, etc. Orchestra: Rex Maupin, Roy Shield, J6seph Gallicchio. Creator: Wynn Wright. Directors: Norman Felton, Fred Weihe, Homer Heck, etc.THIS EPISODE:July 8, 1944. NBC network. "The Kraken". Sustaining. A science fiction tale about a British submarine captured by a huge sea monster. Frederick Englehart (author). 1/2 hour.

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