Stay ConnectedBooks of All Time tackles classic literature in chronological order. Each month, host Rose Judson summarizes a classic work of literature in one episode and then dives into the story behind it in the second episode.
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We come to the end of our three-episode exploration of Plato’s Republic, the seminal work of political philosophy composed mostly around 380 BCE. This episode covers pre-Socratic philosophy, the life of Socrates, and a really regrettable period of Plato's life when he tried to go into business as a political consultant and wound up stuck in the middle of what almost became a civil war. Don't leave the academy, bro.
In this episode, Rose also announces an exciting upcoming guest spot on the Omnibus podcast, where she'll be talking about E.A. Wallis Budge.
For a transcript and a full list of references for this episode, click here to visit our website. Thanks for listening. Don't forget to subscribe, rate, review, and share!
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In this episode, we continue our three-part, supersized exploration of Plato's Republic. Having defined morality and the ideal society in the first half of the book, we now move on to the pure philosophy part, which features Plato's theory of forms, his ideas about what constitutes true knowledge, and, of course, a ton of allegories—including the famous Allegory of the Cave. Listen now and know the true, Platonic form of a podcast.
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It's philosophy time, friends. Join us for the first of three episodes about the ancient Greek philosopher Plato's book The Republic, the most influential work of philosophical literature ever written by a single author. It's the record of a long conversation Socrates has with some friends, in which they pick over two questions: what is morality? and does morality really have any intrinsic benefits for those who practice it? This conversation also covers what the ideal society should look like, including the best plan of education (heavily censored, obviously), how the ruling class should live (in communes with eugenically controlled matings, duh) and a surprising number of metaphors that mention shoemakers. Episode one covers the first half of The Republic, which focuses on politics.
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Aaaaaand we're back. Aristophanes, the comedian of ancient Athens, has a reputation for getting into hot water for his jibes about the demagogue Cleon (which landed him in hot water, legally) and his portrayal the philosopher Socrates (which, according to Plato, fatally damaged Socrates' image for a generation). But is this reputation deserved? This episode looks at the evidence for how much Aristophanes really influenced Athenian politics and discourse.
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Produced in 405 BCE, just months before Athens' disastrous loss of the Peloponnesian War, Aristophanes' Frogs is a play about how important — and ridiculous — great art can be. Featuring a poetic battle royale between the ghosts of Aeschylus and Euripides, the play blends highbrow literary satire, bawdy sight gags, and more than a little bit of reactionary xenophobia. So nothing's changed there, then.
Walk through the story with us as we wrap up our Big Fat Greek Summer of Theatre. Want to read the transcript? Click here. Thanks for listening — don't forget to leave a rating or review!
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Euripides's plays, including The Trojan Women, include a great many complex and sympathetic female characters. In this episode, we use Euripides's interest in women as a jumping-off point to look at the real lives of women in Classical Athens during the 5th century BCE, when Euripides would have been alive and writing.
Or at least, we try to. Join us on a slightly frustrating journey through the slim evidence for actual Greek women's existence, exploring childhood, marriage, funerals, and the occasional bawdy all-girls camping trip.
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Our Greek Theatre summer continues with the last of the great tragedians, Euripides (c. 480–406 BCE). While less successful than Aeschylus and Sophocles when it came to winning prizes at the Athenian Dionysia, Euripides was more popular in his day—according to the historian Thucydides, Athenian prisoners of war were able to win favors, and sometimes freedom, by reciting his lines to their captors.
He has also left us the largest body of work of any of the other tragedy writers. He is known for a more cynical outlook on religion, for his naturalistic dialogue, and as a writer of women with deep characters. This week, we look at The Trojan Women, his portrait of Hecuba and the other royal women of Troy as they wait to learn their fates following the sack of the city by the Greeks—a sequel to the events of Homer's Iliad.
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Since 1900 or so, anyone trying to engage with Sophocles' play Oedipus Rex has had Sigmund Freud breathing over their shoulders. This episode looks at how Freud, inspired by (and slightly obsessed with) Sophocles' play, concocted a theory that began as a stage of child development but soon expanded to become a universal explanation for all of culture, religion, and art.
CONTENT NOTE: This episode contains discussions of sex and sexuality from very early in the runtime (and more than one Hall and Oates reference). Please consider people around you — or your own tolerance for topics like incest and sexual assault — before listening.
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Sophocles (496 - 406 BCE) is considered the greatest of the great tragedians of Athens. In this episode, we take a look at his charmed life and at the play which, more than any other, has come to define his legacy: Oedipus Rex, which was probably staged in the 430s or 420s. It's basically a cold-case investigation that goes horribly, horribly wrong for its investigator.
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In our second episode on Sun-Tzu's The Art of War, we dive into the cultural movement that introduced it to the west: the first Jesuit mission to China. From 1552 until 1773, the missionary priests of the Society of Jesus were the primary channel for communication between China and Europe. While their main goal was the conversion of souls, they wound up sharing science, technology, and literature with their hosts and their hundreds of correspondents back home. Listen to the story of Jean Joseph Marie Amiot (1718-1793), who was the first writer to translate The Art of War into a European language, and a member of the last generation of Jesuit pioneers in China. Harpsichord music optional.
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