TopPodcast.com
Menu
  • Home
  • Top Charts
  • Top Networks
  • Top Apps
  • Top Independents
  • Top Podfluencers
  • Top Picks
    • Top Business Podcasts
    • Top True Crime Podcasts
    • Top Finance Podcasts
    • Top Comedy Podcasts
    • Top Music Podcasts
    • Top Womens Podcasts
    • Top Kids Podcasts
    • Top Sports Podcasts
    • Top News Podcasts
    • Top Tech Podcasts
    • Top Crypto Podcasts
    • Top Entrepreneurial Podcasts
    • Top Fantasy Sports Podcasts
    • Top Political Podcasts
    • Top Science Podcasts
    • Top Self Help Podcasts
    • Top Sports Betting Podcasts
    • Top Stocks Podcasts
  • Podcast News
  • About Us
  • Podcast Advertising
  • Contact
Not in our directory?
Add Show Here
Podcast Equipment
Center

toppodcastlogoOur TOPPODCAST Picks

  • Comedy
  • Crypto
  • Sports
  • News
  • Politics
  • True Crime
  • Business
  • Finance

Follow Us

toppodcastlogoStay Connected

    View Top 200 Chart
    Back to Rankings Page
    Arts

    Blurbs Sell Books

    A podcast for authors who want to improve their copywriting skills and create better book descriptions. Hosted by author Jim Heskett and copywriting expert Abigail Dunard.

    Advertise

    Copyright: © Copyright 2019 Jim Heskett and Abigail Dunard

    • Apple Podcasts
    • Google Play
    • Spotify

    Latest Episodes:
    Escape the White Room BSB 123 Jul 29, 2021
    Show notes

    Today on the show, BPF trainer and writer John Phythyon and copywriting guru Abigail Dunard tackle an author-submitted blurb to dissect it and understand how to write killer sales copy.

    To watch video of this episode, view it on Facebook at Best Page Forward.

    Here are this episode's read-along selections:

    Blurb:

    Liberty 2041 by Carolyn Feder Gold

    A fighter, a force of nature seems to describe her best, but in reality, Jesica is anxious, insecure, and self-preoccupied. Her disguise, an inflated ego, is her worst enemy, except, of course, for the nefarious World Chancellor. Will she dare show her vulnerability to get rid of him, saving the world from a morass of toxicity or will she cave in and disappear into anonymity?

    Targeted Takeaway:

    Longtime listeners know we emphasize character development over plot. Readers identify with characters, not the stories surrounding them, and therefore a blurb needs to focus on that protagonist's emotional arc through the early part of the novel. This helps readers identify with their problems and root for them to conquer them.

    However, we do need to understand the world in which the person exists. For an emotional conflict to resonate, we must know why it matters to the character. In other words, we need stakes. Something has to be at risk for the MC, or your deep character study won't matter. The protag simply exists in a white room – blank, featureless, isolated. We need to get them out of the White Room and into the world.

    While we will always tell you the plot doesn't matter, you have to give us enough of it that we understand the stakes for your protagonist. If readers see what your MC stands to lose, they'll want to buy to find out what happens.

    And that makes you the winner.


    One Conflict to Rule Them All! BSB 122 Jul 15, 2021
    Show notes

    Today on the show, BPF trainer and writer John Phythyon and copywriting guru Abigail Dunard tackle an author-submitted blurb to dissect it and understand how to write killer sales copy.

    To watch video of this episode, view it on Facebook at Best Page Forward.

    Here are this episode's read-along selections:

    Blurb:

    Of Seekers and Shepherds: Children of the Younger God, Book One by G.H Duval

    For more than four centuries, the realm of Avelare has enjoyed peace. The nations of Farkoast, Kirin, and Senechal have learned, by necessity, to settle their disputes through non-violent means as the world's super power—the nation of Coerdom—forbids war in the name of their pacifist younger god, Hirute.

    Siare au L'espri is Hirute's chosen Spirit Shepherd. A telepath and oracle, she is half of the pair known as the First Stewards. Together with her husband—a creature of primal power known as the Formynder who exists solely to serve and protect Siare—they govern the nation of Coerdom. With the threat of Coerdom's Shepherds at her back, Siare has enforced Hirute's centuries' long prohibition on warfare. Serving decades longer than expected, Siare now questions the edicts to which she has been sworn as she grows weary of containing the self-destructive tendencies of the humanity she has worked so long to preserve. At the sunset of her reign with no successor in sight, her Shepherds are seceding and the Great Houses, once firmly under her control, grow insubordinate. Siare's successor must soon be found if humanity's fragile peace is to hold, for she finds herself increasingly willing to leave humanity to fend for itself.

    Spring au Terre has the questionable luck to come of age at this perilous time. At 16—the age of majority—the time has come for Spring to make decisions she barely understands but will be forced to make. Should she heed her mother and marry her aristocratic suitor, embarking on a life of privilege but with little room for her Earth magic? Or should she heed her Master and enlist in service to the First Stewards—honing her already considerable magic and serving as a Shepherd of Coerdom, but leaving behind her younger sister, Mina, to whom she is deeply attached and whose long illness requires Spring's healing touch? Both options leave Spring wanting, and she yearns to create a new path for herself that Coerdom has never seen.

    As all three women struggle with a series of revelations that thrust them into new lives—ones they never could have imagined—they will find themselves at the very heart of a global struggle. Together, they will have to decide between the safety of the known and the very remaking of their world.

    Targeted Takeaway:

    Readers love happy endings. Ironically, though, they hate happy middles. They want to have some conflict in their novels. And by "some conflict", we mean, "LOTS of conflict."

    So to make sure readers know they will be getting what they want, you've got to have conflict in your blurb. We need to see that MC wrestling with something that could keep them from getting what they want.

    BUT, while a blurb needs to feature conflict, it can't have a ton of conflicts. Remember that the human mind can only handle two or three new ideas at once. So the more problems you throw at the protagonist, the harder it will be for the reader to keep track of what's happening. And if they get confused they're going to say, "No."

    So stuff your blurb full of conflict, but make sure you there's only one or two of them in total. After all, we don't want readers feeling conflicted about whether or not they'll enjoy the book!


    Blow it up! BSB 121 Jul 08, 2021
    Show notes

    Millie by M. Ross Potter

    Being abducted by aliens wasn't part of her plan… falling in love, either.

    She cannot trust any man again, least of all the tall, strong and mysterious alien warrior with whom she shares a cell or the burning and unexpected desire that awakens within her.

    Being kidnapped by an alien race was not in Millie Hoving's plans, nor in those of her friends when they went to Las Vegas for a short vacation. But when they woke up in a cell inside an alien spaceship, they began looking for a way to escape and return to Earth ... If only things were that easy.

    Bur'han doesn't believe in soul mates . When the commander of his squad orders him to infiltrate a ship full of slaves and rescue the destined couple of the crown prince of the planet Zhelora, he believes it is just a great waste of time. Soulmates do not exist, they are just stories that grandmothers tell their grandchildren to distract them from the war against the Anhamenkthys.

    But if that little, defenseless, curvy human who awakens every protective instinct she possesses turns out to be the lifemate of her future king, Bur'han does not intend to hand her over.

    You will make it yours regardless of the consequences.

    Targeted Takeaway:

    Ad copywriters are rebels. They may not have tons of piercings, toss tea in Boston Harbor, or fly X-wings. But they are bomb-throwing radicals intent on overthrowing tyranny.

    And their target is the rules of English grammar. Chafing under the oppression of restrictive rules thunk up by boring dudes centuries before they were born, the copywriter fights for linguistic freedom. But these literary psychopaths are not rebels without a cause. Oh, no. They have a worthy aim in mind:

    Sell more books. They use fragments and begin sentences with conjunctions – anything that makes for dynamic, punchy copy that gets a click on that buy button.

    So join the revolution, my friends! Embrace your inner rule-breaker to bring energy, agency, and most importantly, conversion to your blurbs!


    For Starters, Keep it Short BSB 120 Jul 01, 2021
    Show notes

    Today on the show, BPF trainer and writer John Phythyon and copywriting guru Abigail Dunard tackle an author-submitted blurb to dissect it and understand how to write killer sales copy.

    To watch video of this episode, view it on Facebook at Best Page Forward.

    Here are this episode's read-along selections:

    Blurb:

    Mortal Encounter by Luna Breid

    A couple holds their human attacker by the neck; a predator once, now a tasty prey. From the street to a plate, is it hunger or lethal justice?

    Clara and Thomas long a tasty piece of meat. When a human stabs Clara on their way home, they can't believe their luck. Now they need to take him home for a well-deserved dinner without raising suspicions from the passersby. Otherwise, they risk the peace treaty between species, endangering their children and their kin. How can they take their unexpected prey breaking no rules?

    This is the first book of the Numbered Stories series and can be read on its own.

    Click on Look Inside or download the sample to see if you would enjoy this book.

    Caution: This book is not recommended for young readers.

    Targeted Takeaway:

    In the short-attention-span world of the Twenty-first Century, you only have a precious few seconds to capture a reader's interest. So you need to grab them right away. Both your hook and your opening sentence need to be brief.

    At Best Page Forward, we keep our hooks to a mere 150 characters or less. That way, they stay punchy and grabby, and they can be used as Amazon Ad copy.

    Our opening lines are even shorter. We restrict them to six to ten words and don't allow any plot. Emotion only! This way, they land with the force of a devastating right hook, and that gets a reader's attention.

    When you're crafting your blurbs, keep that first sentence super-short. Open a short, impactful sentence of just 6-10 words that lasers in on the protag's initial emotional state. Hit your reader hard to get their attention, and then you can give them more detail.

    That's a surefire way to deliver a sales knockout.


    Agency, Please BSB 119 Jun 24, 2021
    Show notes

    Today on the show, BPF trainer and writer John Phythyon and copywriting guru Abigail Dunard tackle an author-submitted blurb to dissect it and understand how to write killer sales copy.

    To watch video of this episode, view it on Facebook at Best Page Forward.

    Here are this episode's read-along selections:

    Blurb:

    Kate the Kitty Goes Potty by Kristine Hokstad-Myzyri

    Is potty training going slow? You are not alone. Make potty training fun!

    Includes a free potty chart, coloring pages, and worksheets.

    Kate loves to play outside. But today, playtime is at stake when strange noises in her tummy disturb her. Kate worries when her belly growls like a bear. What is making the sounds? Will she reach the potty in time and complete all the steps, or will she miss playtime?

    • Story-driven step-by-step guide to potty training
    • Rhyming prompts to make learning fun
    • Written by a child care professional
    • Beautifully illustrated

    A happy, potty-trained toddler in just one easy step. That step is 'Add to Cart'.

    Targeted Takeaway:

    Have you ever solved a problem? You know, one of those big problems? The kind that vexes you, that seems like a giant mountain you could never climb? I'm certain you have. Every one of us has experienced that sense of cutting the Gordian Knot. And it's a powerful, satisfying feeling. Accomplishment makes us feel alive, strong, potent.

    When we read, we want that same sensation. In literature, we call this agency. Your MC needs to be able to act on the universe, shape it, master it. They need to be in control of their own destiny.

    And you have to show this in your book description. Your protagonist should always be the subject of the sentence. To have agency, the protag must perform the action, not have it forced on them. Make them the master of their destiny.

    Everyone wants agency – in their lives and in their literary heroes. Make sure your protagonist has it and that it shows up in the blurb. Readers will thank you with sales.


    How Revealing BSB 118 Jun 17, 2021
    Show notes

    Today on the show, BPF trainer and writer John Phythyon and copywriting guru Abigail Dunard tackle an author-submitted blurb to dissect it and understand how to write killer sales copy.

    To watch video of this episode, view it on Facebook at Best Page Forward.

    Here are this episode's read-along selections:

    Blurb:

    Timeblink by M.J. Mumford

    Syd Brixton doesn't want to know what happened to her missing twin…unless a dead man can change her mind.

    When Syd Brixton was eleven years old, her identical twin Isla vanished from a park in broad daylight and was never found, splintering her family apart, leaving Syd permanently scarred by guilt.

    Fast forward twenty years. Syd has a comfortable home, a satisfying job at The Merryport pub, and a stable, long-term relationship with Coop, a handsome firefighter who wants nothing more than to start a family.

    Then it all comes crashing down.

    On a blustery night outside the pub, Syd's favorite customer, Morley Scott, falls victim to a horrific accident. Moments before he dies, he gives Syd an extraordinary gift: the power to travel back in time. Back to when he was alive. Back to the day Isla vanished.

    Will Morley be able to convince Syd to uncover the truth about her sister's disappearance? Or will Syd avoid that painful and dangerous truth at all costs to focus on saving Morley's life instead?

    If she makes the wrong choice, she could lose everything...her home, her family. Her life.

    All in the blink of an eye.

    Targeted Takeaway:

    Focusing on the plot in your blurb fails to make an emotional connection with the reader. You want them rooting for your protagonist, wanting to know if they will succeed. In a blurb, we need to stay focused on the character's emotional journey.

    And that's where the plot can help us. We use the plot to reveal emotion.

    Put a plot event in the front half of the sentence, then show the MC's reaction to it. We have to have some of the story in the description. But we don't want to use it to tell the reader what happens. Make it work for you by using it to reveal your main character's inner struggle. That will form the connection that will make them want to know what happens next.

    Reveal your characters' emotions, and readers will show you the love by clicking that buy button.


    Sell It BSB 117 Jun 10, 2021
    Show notes

    Today on the show, BPF trainer and writer John Phythyon and copywriting guru Abigail Dunard tackle an author-submitted blurb to dissect it and understand how to write killer sales copy.

    To watch video of this episode, view it on Facebook at Best Page Forward.

    Here are this episode's read-along selections:

    Blurb:

    TERF Wars by Dharma Kelleher

    A Fight For Justice Has Become A Battle for Truth

    Bounty hunter Jinx Ballou has been hired to apprehend a fugitive who brutally murdered a transgender woman in a public restroom. As a trans woman herself, Jinx is more determined than ever to bring this bigoted killer to justice.

    What Jinx didn't anticipate was the powerful media machine her fugitive controlled. She finds herself in the middle of a war of media manipulation, disinformation, and deep-faked videos designed to further harm an already vulnerable community.

    TERF Wars takes readers on an action-packed thrill ride that dives deep into the issues of identity and intersectionality, oppression and accountability. As one of the only openly transgender authors in crime fiction, Dharma Kelleher delivers a heartfelt tale that will leave readers cheering for more.

    Targeted Takeaway:

    When writing your book description, it's important to think about what readers want. That's essentially two things: A main character they can root for and identify with and to buy books they enjoy reading.

    Your description should let them inside your MC's head. As we often say, don't tell the reader what happens to your protagonist; show the character's reaction to the events of the story. Readers want to walk alongside your MC, feeling what they feel and hoping for them to triumph. Give them that with show instead of tell.

    It's equally important to sell them your book. Once you've given them a brief taste of the action, you need a selling paragraph that identifies the title, whether or not it in a series, what number book in the series it is, the genre, and the tropes the reader will find inside. This helps them know that this is a book for them – one they will enjoy. And then you need a CTA telling them to buy.

    A blurb is a sales tool. Its job is to sell the book. And you should not be ashamed to ask someone to buy your work. That's what a reader is there to do!

    For indie authors, that's the ultimate happy ending.


    Characters Carry the Story BSB 116 Jun 03, 2021
    Show notes

    Today on the show, BPF trainer and writer John Phythyon and copywriting guru Abigail Dunard tackle an author-submitted blurb to dissect it and understand how to write killer sales copy.

    To watch video of this episode, view it on Facebook at Best Page Forward.

    Here are this episode's read-along selections:

    Blurb:

    R.M.Sackville

    She's running towards her future. He's hiding from days gone by.

    When their present and past weave together they must learn to trust each other or die at the hands of the greedy.

    Three Gems. One Destiny.

    One small town is the epicenter of a battle waged between man and God. And man against man. The victor will save mankind. But are we worthy?

    Time will tell.

    Hawk McBride and Randi Ronin could never have expected their chance encounter would be the beginning of the rest of their lives.

    Neither could they have foretold just how connected they both are in a scheme forged by three men with greed on their minds.

    However, these men will have a fight on their hands because Randi is no longer a pushover and Hawk is downright determined to protect the one thing he thought he'd never have again--true love.

    Targeted Takeaway:

    Have you ever really paid attention to a drug commercial? They all approach convincing you to ask your doctor to prescribe the medicine for you the same way: They make an appeal to your emotions.

    Well, all those commercials approach convincing you to beg your doctor for this wonder drug in the same way. All of them appeal to your emotions. They feature people looking happy. They're showing up to their kids' sports games. They attend weddings. They laugh when something silly happens. They're out in nature and the neighborhood, living their lives. This is a powerful message. It strikes deep in the heart and is designed to create an emotional connection with the viewer.

    Your blurb works the same way. Telling the reader the details of your plot does not motivate them to buy any more than describing how the drug works would in a pharmaceutical commercial. You need to appeal to their connection to the character in your novel just the way the a drug ad does. The characters have to carry the story. Show us the MC reacting to and emoting as a result of the plot events instead of telling us what happens. It makes a huge difference in your conversion rate.

    If you let the characters carry the story, you'll discover the side effect is readers getting hooked on you as an author.


    Make It Personal BSB 115 May 27, 2021
    Show notes

    Today on the show, BPF trainer and writer John Phythyon and copywriting guru Abigail Dunard tackle an author-submitted blurb to dissect it and understand how to write killer sales copy.

    To watch video of this episode, view it on Facebook at Best Page Forward.

    Here are this episode's read-along selections:

    Blurb:

    Our Once Warm Earth

    Matthew Rasnake

    One peaceful night on the mountain may be humanity's last...

    Restless Army-brat Mel wants nothing more than to settle down to a quiet suburban life. A week after her honeymoon, while enjoying a weekend camping with her new husband and her adoptive father on a northern California mountain, they're driven from their idyllic getaway by a sudden, deadly storm. An unexpected signal warns of disaster, but the promise of safety propels them across the mountain in a desperate race to survive the end of the world.

    Her dream is shattered, her family is gone, and she and those who are left survive at the mercy of their would-be protectors. Can Mel hold on to hope and find the strength to free them all or will she, like so many others, give in to the darkness and let the Earth swallow her up?

    Our Once Warm Earth is the first novella from a near-future sci-fi post-apocalypse series. If you like realistic settings; believable, relatable characters; a dash of science-futurism; and a rich vein of hopeful promise, you'll love this compelling story of one woman's fight to preserve her family and humanity itself.

    Buy Our Once Warm Earth today, and help secure humanity's future.

    Targeted Takeaway:

    The start of your story isn't really the beginning. The opening scenes are establishing shots, setting things up for … the inciting incident! This is an external force operating on the main character, forcing them out of their original place or emotional state and into the action of the narrative. And it's where your story really begins.

    That's why it has to be in your blurb. It creates excitement and gets readers invested in the MC's journey and struggle. But just like with the opening of your novel, the inciting incident isn't the first line. Take a moment to establish your character's initial situation, so that when things change, it's that much more dramatic.

    As important as it is to recognize that the inciting incident is an external event acting on the character, it's equally critical to remember the blurb needs to be about your protagonist, not the story they're moving through. Stay zoomed in on the MC's perspective rather than telling the reader what is happening to them. In other words, keep it personal. Potential readers are going to gravitate to your character's struggle and triumphs, not the things that create that tension.

    So make that inciting incident personal. If you do, you see your sales "begin" to rise.


    Show Business BSB 114 May 20, 2021
    Show notes

    Today on the show, BPF trainer and writer John Phythyon and copywriting guru Abigail Dunard tackle an author-submitted blurb to dissect it and understand how to write killer sales copy.

    To watch video of this episode, view it on Facebook at Best Page Forward.

    Here are this episode's read-along selections:

    Blurb:

    Escape from Paradise

    D. Richard Ferguson

    He thought it was paradise. Was he wrong?

    Torn from his family, Adam lands in a world of giants, wild animals, and marauding mountain people. Unable to find his way home, he discovers an alluring paradise—a golden city where he builds a new life, safe from the terrors outside the walls.

    But when the city begins to crumble, a chance encounter with a strange little girl changes everything.

    She claims to know why he was brought into this world and the way back to his family, but insists he leave the doomed city and follow her to the high country to join the mountain people.

    Is she one of the many spies, sent to lure him into a trap? Or should he risk everything to follow her?

    With plenty of action, mystery, and suspense, Escape from Paradise will take you places you've never been and open windows of insight into life in the kingdom of God.

    Order your copy today and prepare to be thrilled, inspired, and changed.

    Targeted Takeaway:

    Ad copy may be a different beast than prose, but to be effective, it has to be evocative. It needs to show rather than tell. We do this by letting the reader see events through the eyes of the main character. We need to be inside the protagonist's head, looking out at the world.

    A few details that tell us who the MC is and what they're dealing with are necessary to get the message through. But we want to see the protagonist reacting to the events, not be told what's happening. Show what they're feeling/thinking as you reveal each plot twist.

    There's no business like "show" business. Skip the tell and show us what the MC is feeling, and you'll realize everything about is appealing – especially your sales.


    Previous 1 2 3 4 5 6 8 Next

    Related Podcasts

    Fresh Air

    1

    Fresh Air Arts
    Twenty Thousand Hertz

    2

    Twenty Thousand Hertz Arts
    The Black Tapes

    3

    The Black Tapes Arts
    Snap Judgment

    4

    Snap Judgment Arts
    Here’s The Thing with Alec Baldwin

    5

    Here’s The Thing with Alec Baldwin Arts
    The NoSleep Podcast – Creative Reason Media Inc.

    6

    The NoSleep Podcast – Creative Reason Media Inc. Arts
    footer-logo

    Contact Us

    Toll Free: 844-670-7747

    Links

    • Home
    • Top Charts
    • Networks
    • Apps
    • Independents Podcasts
    • Podcast Advertising
    • Podcast News
    • Contact Us
    • About Us
    • Analytics & Insights

    Stay Connected

      Privacy, Terms of Use & Our Code of Ethics Protecting Content Creators Copyrights