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    Christianity

    BibleProject

    The creators of BibleProject have in-depth conversations about the Bible and theology. A companion podcast to BibleProject videos found at bibleproject.com

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    Copyright: © 2021 BibleProject

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    Latest Episodes:
    Spiritual Warfare - God E3 Jul 30, 2018
    Show notes

    This is episode three in our series outlining the development of the character of God in the Bible! In this show, Tim and Jon walk through the big ideas of the “Divine Council” and spiritual warfare.

    In part one (00:00-23:40), Tim outlines a strange story in 1 Kings 22:19 about the prophet Micaiah. Micaiah said, “Therefore, hear the word of the Lord. I saw the Lord sitting on His throne, and all the host of heaven standing by Him on His right and on His left." Jon asks what a “host” is in the Bible. Tim explains that "host" is used to describe an army or a set of advisers. Tim says the point is that God is depicted as a military captain with a set of lower ranking officers. This theme continues in other passages like Job 1:6 and 7:6. "Now there was a day when the sons of God came to present themselves before the Lord, and the satan also came among them." "The Lord said to Satan, 'From where do you come?' Then Satan answered the Lord and said, “From roaming about on the earth and walking around on it.”

    Jon asks who are the "sons of God are. Tim explains that it is a turn of phrase used to represent a class of spiritual beings. Followers of Old Testament prophets were often called “sons,” not to demonstrate physical sonship, but to demonstrate a sort of relationship where the greater power was in a position of authority over a lesser power. Tim says the point is that the Bible portrays God as having a sort of staff team, or mediators, that do his bidding in order to interact with the world. This is God’s “divine council.”

    In part two (23:40-49:48), Tim outlines a very strange section in the Old Testament: Deuteronomy 32:8-9
    When the Most High [Yahweh] allotted the nations,
    and set the divisions for the sons of humanity,
    He fixed the territories of peoples
    According to the number of sons of God [Heb. sons of elohim]
    For Yahweh’s portion is his people
    Jacob his own allotment.

    Tim says there is a large biblical scholarship debate over the interpretation of this passage. To explain this passage, Tim quotes from Jefferey Tigay:

    “Deuteronomy 32:8-9 refers to an early tradition, that when God was allotting nations to the delegated authority of other divine beings, he made the same number of nations and territories as there were such beings. Verse 9 implies that He then assigned the other nations to those divine beings, and states explicitly that He kept Israel for Himself. This seems to be part of a concept hinted at elsewhere in the Bible and in postbiblical literature. When God organized the government of the world, He established two tiers: at the top, He Himself, “God of gods (ʾelohei ha-ʾelohim) and Lord of lords” (Deut 10:17), who reserved Israel for Himself, to govern personally; below Him, seventy angelic “divine beings” (sons of ʾelohim), to whom He allotted the other peoples. The conception is like that of a king or emperor governing the capital or heartland of his realm personally and assigning the provinces to subordinates.”

    Jon seems flabbergasted. God put other gods in charge of other nations?
    Jon asks how this view can be reconciled with actual knowledge of world history and human development.

    Tim says this is a theme in Deuteronomy. In Deuteronomy 4:16-19, Moses says to Israel, “Don’t act corruptly and make a image for yourselves in the form of any figure… And don’t lift up your eyes to heaven and see the sun and the moon and the stars, all the host of heaven, and be drawn away and worship them and serve them, those which the Lord your God has allotted to all the peoples under the whole heaven. But the Lord has taken you...to be a people for His own possession, as today."

    Tim says this hints at a concept in Hebrew culture that portrayed a spiritual rebellion against God that coincided with a human rebellion. Tim says the human rebellion is told in detail in the Bible, but the spiritual rebellion is only hinted at. The complex story of the “sons of God” sleeping with human women in Genesis 6 could be viewed as them going into rebellion and crossing a line.

    Tim says this theme reaches its culmination in the Old Testament in the book of Daniel and the story of the Prince of Persia.

    In part three (49:48-1:01:26), Tim says the Jesus carries these themes of other elohim forward into the New Testament. The greek word for “demon” in the New Testament is connected to the word “daimonion” (δαιμόνιον). Demon is a word that means “demi” or lesser god. In Hebrew categories, it would be a son of elohim.

    Tim says he has a tough time reconciling this with a western “rational” worldview. He says Jesus and the authors of the New Testament clearly believed in a world that included unseen spiritual forces. Tim says that the New Testament passage in Ephesians 6, referring to the "armor of God," shouldn’t be appropriated as passages about spiritual warfare of demonic attack; rather, they should be seen as warnings against elevating differences above unity in the body of Christ. The point of Ephesians is for the church to learn how to live in unity with a group of diverse people. Therefore a spiritual warfare attack is when Christians are not living in unity.

    In part four (1:01:26-1:07:18), Jon asks how to interpret all of this with a modern view of human development. Tim says the purpose of the Bible is not to tell me about the origins of the physical universe, but to be a unified story that leads to Jesus. Tim says that attempting to place spiritual and human rebellion narratives into a chronological order that makes sense to modern people can be dangerous because you lose the context of the original stories.

    Jon says his temptation is not that, but to think that there is no spiritual realm, not that there is a complex one ruled by a divine council. Tim agrees and says that all of the same idols that existed in other cultures exist in our culture, but modern people worship money, sex, and power, not as named deities like Mammon, but just as objects in themselves.

    In part five (1:07:18-end), Tim previews the next part of the – God’s complex relationship with the world. If God is portrayed as having a set of staff, these staff interact with the world consistently throughout the Scriptures. One example is how the Angel of the Lord appears many times acting on behalf of God.

    Next episode we will have a Q+R. Send us audio recordings of your questions to info@jointhebibleproject.com. Please mention your name, where you're from and keep your questions to about 20 seconds. Thanks!

    Resources:
    “The Divine Council,” The Lexham Bible Dictionary.

    Larry Hurtado:

    • Books: "One God, One Lord: Early Christian Devotion and Ancient Jewish Monotheism" and "Ancient Jewish Monotheism and Early Christian Jesus Devotion"
    • Interviews: "Early High Christology on Trinities Podcast"

    Michael Heiser:

    • Books: The Unseen Realm: Recovering the Supernatural Worldview of the Bible, and Supernatural: What the Bible Teaches about the Unseen World and Why it Matters
    • Podcast: The Naked Bible Podcast
    • Videos: "The Divine Council" and "Divine Council Introduction"

    Produced By:
    Dan Gummel. Jon Collins. Matthew Halbert Howen.

    Music:
    Defender Instrumental: Rosasharn Music
    Moments: Tae the Producer


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    No Other God - God E2 Jul 23, 2018
    Show notes

    This is episode 2 in our series discussing the character and theme development of “God” in the Bible.

    In part 1, (0-17:25) the guys discuss the meaning of Monotheism in the Bible and Ancient Judaism. Tim offers a modern definition of monotheism as - “The belief or doctrine that there is only one God” -- Dictionary.com Tim says this is different than an ancient definition because last week, we’ve already seen that the biblical authors do not believe there’s only one Elohim. Rather, Biblical/Jewish Monotheism could be defined as = “The belief that there is one supreme Elohim (Creator and Ruler) who has no rivals among all other Elohim: Yahweh the God of Israel.”

    So, Tim offers resources for more accurate definitions of what the ancient Hebrews believed. William Horbury has proposed a nuanced definition: Inclusive Monotheism: Yahweh is the supreme deity in association with other divine spirits and powers. Exclusive Monotheism: Denies the existence of any divine beings other than Yahweh. However, there is no evidence that any ancient Israelites or Jews or Christians believed in that definition of “Exclusive Monotheism.”

    In part 2, (17:25-end) Tim continues to express his frustration with the current definition of exclusive monotheism. Tim cites several Old Testament examples. (NIV) Deuteronomy 4:35 “You were shown these things so that you might know that the LORD is God; beside him, there is no other.” In Hebrew it literally says …”know that Yahweh, he is the Elohim, there is not another besides him.” In these passages, Elohim has the Hebrew word “the” attached (ha-elohim), which means the claim being made is that Yahweh alone is the chief God, not that Yahweh is the only elohim that exists. Tim cites Michael Heiser on this point saying “ A close reading of these passages in Deuteronomy and Isaiah shows… that the denials are not claiming that other אֱלֹהִים (elohim) do not exist, but that Yahweh’s has unique and incomparable qualities in relation to other gods: Yahweh’s pre-existence, his role as creator of all things, including other elohim, his ability to save, and national deliverance. The focus is on Yahweh’s incomparable status and the impotence of the other gods. It would be empty praise to compare Yahweh to beings that did not exist. The biblical authors assume they do exists, but that they are “nothing” compared to Yahweh.” -- Michael Heiser, “The Divine Council,” The Lexham Bible Dictionary.

    Next week on the show, Tim and Jon discuss “The Divine Council” It will be an exciting and mind-bending episode!

    Show Resources:
    William Horbury, "Jewish and Christian Monotheism in the Herodian Age."
    Paul Jouon & T. Muraoka, A Grammar of Biblical Hebrew
    Michael Heiser, “The Divine Council,” The Lexham Bible Dictionary.
    Michael Heiser: The Naked Bible Podcast
    Psalms 97:9

    Show Music:
    Defender Instrumental: Rosasharn Music
    Another Chance: Tae The Producer

    Produced by:
    Dan Gummel. Jon Collins. Matthew Halbert Howen.


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    God or gods? - God E1 Jul 16, 2018
    Show notes

    This is our first episode in our new series on the Bible’s portrayal of God! We are currently working on a theme video about God that will be released later in 2018.

    In part 1, (0-8:33) Tim overviews the whole subject. He says later on in the discussion they will talk about the Trinity in the Bible, but for now, they will just focus on the development of the word God in the Bible.

    In part 2, (8:33-37:34) Tim outlines the problems of modern conceptions with God compared with ancient Hebrew conceptions of God. Tim says that it comes down to how people use the word ‘God’. Today people use the word ‘God’ to refer to a personal being that exists. ‘God’ is both a title for a kind of being and a name for a specific being: the Judeo Christian God.

    Tim says that if you look up “monotheism” in the dictionary, they define it as “the belief there is only one God, specifically in Judeo Christianity.” Tim asks how can this be the case if the Bible says things like “Lord of lords” and “God of gods”. How did monotheism today come to mean something that it didn’t mean to the ancient Hebrews?

    Tim says the Hebrew word for “God” is ‘Elohim’. The short forms of this word is “el” and also “eloah”. Tim says that in Hebrew “Elohim” is plural.

    In part 3, (37:34-54:05) Tim outlines a unique use of the word “Elohim” the story of Saul in 1 Samuel 28:12-13: Saul has a spirit-medium conjure up the presence of the deceased Samuel: “And the woman saw Samuel, and she cried out...and said ‘I see a elohim rising up from the ground.”
    This refers to a human who exists apart from their body. This is not saying Samuel is “God” or a “god.” Rather, the word elohim apparently refers to the mode of existence: a member of the non-physical, spirit realm.

    The later biblical authors developed vocabulary to talk about these beings to more clearly distinguish between them as elohim and the one elohim: Angel, demon, spirits, etc… The implications are Yahweh is an elohim, but not the only elohim (= spirit being). He is the most powerful, and authoritative, and he alone is the creator of all things, including the other elohim.

    Tim cites this quote by theological scholar Michael Heiser: “Yahweh is an elohim, but no other elohim is Yahweh. Elohim is a place-of-residence term. The word tells you what the proper domain is for that being. By nature, the God of Israel, the many elohim of God’s council, demons, angels, the departed human dead like Samuel, they are part of a non-physical domain, that’s related to, but distinct from the physical, embodied domain. An elohim is by definition and by nature a disembodied entity, so the word can refer to many different beings who inhabit that realm.”

    In part 4, (54:05-end) Tim outlines a New Testament example. 1 Corinthians 8:4-6: Therefore concerning the eating of things sacrificed to idols, we know that there is no such thing as an idol in the world, and that there is no God but one. For even if there are so-called gods whether in heaven or on earth, as indeed there are many gods and many lords, yet for us there is but one God, the Father, from whom are all things and we exist for Him; and one Lord, Jesus Christ, by whom are all things, and we exist through Him.”

    Tim says Paul is telling the Corinthians that there are other “Elohim” but for the Hebrews, their is “one God, the Father, and one Lord, Jesus Christ.” What does this mean to the Hebrews? Find out next time in episode 2!

    Thank you to all our supporters!

    Resources:
    Paul Jouon & T. Muraoka, A Grammar of Biblical Hebrew
    Michael Heiser: The Naked Bible Podcast
    1 Samuel 28:12-13
    Check out all our videos and resources at www.thebibleproject.com

    Produced By:
    Dan Gummel. Jon Collins. Matthew Halbert Howen

    Music By:
    Defender Instrumental: Rosasharn Music
    In the Distance: Tae the Producer
    Nocturne: Nomyn 2.


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    What’s Next for the Bible Project Jul 09, 2018
    Show notes

    In this episode, Tim and Jon take a break from discussing theology to talk about some exciting developments at The Bible Project.
    The guys talk about upcoming theme videos and podcast series, transitioning to a season-based format, and a brand new initiative called “Classroom.”

    Say hi to us on Facebook, Twitter, and Instagram:
    https://www.facebook.com/jointhebibleproject/
    https://twitter.com/JoinBibleProj
    https://www.instagram.com/thebibleproject/

    And find all of our resources for free at thebibleproject.com

    Show Produced by:
    Dan Gummel. Jon Collins

    Show Music:
    Defender Instrumental: Rosasharn Music
    Loudness and Clarity: Joakim Karud
    Love Mode: Joakim Karud


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    Poetry Q+R Jul 02, 2018
    Show notes

    This is our Poetry and Metaphor Q+R! Thank you to everyone who submitted questions! We responded to seven questions:

    (1:20) Ivan from El Salvador - “How do you identify poetry? For example, in Genesis 1, some people say Genesis 1 is poetry, some people say Genesis 1 is actual history. How can you identify if it's poetry? I know there's a lot of poetry in the Bible, and there's also a lot of narrative.”

    (14:45) Chris from Illinois - “You talk about the metaphor of time as a possession and used it as an example of a modern metaphor, then you say that the Bible doesn't view time in this way. However, in Psalm 31:15 David says, "My times are in your hand," and in Ephesians 5:16 Paul writes, "We should redeem the time." Don't these phrases suggest that both David and Paul view time as figuratively, as a tangible and valuable possession?”

    (21:55) Jackson from San Luis Obispo, California - “Can you provide a short list of other commonly used metaphor schemes throughout the Scriptures? Sort of like the base layer metaphors to have in my mind while I'm reading through Scripture. I think this would be very beneficial.”

    (29:45) Tyler from Vancouver, Washington - “You talked about how the biblical authors are using metaphoric imagery to describe the abstract ideas of the new heavens and the new earth, and it seemed like you were talking about that in regards to Eden and Creation. So my question is: Should we think about things like Eden and the new heavens and the new earth as symbolic places, or are they actual real places? And if they are, how do we understand them if the imagery is metaphoric as opposed to descriptive?”

    (35:25) Kerrie from Australia - “Christians consider the Bible a book that influences the way we live. In the realms of creativity, how should biblical poetry influence Christians today in their writing and creative writing?”

    (39:30) Clayton from Alabama - “Your conversation about metaphors seem to include a painstaking process of proving and affirming the driving metaphors and schemes that you've focused on. Are there any "guardrails" you suggest for communities of lay people, like college students, that may discover schemes beyond the two that you mentioned, or is there a list or a resource that could serve or help us catch these essential schemes as we engage Scripture?”

    (42:35) Maggie from Wisconsin - “Can you share any other stories from the New Testament that continue the metaphors that were covered in the Old Testament? Thanks!”

    Thank you to all of our supporters! Check out everything we're up to at thebibleproject.com

    Show Resources:
    Our video on poetry: https://www.youtube.com/watch?v=q9yp1ZXbsEg
    Umberto Eco, The Name of a Rose
    Books by George Lakoff and Mark Turner:

    1. More Than Cool Reason: A Field Guide to Poetic Metaphor
    2. Metaphors We Live By
      William Brown, Seeing the Psalms: A Theology of Metaphor

    Produced by:
    Dan Gummel, Jon Collins, Matthew Halbert-Howen

    Show music:
    Rosasharn Music, Defender Instrumental


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    Metaphor E3: Chaotic Waters Jun 25, 2018
    Show notes

    In part one (00:00 - 25:35), Jon reviews the image of the ideal state of humanity and postulates it as a garden mountain fortress. He asks Tim why this is so different from a more familiar one of a heaven full of clouds and angels. Tim says that it’s important not to mistake the image of a metaphor for the reality of what the image points to.
    Tim also quotes TS Eliot saying that poetry is a “raid on the inarticulate.” In other words, poetry is meant to describe things that can’t be described in normal, factual use of language.
    Tim begins to outline the use of the metaphor of chaotic water in the Bible. Chaotic water is the first image given in the Bible. It’s meant to convey a state of un-creation, a state that is uninhabitable and unwelcoming of life. Tim begins to contrast the dark chaotic water that is present at the start of Genesis with the river of life that flows through Eden and is created later in the creation story.

    In part two (25:35 - 40:25), Tim explains that chaotic waters often become personified as evil. For example, in the story of the Exodus, Pharoah and his army is made equivalent to the chaotic waters in Exodus 15. This story runs in parallel with Psalm 18. "O Lord God of hosts, who is like You, O mighty Lord? Your faithfulness also surrounds You. You rule the swelling of the sea; When its waves rise, You still them. You Yourself crushed Rahab like one who is slain; You scattered Your enemies with Your mighty arm." (Rahab is a Hebrew word for Egypt).

    In part three (40:25 - 52:25), Tim outlines Isaiah 17:12-14.
    12 Woe to the many nations that rage—
    they rage like the raging sea!
    Woe to the peoples who roar—
    they roar like the roaring of great waters!
    13 Although the peoples roar like the roar of surging waters,
    when he rebukes them they flee far away,
    driven before the wind like chaff on the hills,
    like tumbleweed before a gale.
    14 In the evening, sudden terror!
    Before the morning, they are gone!
    This is the portion of those who loot us,
    the lot of those who plunder us.

    The metaphor of chaotic waters further expands to equate the warring nations with chaotic waters.

    Then Tim begins to outline the new creation prophecies and their relation to the chaotic water metaphor.

    Joel 4:18:
    18 And in that day
    The mountains will drip with sweet wine,
    And the hills will flow with milk,
    And all the brooks of Judah will flow with water;
    And a spring will go out from the house of the Lord
    To water the valley of Shittim.

    Zechariah 14:6-9:
    6 On that day there will be neither sunlight
    nor cold, frosty darkness.
    7 It will be a unique day, known only to the Lord
    with no distinction between day and night.
    When evening comes, there will be light.
    8 On that day living water will flow out from Jerusalem,
    half of it east to the Dead Sea
    and half of it west to the Mediterranean Sea,
    in summer and in winter.
    9 The Lord will be king over the whole earth.
    On that day there will be one Lord,
    and his name the only name.

    Isaiah 2:1-4:
    2 Now it will come about that In the last days
    The mountain of the house of the Lord
    Will be established as the chief of the mountains,
    And will be raised above the hills;
    And all the nations will stream [lit. “river”] to it….
    3 And they will hammer their swords into plowshares
    and their spears into pruning hooks.
    Nation will not lift up sword against nation,
    And never again will they learn war.

    He says that new creation means the restoration of the cosmic mountain and the reunification of the waters.

    In part four (52:25 - 57:35), the guys try to crystalize their thought process. Danger and death in the Bible are described as chaotic waters and love, peace and security are described as a river of life. Tim says these images are fundamental to understanding the Bible, especially the prophets.

    In part five (57:35 - end), the guys recap their conversation on metaphor and talk briefly about creating the video on metaphors in the Bible. Tim briefly touches on the story of Jesus walking on the water. Why is this story in all the gospels? Because in the Jewish tradition, it represents Christ’s command over the chaotic waters that threaten human life and originally appear in Genesis 1.

    Thank you to all our supporters!
    Next week we will have a Poetry and Metaphor Q+R episode. Send us your questions at info@jointhebibleproject.com by June 25th!

    Show Produced By:
    Dan Gummel, Jon Collins

    Show Music:
    Defender Instrumental, Rosasharn Music

    Show Resources:
    Books by George Lakoff and Mark Turner:

    1. More Than Cool Reason: A Field Guide to Poetic Metaphor
    2. Metaphors We Live By

    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    Metaphor E2: The Mountain Garden & the Human Ideal Jun 18, 2018
    Show notes

    In the first part of the show, the guys quickly review some common metaphors used in our everyday language. “Time is money,” “life is a journey,” etc. Tim quotes again from George Lakoff saying that in every metaphor, there are elements contained within a metaphor. For example, in the “life is a journey” metaphor, there is embedded vocabulary like viewing people as “companions” and viewing obstacles as “bumps in the road.”

    Tim posits four main metaphors in the Bible:
    God is a dryland/mountain/rock.
    Waters are danger/evil/chaos.
    Humans are either at peace or at war with animals.
    The Garden of Eden river and the Tree of Life.

    In part two, the guys begin to break down the first metaphor listed above. Why is God thought of as “dryland?” To find out, Tim and Jon dive into Genesis 1 and 2, outlining creation.

    Tim says the imagery found later in the Old Testament is rooted in imagery in Genesis 1 and 2. For example, in Genesis 15, “you plant them in the mountain of your inheritance” shows that the Hebrews viewed their cosmic mountain Garden of Eden as paradise, and the Jewish temple is considered the symbol of paradise, which is man in communion with God.

    Jon makes a comment about a Fuller Projection map. This is an alternative geographic map of the world that lays out the continents in a different order. The guys discuss how different points of view lead to different thoughts and imagery used in a person’s worldview.

    In part three, Tim outlines the imagery in Joel 2 and Psalm 48. Here the writer(s) uses some of the imagery originally found in Genesis (holy hill, holy mountain, citadels, the city). Jon asks how critical the imagery of God as a rock/fortress/refuge is in the Bible. Tim points out that these images are fundamental to the Hebrew worldview. To prove his point,
    Tim does a quick word search and finds 78 hits of the words rock, fortress, and refuge in just the book of Psalms!

    Tim crystalizes the thought by saying the ideal state of humanity is in a relationship with God, working in a stable garden that acts as a fortress or mountain in which all of humanity can securely dwell.

    Produced by:
    Dan Gummel, Jon Collins

    Show Music:
    Defender Instrumental, Rosasharn Music
    Josh White, Pilgrim Instrumental

    E2 Resources:
    www.thebibleproject.com
    William Brown, Seeing the Psalms: A Theology of Metaphor
    Fuller Projection of Globe
    https://en.wikipedia.org/wiki/Dymaxion_map


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    Metaphor E1: Metaphor & Our Imagination Jun 12, 2018
    Show notes

    This is our first episode in our three-part series on the use of metaphor in the Bible!

    In part one, the guys discuss the metaphors used in Psalm 46.

    1 God is our refuge and protection,
    found to be a great help in times of distress
    2 Therefore we won’t be afraid when the land shifts
    when the mountains totter into the heart of the seas;
    its waters roar, they churn,
    mountains quake at its swelling.
    Selah.
    4 A river whose streams make glad the city of God,
    The holy dwelling places of the Most High God
    5 God is in its midst, it will not totter;
    God will help it when morning dawns.
    6 The nations roar, the kingdoms totter;
    He raised His voice, the land melted.
    7 The Lord of hosts is with us;
    The God of Jacob is our tall fortress.
    Selah.
    8 Come, behold the works of the Lord,
    Who has wrought desolations in the land.
    9 He makes wars to cease to the end of the land;
    He breaks the bow and cuts the spear in two;
    He burns the chariots with fire.
    10 “Be still, and know that I am God;
    I will be exalted among the nations,
    I will be exalted in the land.”
    11 The Lord of hosts is with us;
    The God of Jacob is our tall fortress.
    Selah.
    ————————————-

    In this Psalm, there are some obvious metaphors used. Specifically,
    God // protective refuge (v.1) // tall fortress (v.7)

    God // Jerusalem temple // river
    Chaotic, pounding ocean waves // nations at war

    God melting earth // God breaking nations // God’s exaltation.

    These are vivid images, but what is going on here? Every culture has its own way of developing metaphors and imagery unique to their history and experience. Biblical poetry is drawing on a core “encyclopedia of production,” from which the poets draw to develop images and metaphors.

    In part two, the guys go over the core images that are presented above. Why would a poet use these image pairings and combine them in this specific way? Jon comments on how metaphors change over time and within each culture. For example, when the steam engine was popular and represented a huge change in society, people would say things like, "he’s hot-headed” or “my gears are turning.” Then once computers came along, our cultural metaphors shift to sayings like, “let me process that.”

    In part three, Tim and Jon discuss the differences between these figures of speech:
    Metaphor: Describing one thing as if it were another. Example: "She is a ball of fire."
    Simile: Explicit comparison between two things. Example: "She is like a ball of fire."
    Metonymy: Referring to something by naming what it’s associated with. Example: "The pen is mightier than the sword." "Hollywood produces so many films."
    Synecdoche: Naming a whole thing to refer to part of it, or naming part of a thing to refer to the whole of it. Example: "The U.S. won a gold medal today!" "Portland is a quirky town." " My hands were tied in this situation." "Let’s do a head-count."

    Thank you to all our supporters!

    You can find our more about The Bible Project and get free resources at www.thebibleproject.com

    Show produced by:
    Dan Gummel, Jon Collins

    Show Music:
    Defender, Instrumental
    Magnificent Defeat, Josh White

    Show Resources:
    Umberto Eco, The Name of a Rose
    Books by George Lakoff and Mark Turner:

    1. More Than Cool Reason: A Field Guide to Poetic Metaphor
    2. Metaphors We Live By

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    Art of Biblical Poetry E2: God Speaks in Poetry Jun 04, 2018
    Show notes

    Show Notes:

    In part one (00:00-08:30), Jon gives a brief recap of the conversation on biblical poetry so far. The guys summarize the first part of the conversation with the idea that reading great poetry, like the kind found in Scripture, can change you. How things are communicated in Scripture is important, and the biblical poets have a series of tools they use to connect on a deeper level with readers. To understand and fully appreciate this brilliant poetry, there are three key aspects to understand: rhythm, terseness, and parallelism.

    In part two (08:48-23:00), the guys break down Psalm 51, the poem David wrote after his affair with Bathsheba, and Isaiah 11. Both of these poems are tremendous examples of classic Hebrew poetry. In Psalm 51, David uses parallelism and descriptive language that communicates the fullness of his guilt and repentance. In Isaiah 11, Tim explains that the seemingly mixed metaphor of a stem and a root points to the coming Messiah, a “new David,” that will come from the existing family line of Jesse. Tim then explains the well-known image of seven spirits resting on the savior. He explains that this is poetic imagery used to illustrate the seven-fold spirit of God resting on Jesus.

    In part three (23:01-35:34), Tim shares a quote from Adele Berlin regarding the use of creative language pairing in Hebrew poetry. This poetic principle of pairing creates an infinite number of ways to communicate creatively. For example, there are 29 times in the book of Psalms where the poet asks God to hear their prayer (example from Berlin, Dynamics of Biblical Parallelism, 127-130), and none of them are identical. Tim mentions the following examples:
    Ps 54:4 O God, hear my prayer // listen to the word of my mouth
    Ps 61:2 O God, hear my cry // pay attention to my prayer
    Ps 66:19 Truly God has heard // he paid attention to the sound of my prayer
    Ps 84:9 Yahweh, hear my prayer // listen, O God of Jacob
    Ps 102:2 Yahweh, hear my prayer // may my cry come to you
    Ps 88:3 may my prayer come before you // incline your ear to my cry
    Ps 88:14 to you, Yahweh, I cry out // in the morning my prayer meets you
    Ps 28:2 Hear the voice of my petition // when I cry out to you

    The guys also cover juxtaposition in film and how it relates to poetry. Tim mentions the film Baraka by Ron Fricke; the whole film is set up with juxtaposition. Jon comments that humans have an innate ability to recognize patterns, so when an author sets things up in juxtaposition, it allows a person to use their ability to search for patterns and meanings. Filmmaker Sergei Eisenstein says that the pairing of two unexpected scenes or images makes a new creation, and, like poetry, it’s an abundant form of communication. Tim comments that perhaps more church gatherings should use poetic imagery and juxtaposition in their services to encourage people to dive deeper into the Scriptures and their meanings.

    In part four (36:11-40:29), the guys briefly summarize the discussion with a quote from Robert Alter. Tim paraphrases the quote to say that 99% of divine speech in the Bible is presented as poetry; when God talks to the prophets, he talks in poetry. Tim goes on to further explain Robert Alter’s belief that this use of poetry to communicate the voice of God in Scripture has allowed these texts to stand the test of time and touch people far removed from the original audience.

    Resources:

    Chip Dobbs-Allsopp, On Biblical Poetry
    Robert Alter, The Art of Biblical Poetry
    Russian filmmaker, Sergei Eisenstein
    Ron Fricke, Baracka

    Music:

    Chilldrone


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    Art of Biblical Poetry E1: The Thunder of God May 28, 2018
    Show notes

    This is episode 1 in our series on Biblical Poetry!

    In part 1 (0-4:43), the guys discuss the fact that about one third of the modern biblical text is poetry. But what exactly is poetry? Tim explains that every culture has its own definition of poetry. Tim prefers this definition from Laurence Perrine: “Poetry is a kind of human language that says more, and says it more intensely than does ordinary language.” (Laurence Perrine, Sound and Sense: An Introduction to Poetry)

    In part 2 (4:43-27:00), Tim and Jon dive into Psalm 29. Tim offers the poem as a biblical meditation on a storm moving over the landscape. The guys pause on the image in verse 6 of a “wild ox.” This was a species now extinct called an “auroch” (see the show resources). Tim comments that in the Bible, the most dangerous animals are depicted as a lion or a wild ox or auroch.

    In part 3 (27:00-35:30), the guys discuss the use of cadence, metaphor, and meter in poetry. This varies from culture to culture. The guys note that rhyming and syllable structure allows a person to memorize the lines more easily. Additionally, Tim says that a core concept is that poetry always carries an overabundance of meaning. The limited use of words expands the meaning of them.

    In part 4 (35:30-54:25), Tim and Jon discuss that the ancient Israelite poetry preserved for us in the Bible doesn’t fit any kind of master “system” like meter (though some think so). However, the Israelites were aware of a certain kind of speech that was poetic, dense, and distinct from normal speech. They even have vocabulary for it.

    “Song” (Heb. shir / shirah): Exodus 15:1, “Then Moses and the Israelites sang this song…"
    “Psalm” (Heb. mizmor): Many headings to the Psalms have these: Psalm 3, “A mizmor of David.”
    “Lament” (Heb. qinah): 2 Samuel 1:17, “David lamented this qinah over Saul and Jonathan.”

    There are three keys to reading Hebrew poetry:

    1. Rhythm: Hebrew poetry is shaped into a “line-rhythm” or “verse.” It is not metrical (based on syllable counts), but a form of “free verse.”
      The line in Hebrew poetry is most often:
      a. A complete sentence or subordinate clause
      b. Consisting of 3-5 words
      c. Marked by repetition and clear end-stop signals
      The Dead Sea Scrolls show the earliest divisions of Hebrew poetry into line-columns.

    2. Terseness:
      This poetry is often concise and uses as few words as possible to communicate as much as possible.
      “The terseness of biblical poetry gives the impression that each word or phrase is more loaded with meaning, since fewer words must bear the burden of the message.” (Adele Berlin, Introduction to Biblical Poetry)

    3. Parallelism:
      Robert Lowth's Lectures on the Sacred Poetry of the Hebrews and a commentary on Isaiah created the first comprehensive synthesis of features in Biblical poetry. In his words:
      “There is a certain conformation of the sentences, which is chiefly observable in those passages which frequently occur in Hebrew poetry, in which they treat one subject in many different ways, and dwell upon the same sentiment; when they express the same thing in different words, or different things in a similar form of words: and since this artifice of composition seldom fails to produce an agreeable and measured cadence, we can scarcely doubt it must have imparted to their poetry an exquisite degree of beauty and grace.”

    In part 5 (54:25-59:24), Jon asks whether or not more people should make an effort to learn to read and understand Hebrew. He says he feels discouraged. Why would God hide himself in a language that is so hard to understand and takes so much effort to learn? Tim says that every serious community of Bible followers should have someone in it who’s committed to studying the scriptures in their Hebrew form.

    In part 6 (59:24-end), the guys continue to discuss parallelism in Hebrew poetry.
    All the Proverbs are cast in this poetic form. In fact, the word “proverb” in Hebrew (mashal) means “a comparison.” In Proverbs 16:32, both lines are positive, “better than” sayings.

    1. Being slow to anger is better than being a warrior,
    2. And being one who rules their passions is better than one who captures a city.

    Show Resources:

    Adele Berlin, Introduction to Biblical Poetry
    Robert Alter, The Art of Biblical Poetry
    Extinct species of wild ox: https://en.wikipedia.org/wiki/Aurochs
    Laurence Perrine, Sound and Sense: An Introduction to Poetry
    Psalm 29

    Produced by:
    Dan Gummel, Jon Collins

    Show Music:
    J Cole Type Beat, Thunderstorm Instrumental (Educational and Non Profit Fair Use)
    Rosasharn Music, Defender Instrumental
    Unwritten Stories, All Night
    Miss Emeli, General Vibe


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