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    Arts

    B&H Photography Podcast

    The B&H Photography Podcast: Join us every other week for a conversation with insightful and entertaining guests. From gear and technique to history, science and art, we discuss the issues most important to the contemporary photographer.

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    Copyright: © B&H Photo & Video

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    Latest Episodes:
    D.I.Y. Camera Makers May 30, 2019
    Show notes

    On this week's episode of the B&H Photography Podcast, we welcome four "makers" who have designed and built impressive imaging tools with their own vision. Their locations, the formats, the materials, and the final products all differ wildly, but the D.I.Y. spirit of the engineer, the tinkerer, the photographer, and the entrepreneur are shared by our four guests. We get a sense of how each came to their product, developed it, and are trying to market it.

    First, we speak with Sam Cornwell, inventor of The Solarcan, a unique camera designed to produce "extreme time exposures" that capture the sun's path across the sky; and yes, it is a can. Cornwell offers his love of photography, astronomy and repurposing household objects as the seeds for this pinhole camera, which comes with its own piece of Ilford 5 x 7" photo paper already inside. After a successful Kickstarter campaign and a lot of work, his fully packaged invention is available for purchase from B&H.

    Next, we are joined by Steve Lloyd of Chroma Cameras, who liked large format field cameras so much he went and designed one of his own. His are the first field cameras made of laser-cut acrylic. Appropriately available in a choice of unconventional colors, Chroma cameras feature interchangeable film backs that attach to the camera using magnets, which make it possible to switch quickly between 4 x 5" film to roll-film backs.

    After a short break, Filippo Nishino, of the Swiss company I'm Back, discusses the invention created by his partner, Samuel Mello Medieros, which can capture digital images with a 35mm film camera body. Available in a universal model or numerous customized covers, the back attaches physically to your film camera, enabling high-res digital image capture. After many years in development, the I'm Back is available to the public and on sale at B&H.

    Our final guest is Ethan Moses, of Cameradactyl, which is his company and his passion. Cameradactyl, along with its "subsidiary," Butter Grip, makes 3D printed cameras, parts, and accessories, including his incredible CAMERADACTYL 4 x 5 Field Camera and X-Pin 35mm Pinhole Camera Kit. He also sells a wide range of practical and colorful grips and camera accessories, and might make something for your needs, if you ask nicely enough.

    Guests: Sam Cornwell, Steve Lloyd, Filippo Nishino, and Ethan Moses

    Photograph: Courtesy of Chroma Camera


    Survive that Day - Freelance Photojournalism, with Adriane Ohanesian May 23, 2019
    Show notes

    Adriane Ohanesian has been on the B&H Photography Podcast in the past and we are very excited to welcome her back to discuss her photojournalistic work in Africa. As many of our listeners will recall, Ohanesian contributed to our podcast throughout 2017 in a serial segment we called "Dispatch," in which she provided monthly reports on her freelance assignments covering conflict and climate change in Sudan and Somalia. She also narrated the story of a deadly attack she survived while covering a story on illegal mining in Congo. It was a harrowing and tragic account that demonstrates the lengths to which photojournalists will go to cover a story.

    On today's episode, Ohanesian updates us on a few of the items we discussed in 2017, including the illegal mining story and her assignment on the last white male rhinoceros in existence, which has since died. She also talks about a recent assignment for National Geographic, covering illegal mining and deforestation in Madagascar, and her work back in Congo covering an Ebola outbreak. In addition, Ohanesian provides insight into her life as a freelance photojournalist, reflects on incorporating video and audio into her workflow to get important stories told, and offers tips on the gear she uses for her arduous and often very remote assignments.

    Adriane Ohanesian is a respected photojournalist living in Nairobi and covering news stories throughout East Africa. Her coverage of the civil war in South Sudan garnered her a 2016 World Press Photo Award and she is also the recipient of the 2016 Anja Niedringhaus Courage in Photojournalism Award. Join us for this compelling and inspirational episode.

    Guest: Adriane Ohanesian

    Photograph © Adriane Ohanesian


    Animal Photography -- Wild and with Respect May 16, 2019
    Show notes

    I think it's fair to say that animals, even more than cars, sunsets, and children, are the most photographed subject by listeners of the B&H Photography Podcast and, on this week's episode, we speak with two photographers who not only have dedicated their craft to photographing animals, but bring to their process a compassion and advocacy that goes far beyond just a pretty picture.

    Our first guest, Steve Morello, is recognized for his whale and polar bear photographs, but he is also a founding partner of Natural Habitat Adventures, a wildlife adventure organization dedicated to sustainable tourism and guide training programs in Peru, Tanzania, and the Canadian and American Arctic. He serves on the Board of Directors of the Alaska Whale Foundation, where he assists on research projects and is currently working together with tourism planners, scientists, and local fishermen to conserve a newly created marine sanctuary off the coast of Peru. Morello's photos have appeared in National Geographic and The New York Times, and he is a major contributor to the photo collection of the World Wildlife Fund.

    After a short break, we welcome photographer Isa Leshko to discuss her series Allowed To Grow Old: Portraits of Elderly Animals from Farm Sanctuaries, which has been made into a gorgeous new book by University of Chicago Press. Photos from this series have appeared in The Atlantic, Harper's, and The New York Times, and will be exhibited at the Richard Levy Gallery, in Albuquerque, and at ClampArt Gallery, in New York.

    Leshko provides insight into her process and workflow as it evolved over the many years she worked on this project. Her dedication to process is clear as she explains how she hit upon this idea, why she chose certain animals to photograph, what cameras and gear she decided upon, and how the series developed into an advocacy project. She emphasizes her cognizance of the power dynamic in portrait photography and how respectful interaction for and even a form of collaboration with the animals was fundamental to create this type of portraiture. Join us.

    Guests: Isa Leshko and Steve Morello

    Photograph © Steve Morello


    Milk Factory – A Mother's Day Chat with Corinne May Botz May 09, 2019
    Show notes

    As we prepare to celebrate Mother's Day, we welcome an artist to the B&H Photography Podcast who is using her camera to examine quotidian spaces and further a conversation about the "deeply felt subjective experiences of motherhood," particularly as they are realized in the workplace. Joining us is photographer Corinne May Botz, whose current series is entitled "Milk Factory," and it takes lactation rooms, the spaces where working mothers go to pump breast milk, as its subject. Also joining us as guest host this week is our colleague and new mom Liz Groeschen, who will be celebrating her first Mother's Day this coming Sunday.

    With her 4 x 5 film camera and digital medium format system, Botz has been invited into the varied spaces, some sanctioned and comfortable and others improvised and "multipurpose," where women go several times a day to pump milk when away from their children. Her work engages with the mothers but, like most of her previous projects, is focused more on the often-overlooked details of the spaces we occupy, inviting the viewer to enter these rooms and gain an understanding of what they might signify to the mothers themselves and, of course, to ask us to recognize how we prioritize space for the needs of mothers and, in turn, healthy families.

    We discuss the process of creating her series, how Botz interacts with the women who have invited her into their intimate spaces, and her thoughts regarding portraiture and documentation compared to fine art or "constructed" photography. We also chat about her way to maneuver a relatively large camera setup in tight quarters, finding relevant details within a space and, of course, post-processing, printing, and the Pentax 645D. While she does not consider her series to be didactic, she aspires to elevate the status of motherhood's concerns into the highest levels of cultural dialogue, and workplace policy. In an understated but precise manner, her images make very clear the need for improvement in how we treat the experience of motherhood in the workplace.

    The "Milk Factory" series was recently exhibited at the Baxter St. Camera Club of New York and supported by a collaboration between Baxter St. and the National YoungArts Foundation. Please join us for this engaging conversation.

    Guests: Corinne May Botz

    Photograph © Corinne May Botz


    Railroad Photography and the 150th Anniversary of the Golden Spike May 02, 2019
    Show notes

    On May 10, 2019, the 150th anniversary of the "golden spike,"—the ceremonial completion of The First Transcontinental Railroad, will be celebrated, and we at the B&H Photography Podcast are taking this opportunity to talk railroad photography. In the first half of the episode, we discuss the iconic image created by photographer A.J. Russell, at Promontory Summit, Utah, in 1869 of hundreds of workers gathered on and around two steam locomotives for this momentous occasion. We also touch upon the relationship between photography and the growth of rail travel in the United States and mention other important railroad photographers. During the second half of our show we focus on the gear, techniques, and safety protocols employed by three accomplished contemporary railroad photographers.

    Joining us for this episode are Scott Lothes, photographer and President and Executive Director of the Center for Railroad Photography & Art and the editor of its journal Railroad Heritage. Lothes discusses the Russell photograph and the Center's mission, its archive, and its publications, including the recent book After Promontory: 150 Years of Transcontinental Railroading.

    We are also joined by photographers Eric Williams and Dennis Livesey. Williams is a fine art photographer who incorporates railroad and landscape photography into his work. He provides tips on workflow and shooting techniques and offers an overview of the subtle differences between the photographic styles within this subgenre. Livesey, who concentrates on urban rail transit and steam locomotives, brings his encyclopedic knowledge of railroad history and an insight on how to turn your passion into a photo project, specifically his 2016 book, Smoke Over Steamtown. Join us for this timely and celebratory episode.

    Guests: Scott Lothes, Eric Williams, and Dennis Livesey

    Photograph by A.J. Russell, courtesy Center for Railroad Photography and Art

    For incredible railroad photographs and links to items discussed in this episode follow this link.


    Black and White and Blue—Underwater Fine Art Photography Apr 25, 2019
    Show notes

    Today we present an encore episode of the B&H Photography Podcast and revisit our conversations with two incredible photographers, Christian Vizl and Hengki Koentjoro. The timing is ideal as both photographers have new work to present -- Christian is debuting a new book, Silent Kingdom, with an introduction by Dr. Sylvia Earle, and Hengki is exhibiting work in Tokyo, Japan and at the Royal Albert Hall in England.

    These two photographers from two distant parts of the globe, but both share a sense of a serene underwater world that they envision mostly in black-and-white. Perhaps, surprisingly, Hengki Koentjoro and Christian Vizl claim Ansel Adams as a prime influence on their work, and we talk with them about not only about their artistic influences but about their choice of gear, shooting styles, post-process techniques and safety concerns.

    We start our episode with Hengki Koentjoro, who is based in Indonesia, and whose work on land and sea is simply stunning. His black-and-white compositions of sea creatures and the interplay between sun and water are more still life than wildlife, as they explore the textures, lines, and shapes found in the waters of his native archipelago. Koentjoro speaks with us about the simple set of tools with which he captures his images and his uncomplicated approach to exploring the waters he knows so well.

    Christian Vizl brings a similar perspective to his relationship with the sea, although the creatures he normally photographs tend to be much bigger and faster-moving, and the waters he explores extend across the planet. A life-long diver, Vizl has recently received well-deserved attention for his black-and-white images of rays, sharks, and whales, including a 2017 Sony World Photography Award. His approach places experience before image and his respect for the sea and its animals is evident in all he does and says.

    We encourage you to visit our podcast landing page to see examples of the images created by these two supremely talented photographers.

    Guests: Hengki Koentjoro and Christian Vizl

    Photo © Christian Vizl


    Camera Clubs and the Coney Island School of Photography and Art Apr 18, 2019
    Show notes

    The first amateur photographic entity in the United States was the Amateur Photographic Exchange Club, New York City, which existed from 1861–1863. The oldest continuously extant camera club in the United States founded, at least in part, by amateurs is the Photographic Society of Philadelphia, founded in 1862.

    On today's episode of the B&H Photography Podcast we will talk about camera clubs and, specifically, the Coney Island School of Photography and Art, which, despite its pedagogic nomenclature, is an amateur camera club that takes the famed oceanfront community and amusement park in Brooklyn, New York, as its subject. For anyone who is familiar with Coney Island, it should be clear that photographing at this beach is less about sunsets and flamingoes and more about "polar bears," freak shows, and street photography along the beach.

    We welcome three members of this camera club, Orlando Mendez, A.J. Bernstein, and Norman Blake, to discuss their personal photographic journeys, the benefits of having cohorts with whom to work and compare notes and, of course, the changing face of Coney Island itself. We also take time to talk about gear, technique, the different ways in which photographers will see the same subject, and the simple joy that photography can bring to our lives. Join us for this entertaining episode.

    Guests: A.J. Bernstein, Norman Blake, and Orlando Mendez

    Photograph © Norman Blake

    For more photos and information on gear discussed in this episode click here


    Car Photography, from Advertising to Motorsports Apr 11, 2019
    Show notes

    This is one of the more informative and hands-on practical episodes of the B&H Photography Podcast that we have produced in some time. Obviously, it helps if you are "practicing" car photography, but the insights provided in this episode are useful for a wide range of photo disciplines, and touch on techniques for making better images of moving objects, reflective and non-reflective products, tight interiors, and how to photograph large items in a studio or on location.

    For this wealth of information, we must thank photographer Nate Hassler, who joined us to talk about his extensive work photographing cars, whether for advertising, editorial, or for personal projects, a.k.a. fun. Hassler is accomplished in each of these areas, and his advertising clients include Toyota, Honda, Lexus, and Mercedes. He is also a respected motorsport photographer who shoots for Road & Track Magazine. We find out that Hassler grew up around photography, helping in his parents' photo studio, but developed a love for cars all on his own and seems to have found the perfect career that blends his two passions. We learn a bit about the automobile advertising business, but mostly we discuss capture technique, including the rigs and gear he prefers, tips for shooting moving vehicles, stabilization, bracketing, back-lighting, lens distortion, and post-process.

    This truly is an educational and entertaining episode, and check out the B&H Photography Podcast Facebook Group for an image of Hassler's "Franken-Instax" camera that he created to make instant photos with a Schneider lens.

    Guest: Nate Hassler

    Photograph © Nate Hassler


    Commitment to Community-- Rhynna Santos, Michael Young, and the Bronx Documentary Center Apr 04, 2019
    Show notes

    On this week's episode of the B&H Photography Podcast, we welcome two photographers who are part of the diverse and thriving cultural and artistic life of The Bronx. Rhynna Santos and Michael G. Young are also both members of the Bronx Documentary Center and, today, we discuss their individual bodies of work, the role the BDC plays in their lives and community, and we talk a bit about what makes The Bronx so boogie-down.

    Talk about committed, not only is Rhynna Santos a documentary photographer creating long-form series on subjects close to her heart, she leads workshops at the BDC, coordinates the Bronx Photo League and curates the Everyday Bronx feed on Instagram. Her current project, #papielmaestro, profiles her father, legendary musician Ray Santos. This series, which is on exhibit at the Bronx Music Heritage Center, documents her father's musical legacy and examines her role as her aging father's caregiver.

    Michael Young is primarily a street photographer, but his portrait, event, and street fashion work is so strong, he is hard to pigeon-hole. We talk about his commitment to photography, the ability to take on different styles, and his current project on the people of Claremont Village, a public housing project in The Bronx.

    With Santos and Young we discuss the challenges faced by artists of color and those in low-income communities, the value of embracing long-term projects, and how shooting "what you know" with the gear you have is a key to engaged photography. We also take a minute to shout-out a shared mentor, Jamel Shabazz and the role he has played in the artistic development of their photography, and we profile the Bronx Documentary Center, a non-profit gallery and community-oriented cultural center that offers workshops, lectures, exhibits, and a home base for children, adults, and seniors to get hands-on training in photojournalism, filmmaking, and documentary photography. Join us for this inspirational episode.

    Guests: Michael G. Young and Rhynna Santos

    Photograph © Michael G. Young


    Humor, Vulnerability, and Instagram - A Talk with Artists Mitra Saboury and Ben Zank Mar 28, 2019
    Show notes

    Is it necessary to have fun to create work with humor, what is the line between humor and discomfort, can art that is funny have a serious message? How does Instagram success translate to the art world? These are some questions we address in this week's episode of the B&H Photography Podcast, and while "humor in art" is our starting point, the conversation takes its own life and we touch on a range of subjects including, how to sustain a creative idea, the discrepancy between intent and reception, self-portraiture, and how to scale work for both a small screen and a gallery.

    With these ideas on the table, I cannot think of two better guests with whom to have a conversation. Mitra Saboury and Ben Zank are both artists who explore very personal spheres with their photo and video work, and both incorporate humor and playfulness to express their worldview—and as a portal to explore thornier themes.

    Ben Zank's deceptively simple, wonderfully composed images, often with himself as model, explore the body's relationship with its found environment. Placing a model in a sewer, a pothole, a basketball hoop, or under the yellow lines of the highway, Zank creates an, at times awkward, at times harmonious exchange. The almost self-deprecating humor belies a confident control of purpose and a delicate view of the human form.

    The imaginative work of Mitra Saboury, whether alone or in collaboration with meatwreck, explores the physical and psychological effects of our quotidian toils. Like Zank, there is much humor in her work, but a persistent challenging of norms and questioning of beliefs runs through her photography, video, performance, and installation art. Some pieces are discomforting, but strength through inquiry and vulnerability lay at their core. Her work has been exhibited throughout the world, most recently at the Spring Break Art Fair, in Los Angeles, but she also thrives on Instagram and encourages audience participation, whether in person or in the semi-anonymity of the Web.

    Join us for this interesting conversation, organized by Cory Rice, who also joins us on mic, and check out his portrait of Ben Zank in our "What is Photography?" series.

    Guests: Mitra Saboury, Ben Zank, Cory Rice

    Photograph © meatwreck


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