Join the staff at Waypoint as they rewatch and reconsider the world of movies, TV, and anime with the same critical eye they’ve been bringing to video games for years.
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Join the staff at Waypoint as they rewatch and reconsider the world of movies, TV, and anime with the same critical eye they’ve been bringing to video games for years.
Hosted on Acast. See acast.com/privacy for more information.
Content Warning for discussion of incest, sexual harassment, and relationship age gaps.
Clueless was one of the most successful movies of 1995, and also proved to have one of the most important legacies. A modern adaptation of Jane Austen's Emma, Clueless was a comedy of manners for children of the 1990s... or at least those who dreamed of what life might be like if you were that young, that rich, and that insulated from consequences. But does its tongue-in-cheek portrayal of young women and their social lives hold up today? Did the media that came after Clueless and often imitated it, like Cruel Intentions and later Gossip Girl, break from the film's philosophy or merely unearth a darkness that was already there? So is Paul Rudd like her step-brother, and isn't that kind of weird? Danielle, Natalie, and Rob dig into all of it on this episode of Be Good and Rewatch It.
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Sunshine—Danny Boyle’s 2007 sci-fi/maybe thriller, maybe horror tale about a dying sun and one intrepid crew’s mission to save it—so intrigued us that we just had to do a BGRW episode on it. Join us as we discuss the movie’s gorgeous cinematography, interesting heroes, and not-so-grand final third, with plenty of room along the way to think about, well, “what do you see?”
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Join Patrick and Danielle for a journey through Event Horizon’s tightly wound, terrifying core, discussing its production and aesthetic influences (borrowed heavily from both Hellraiser and Alien), its strong performances, and its lasting effects as a cult classic. Extra props to the folks at the Faculty of Horror podcast for inspiring some of the discussion here on popular tropes about hell!
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Content Warning: Discussions of Sexual and Physical Abuse and Domestic Violence
Upfront, we should say that Serenity is a movie that manages to offend in both its meta narrative and main narrative. To some very loaded topics around domestic violence and abuse, it brings an ill-conceived and poorly delivered central conceit. And yet there is something compelling about its ineptitude and the elaborate earnestness with which it attempts to create an erotic thriller for the digital age. It is also fascinated by video games, and that fascination is expressed in some strange and almost unforgettable ways in this greatest of bombs of 2019.
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Be Good and Rewatch It brings its three-part breakdown of M. Night Shyamalan’s Eastrail 177 trilogy—Unbreakable, Split, Glass—to a close with a conversation about the director’s latest musing on the nature of superheroes. Glass brings together the main characters of each movie, with the intention of commenting on what it would be like to live in a world where people were obsessed with superpowers. Like a lot of Shyamalan’s work, it’s a lot, but that’s why Natalie, Austin, Rob, and Patrick are here. You don’t have to go through this alone.
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M. Night Shyamalan has made horror movies about a lot of things, including ghosts, aliens, and, uh, mental illness! Yikes? Yikes. Split, a 2016 movie about the kidnapping of three young women by a man with dissociative identity disorder, is the focus of our discussion (and ire) on this installment of Be Good and Rewatch It. Austin, Patrick, Rob, and Natalie convened, as we work through Shyamalan’s Eastrail 177 Trilogy (Unbreakable, Split, Glass).
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We live in an age of endless comic book movies, but it didn’t always used to be that way. M. Night Shyamalan's Unbreakable, released in 2000, came long before popular culture decided Thor was cool, actually. This slow and plodding origin story about a flawed man discovering he’s something more was a revelation in 2000, but sits even weirder in 2019. With Shyamalan having a chance to revisit the Unbreakable universe with his new movie, Glass, Austin, Rob, Patrick, and Natalie decided it was a perfect time to revisit Unbreakable.
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The First Purge is about the first purge, but it’s not actually the first Purge movie. It’s the fourth Purge movie, but set during the first purge in the Purge universe. Still following? No matter, Be Good and Rewatch It is here to help. Writer/director James DeMonaco, who helmed the past three movies, only worked on the script for The First Purge, with Gerard McMurray (Burning Sands) stepping in—a refreshing shift the franchise has badly needed. As we close out our discussion of the Purge series, Austin, Patrick, Rob, Danielle, and Natalie gather to break down a franchise that surprised, delighted, and disappointed us.
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Most horror franchises don’t survive the transition to a sequel, let alone a third movie. We were pleasantly surprised by the action-y, Punisher-esque turn of The Purge: Anarchy, but there were enough red flags to have us deeply concerned about where The Purge would go with its third entry, Election Year, a movie centered around protecting a bizarre Hillary Clinton stand-in, who promises to save the country, from her political opponents. Austin, Patrick, Danielle, Natalie, and Rob dive gathered around to dive into Election Year, and hope for better things from the final entry, The First Purge. (Spoiler: That one’s a much better movie.)
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Patrick, Austin, Danielle, Natalie, and Rob gather to discuss the second film in The Purge series, The Purge: Anarchy, as part of a deep dive into the entire series. Warning: Spoilers abound. Warning: Rob is upset about how people employ tactics. Warning: This movie needed more Michael K. Williams.
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