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    Arts

    Bad at Sports

    Bad At Sports is a weekly podcast about contemporary art. Founded in 2005, the series focuses on presenting the practices of artists, curators, critics, dealers, various other arts professionals through an online audio format.

    Advertise

    Copyright: © badatsports.com

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    Latest Episodes:
    Bad at Sports Episode 438: Skylar Fein Jan 20, 2014
    Show notes

    This week: Amanda talks to artist Skylar Fein!

    Skylar Fein was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a gay film festival in Seattle, stringing for The New York Times and as pre-med student at University of New Orleans where he moved one week before Hurricane Katrina hit. In the wreckage of New Orleans, Fein found his new calling as an artist, experimenting with color and composition of the detritus of Katrina. His work soon became known for its pop sensibility as well as its hard-nosed politics. After a few starring roles in group shows, he had his first solo show in May 2008 at Jonathan Ferrara Gallery in New Orleans. In the fall of 2008, his Prospect.1: Biennial installation, "Remember the Upstairs Lounge," shined a spotlight on an overlooked piece of New Orleans history: a fire that swept through a French Quarter bar in 1973, killing everyone inside. The worst fire in New Orleans history has never been solved. His installation walked visitors right through the swinging bar doors, and offered visual riffs on politics and sexuality circa 1973. The piece was praised in Artforum, Art In America, The New York Times Magazine and The New Yorker, among others. In late 2009, Fein had his first solo museum show, "Youth Manifesto," at the New Orleans Museum of Art. The exhibition was an ode to punk rock as a force for social and cultural upheaval. True to form, the opening reception was shut down by police responding to the look of the unlikely art-going crowd. In March 2010, Jonathan Ferrara Gallery presented Fein's solo installation, “Skylar Fein: Rise of the Youth Front" at VOLTA Art Fair in New York during Armory Week. This installation drew thousands of people and delved into revolutionary politics past and present, a continuing theme in Fein's work.In May 2010,Fein was invited by the New York curatorial project No Longer Empty to recreate his "Remember the Upstairs Lounge" installation in a vacant Chelsea space.The exhibition, once again, drew thousands of visitors and sparked renewed interest in this piece of history. In September 2011, Fein exhibited over eighty new works in his solo exhibition Junk Shot at Jonathan Ferrara Gallery, New Orleans. This exhibition embodied this artist’s turn towards formalism and art historical reference while maintaining Fein’s iconic sensibilities and aesthetic. Skylar Fein was the recipient of a 2009 Joan Mitchell Foundation Award and his work is in several prominent collections including The Whitney Museum of American Art, The Brooklyn Museum, The Frederick R. Weisman Art Foundation, The Louisiana State Museum, The Birmingham Museum of Art, the New Orleans Museum of Art and collectors Beth Rudin DeWoody, Lance Armstrong, and Lawrence Benenson.

    Bad at Sports Episode 437: Solveig Ovstebo Jan 13, 2014
    Show notes

    This week: From our residency at Expo Chicago 2013 we talk to the new (as of June 2013) Director of the Renaissance Society at the University of Chicago, Solveig Ovstebo.


    Bad at Sports Episode 436: William Powhida and Charlie James Jan 06, 2014
    Show notes

    This week: Live on stage without a net from Art Expo Chicago 2013 (aka EXPO CHICAGO, The International Exposition of Contemporary and Modern Art) Duncan and Richard talk to Galleries Charlie James (Charlie James Gallery, Los Angeles) and artist William Powhida!

    William Powhida (b. 1976, New York) is an artist and critic living and working in Williamsburg, Brooklyn. For several years Powhida worked as an art critic for the Brooklyn Rail while developing his own artistic practice. Powhida’s work, reflecting his critical background, displays a concentrated fascination with the politics of access and the powers that control the assignment of value in the artworld. All roles are fair game, from nouveau-hot artists and the market-setting collectors that buy them, to the branded dealers that sell the work and the critics paid to provide intellectual justification for the pricepoints.

    To soften what might appear a direct editorial voice, Powhida projects his commentary through the lens of an alter-ego, one with whom he shares a name (William Powhida). This alter-ego closely resembles any number of freshly minted artworld ‘geniuses,’ though Powhida’s character happens to exhibit all of the worst traits imaginable in any coddled enfant-terrible art star. The fictional Powhida is petulant, narcissistic, and debauched. He has enormous feelings of entitlement, and a perspective so firmly rooted in solipsism that it seems an impossible exaggeration. This art star on the verge of self-immolation documents his misery and rage against the manifold injustices of the art world through a series of To Do Lists, Enemies Lists, and monomaniacal screeds that take on the look of disturbed 3am rants. However, not all of this work exists in the first person. In addition to the alter-ego’s jeremiads, Powhida adds the sycophantic voice of the press ¬ a vital part of the star-making process. Ostensibly a frequent subject of Man About Town profiles in fashion magazines and newspapers, the alter-ego’s more offensive conduct and outsized claims are documented in this way.

    Which brings us to the startling visual power of Powhida’s work. All of the content above, from the character’s first-person attacks to press profiles by the New York Post, the LA Weekly, and 944 Magazine (examples) are all rendered in beautiful trompe l’oeil compositions that use various combinations of graphite, gouache, and colored pencil on either panel or paper. It is in fact the visual presentation of Powhida’s arguments, coupled with their humor, that makes Powhida’s sometimes scathing commentaries so much fun to digest.

    William Powhida earned his BFA from Syracuse University, and took his MFA from Hunter College. He is represented by Platform Gallery in Seattle, and Charlie James Gallery in Los Angeles.

    Established in Los Angeles in 2008, Charlie James Gallery represents work by emerging and mid-career artists.

    969 Chung King Road Los Angeles, CA 90012

    T: 213.687.0844 F: 213.687.8815

    HOURS: Wednesday - Saturday 12 - 6 PM


    Bad at Sports Episode 435: Christian Jankowski Dec 30, 2013
    Show notes

    This week: Patricia talks to artist Christian Jankowski. Chaos ensues. Chewing too.


    Bad at Sports Episode 434: 2013 Holiday Special Dec 23, 2013
    Show notes

    This Week: Do Duncan and Richard take a week off, kick back, drink that eggnog Duncan makes with lighter fluid??? NO, no they do not. They undertake to make a holiday special so labor intensive, so wacky, so stupid it is hard to beleive. Yes, it is here.

    AND, if you survive the dramatic reading, you will be rewarded by some rare and amazing Christmas Classics, about Daleks, sex, and stuff like that.

    HO HO HO.


    Bad at Sports Episode 433: Expo Chicago - Sanford Biggers, Elysia Borowy-Reeder and José Lerma Dec 16, 2013
    Show notes

    This week: Duncan and Richard at Expo Chicago 2013 talking to Sanford Biggers, Elysia Borowy-Reeder and José Lerma.

    From Expo's info:

    Sanford Biggers, Elysia Borowy-Reeder and José Lerma in conversation with Richard Holland and Duncan MacKenzieFor another rousing Bad at Sports discussion, hosts Richard Holland and Duncan MacKenzie will field interviews and commentary from Artist Sanford Biggers (SAIC MFA 1999, moniquemeloche, David Castillo Gallery, MASSIMO DE CARLO), Director of the Museum of Contemporary Art Detroit Elysia Borowy-Reeder and Artist José Lerma (SAIC Painting and Drawing), most recently featured in a solo exhibition for “Chicago Works” at the Museum of Contemporary Art Chicago.


    Bad at Sports Episode 432: Sonnenzimmer and Sarah Weber Dec 09, 2013
    Show notes

    This week: First up, Sonnenzimmer!Duncan talks to Nick Butcher and Nadine Nakanishi about the poster scene, the business of art and design and more!

    Next Dana Bassett talks to artist Sarah Weber.

    Sonnenzimmer is the Chicago-based studio of Nick Butcher and Nadine Nakanishi. Merging backgrounds in typography, printmaking, graphic design and fine art, we create hand-crafted posters, books, and music packaging for a wide array of clients. Most of our projects are screen printed in-house. We are always up for the challenge of creating unique visuals for projects. If you are interested in working with us, don’t hesitate to contact us. To read about our process, check our FAQ page.

    We’ve had somewhat of an elastic existence in our 7 year history. Beginning as a shared painting studio, equipped with industrial screen printing equipment, the venture quickly morphed into a design and print studio specializing in hand-crafted prints and design for some of the city’s most recognized cultural institutions. As image making is becoming more and more present in commerce and enjoying a true revival in print making and painting, we hope our mixture of fine and applied art will be looked at as complimentary assets. That people understand they are not mutually exclusive. We are interested in idiosyncratic imagery. This is explored through many lenses of an ongoing practice – may it be of collaborative, experimental, or commercial nature.


    Bad at Sports Episode 431: Takeshi Murata and Robert Beatty Dec 02, 2013
    Show notes

    This week: San Francisco checks in with a great interview. Bad at Sports contributors Brian Andrews and Patricia Maloney sat down with artist Takeshi Murata and sound designer Robert Beatty on November 9, 2013, at Ratio 3, in San Francisco, to discuss Murata’s most recent digitally animated video, OM Rider (2013). OM Rider follows two animated creatures: a wizened old man that Andrews describes as “half the Curious George Man in the Yellow Suit, half like the butler from Rocky Horror Picture Show,” and a hipster wolf, which rides a moped through a barren landscape and performs other aimless tasks. The video begins with the creature playing a synthesizer that gives the video its title. Om Rider contains Murata’s characteristic absurd humor and aesthetic, which mixes highly attuned lighting and composition with more retro modeling and minimalist, almost antiseptic spaces.

    Takeshi Murata was born in 1974 in Chicago. In 1997, he graduated from the Rhode Island School of Design, where he studied film, video, and animation. He currently lives and works in Saugerties, New York. Murata has exhibited at the New Museum, New York; the Museum of Modern Art, New York; the Museum of Fine Arts, Houston; the Fondazione Sandretto Re Rebaudengo, Turin, Italy; Sikemma Jenkins & Co., New York; Gladstone Gallery, New York; and Salon 94, New York. Murata’s work is featured in the collections of the Hirshhorn Museum and Sculpture Garden, Washington DC; DESTE Foundation for Contemporary Art, Athens; and The Smithsonian Museum of American Art.

    FYI, AP will post an excerpted text version of this interview on Dec. 3, and the link for that conversation should be:

    http://www.artpractical.com/column/interview-with-takeshi-murata/

    And here is a related review Brian wrote for his previous show: http://www.artpractical.com/review/get_your_ass_to_mars_andrews/


    Bad at Sports Episode 430 - EXPO panel Baer, Paddy, and Forrest Nash Nov 25, 2013
    Show notes

    This week!

    EXPO Panel!

    "Who owns the internet?"

    Josh Baer - Baer Fax

    Forrest Nash - Contemporary Art Daily

    Paddy Johnson - Art F City

    Richard Holland and Duncan MacKenzie - Bad at Sports


    Bad at Sports Episode 429: Michael Velliquette and Oliver Warden Nov 18, 2013
    Show notes

    This week: The Amanda Browder show rolls in to town! Amanda talks to Michael Velliquette and Oliver Warden

    Michael Velliquette has a show up at DCKT Contemporary!

    MICHAEL VELLIQUETTE (b. 1971) is a mixed media artist known for his densely detailed and dimensionally complex paper sculptures, installations, and drawings.He has recently had solo shows at DCKT Contemporary, New York, NY; Disjecta, Portland, OR; Morgan Lehman Gallery, New York, NY; and Rhodes College, Memphis, TN. His museum exhibitions include Slash: Paper Under the Knife at the Museum of Art and Design, New York; Art on Paper at the Weatherspoon Art Museum; and Psychedelic at the San Antonio Museum of Art.His work is in the collections of the Museum of Wisconsin Art; the Racine Art Museum; the Progressive Corporation; Western Bridge, Seattle; The John Michael Kohler Art Center; The Linda Pace Foundation; The State of Wisconsin; Boston Children’s Hospital and the San Antonio Museum of Art. A catalog chronicling his work from the past 10 years titled "Michael Velliquette: Lairs of the Unconscious" was released in 2011 through Devibooks Publishers. Michael Velliquette is a Faculty Associate in the Art Department at the University of Wisconsin-Madison and organizes the independently run project space Lovey Town.

    Then a conversation with Oliver Warden about his project Globall!

    What is GLOBALL?

    GLOBALL is a new take on a social network created as a work of art by artist Oliver Warden. "Basically, I want to pass seven wooden balls, one for each letter in GLOBALL, hand to hand, person to person, around the world. On each of these wooden balls will be the instructions of what to do with it in multiple languages (three different ones for each ball) and in pictograms. When you receive a GLOBALL: 1. Take a picture of yourself with it and send the picture, your first name, your location and the time to our website www.wheresgloball.com. 2. Once on the website you can fill out a profile. There you can share your experience, connect with other GLOBALLers and follow your ball on its journey. 3. You’ll then be asked to pass the GLOBALL to a VERY GOOD FRIEND and explain the instructions. Hopefully as each ball travels, everyone will think about words such as 'share' and 'friend' and 'follow'. With a little luck, each GLOBALL will go on a voyage of friendship and connectivity around the world." Oliver


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