Back To One

Latest Episodes:

Talia Ryder Apr 21, 2020

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Talia Ryder gives a remarkable performance opposite Sidney Flanigan in her very first feature film, Eliza Hittman's "Never Rarely Sometimes Always." It's the kind of subtle, assured, measured work you wouldn't expect from a teenager. She talks about the benefits of getting vulnerable with Flanigan before shooting, and how being deliriously tired actually came in handy when shooting all night in Port Authority. Plus she explains what's up with that suitcase, and much more! Later this year you can see her in Steven Spielberg's highly anticipated remake of "West Side Story."

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Hannah Marks Mar 31, 2020

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Mega-talented multi-hyphenate Hannah Marks started writing "Banana Split" when she was still a teenager. It was loosely based on her real life. She rewrote it with her writing partner Joey Power as her acting credits piled up in stuff like "The Runaways," "The Amazing Spider-Man," and "Dirk Gently's Holistic Detective Agency." Then, after she co-directed her first feature (with Power), "After Everything," she was able to get "Banana Split" made with herself in the staring role, directed by Benjamin Kasulke. In this half hour, she talks about the ups and downs of standing her ground and seeing the dream of making this hilarious and smart teen comedy come true, what directing has taught her about acting, why she refuses to get bitter about this business again, and much more!

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Miriam Shor Mar 24, 2020

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Miriam Shor is unrecognizable as Lorraine Ela in the powerful new Netflix film "Lost Girls." It's the kind of performance that doesn't feel performed, that doesn't get recognized often because it's invisible. We talk about that phenomenon this half hour, and break down a hilarious moment from the show "Younger," where Shor played the beloved character Diana Trout. She talks about the importance of feeling like she is in collaboration with a director, and how being cast in a role you don't think you're "right for" can help you grow. Plus much more!

Haley Bennett Mar 13, 2020

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Haley Bennett has given us some great work in films like "The Woman On The Train" and "The Magnificent Seven," but her performance in Carlo Mirabella-Davis' "Swallow" is so fully-realized, so ground-shaking, so important, it feels like an artistic re-birth. In this half-hour, she talks about facing the doubts and fears she had with revealing herself in the role of Hunter, the importance of the fruitful and freeing collaboration process with Mirabella-Davis, and how this truly emancipating experience changed her approach to the work. Plus much more!

Skylar Astin Mar 12, 2020

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He got his big Hollywood break with "Pitch Perfect," but Skylar Astin had already made it to Broadway in the musical sensation "Spring Awakening." Lately, it seems he's been in every television show that features people breaking into song -- "Glee," "My Crazy Ex-Girlfriend," and now the NBC hit "Zoey's Extraordinary Playlist" where he plays Max, Zoey's best friend who is secretly in love with her. On this episode, he talks about the hard work that goes into making that show, being bribed into his first audition as a kid, and how his stage experience continues to pay dividends in front of the camera, plus much more!

Zach Woods Mar 11, 2020

Show notes

I remember when I first saw Zach Woods. It was in the Armando Iannucci film "In The Loop." His comedic sensibilities matched so perfectly with what I demanded as a consumer of comedy—bold choices, molded in subtlety, grounded in reality. He has continued to morph and advance his style with unforgettable roles on "The Office," "Silicon Valley," and now again for Iannucci on "Avenue 5," where he plays cheerful nihilist Matt Spencer, Head of Customer Relations. In this episode we have a far-reaching conversation on his approach to the craft. Summary: the greatest comedic actors take the work VERY seriously, work hard, and still have fun.

Andrea Riseborough Mar 10, 2020

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It's time we stop taking the preternaturally gifted British actor Andrea Riseborough for granted. She transforms so completely into her characters (appearance, accent, posture, mannerisms) that it's easy to just believe she is the character and hard to measure her talents because we don't know what "default Andrea Riseborough" is like. One thing is crystal clear though—she's simply one of the best we have. On this, the 100th episode of "Back To One," she talks about being surprised by the reactions to her chameleon-like abilities, how she uses the shooting environment (no matter how difficult) to fuel her work, why she pours her money back into funding female-made films, and much more! (She stars in the new Amazon series "ZeroZeroZero.")

Lesley Manville Mar 03, 2020

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The brilliant British actor Lesley Manville has given us two of the truly great cinematic performances of the last decade, Mary in "Another Year" and Cyril in "Phantom Thread" (which landed her an Oscar Nomination). But those are just two in a long list of living, breathing characters she has inhabited with subtlety, nuance and depth, both on the stage and screen. In this episode, she talks about her latest--Joan in "Ordinary Love," her formative years with Mike Leigh, the necessity of director input, why she doesn't want to take her characters home, and much more!

Zora Howard Feb 25, 2020

Show notes

Zora Howard is a juggernaut. She stars in "Premature" and co-wrote the script with director Rashaad Ernesto Green. Her performance has an assured authenticity and a new brand of quiet desperation that is remarkable for a first feature. She's been an award-winning creator for years though. Plays, poems, spoken word performances. Her play "Stew" just closed off-broadway to great acclaim. I gush about it and ask where her love of words began, and which of these various paths of creation she's anxious to continue down. She talks about the necessary step of taking off the writer's hat in order to perform in the present moment, and much more.

Zoey Deutch Feb 18, 2020

Show notes

Acting wunderkind Zoey Deutch returns to the podcast on the occasion of the release of "Buffaloed," the raucous indie she stars in (and produced) where she gets to flex her high octane comedy chops. We get into the weeds discussing comedy performance, she talks about striving to make her characters relatable, and about her love for auditioning (despite the hiccups). I delicately ask her what makes up the bulk of her now legendary script binder and she graciously explains. Plus much much more!

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