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    Music

    Attendance Bias

    Attendance Bias is a podcast for fans to tell a story about an especially meaningful Phish show.

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    Copyright: © 2024 Attendance Bias

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    Latest Episodes:
    11/27/98 @ The Worcester Centrum w/Dennis Baker Sep 22, 2021
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    Hi everybody and welcome to this week’s episode of Attendance Bias. This week’s guest is Dennis Baker, who first came to my attention toward the beginning of the pandemic in the spring of 2020. At that time, I noticed someone on a Twitter account who began to stream video of Phish shows throughout their history. Sort of like a do it yourself version of Dinner and a Movie. The big difference is that Dennis was streaming these videos every single night.

    After watching a few of Dennis’ videos, in addition to the regular Dinner and a Movie shows, it dawned on me that even though I’d been listening to Phish for 25 years, I’d been missing out on an entire perspective of the band. So many shows that I love and hold close to my heart have only existed in my mind’s eye. I’d never seen what shows from 1996 or 1991, or festivals before IT, looked like. Seeing these shows was almost like hearing the show for the first time all over again, and I have Dennis to thank for that opportunity.

    For today’s episode, Dennis picked November 27, 1998 from the Worcester Centrum. Better known as “The Wipeout Show,” it deserves comparison with the Tinley Park 1993 Antelope show, the February Roxy show from 1993, and the Tweezer Led Zeppelin show from Atlantic City in 2010, as Wipeout weaves in and out of the 2nd set, punctuating outstanding performances of fan favorites. It was also a hometown show for Dennis, with the crowd being made up of long time New England Phish fans, adding to the heartfelt feeling.

    So let’s join Dave to hear about Phish videos, what makes Phish in '96 and '98 so special, and November 27, 1998 at the Worcester Centrum.

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    12/28/90 @ The Marquee, NYC w/Sue Drew Sep 15, 2021
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    Hi everybody, and welcome to today's episode of Attendance Bias. I am your host, Brian Weinstein.
    I have to be honest: I love every single episode of Attendance Bias. I'm proud of every episode and I'm grateful to every single guest who's willing to come onto the show and talk about a favorite jam or a favorite show.
    That said, I also have to tell you that, just like everyone, my interest of Phish goes beyond the music and extends into their history, the mythology of the band's early success, their behind-the-scenes action, and their business.
    So an episode like today, where I get to interview a person who was absolutely crucial in their development, not only as a musical group, but as a force to be reckoned with within the music industry makes me come away glowing. And that interview today is with music industry legend, Sue Drew of Kobalt Music Publishing.
    Not only does Sue work at Kobalt, but for a time in the late eighties and early nineties, she worked at Elektra Records. And during that time, she stumbled across a young foursome that was playing in New York City, known as Phish. I don't want to spoil the details, but Sue Drew, long story short, is the person who signed Phish to EleKtra records.
    Even more importantly, Sue not only talks about the business side of her relationship with Phish, but it's very clear throughout her discussion that she is a fan dyed in the wool of the band and their music.
    For today's episode sued decided to speak about December 28th, 1990 at a small venue that no longer exists in New York city called The Marquee. This is the first time that Sue ever saw Phish and, even more exciting, she tells us what inspired her to approach them, to sign them.
    So that's enough from me. I just want to get to the episode as quickly as possible. Let's listen to my interview with superfan Sue Drew of Kobalt about December 28th, 1990 at The Marquee in New York City.
    Links Mentioned in the Episode:
    *Elektra Press Kit to promote "Rift"
    *Phishbase interview with Sue from 2017

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    Mini Episode: "Carini," 12/30/12, Madison Square Garden Sep 08, 2021
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    BONUS EPISODE: 2021 Atlantic City Recap w/Skinny & JW from Stub Me Down Sep 02, 2021
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    "46 Days>Bug" from 8/15/15 @ MPP with RJB Sep 01, 2021
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    Hi everybody and welcome to this week’s episode of Attendance Bias. I am your host, Brian Weinstein.
    This week’s guest is a name that Phish podcast fans will recognize: RJB, the CEO and Co-Founder of Osiris Media. As a podcaster, I’m always looking up to the professionals and in the Phish podcast world, you can’t get more professional than Osiris Media. A few months ago, I had Tom Marshall on Attendance Bias to talk about being the face of Osiris Media, the Undermine podcast which was then wrapping up its first season, and Phish’s performance of “David Bowie” from December 29, 1994 in Providence. Tom was excited to talk about everything but he was unable to give too many details about Undermine, Osiris’ flagship podcast that tells about Phish’s history and experience in a non-linear way, since it was just completed. With season 2 of Undermine scheduled to air next week, I was eager to hear more about it and RJ was happy to share what listeners can expect when season 2 gets underway on September 8.

    For today’s episode of Attendance Bias, RJ picked “46 Days>Bug” from August 15, 2015 from Merriweather Post Pavilion in Columbia, Maryland. Played right before the Magnaball festival, RJ and I break down how the band was experimenting and discovering different musical avenues throughout the summer 2015 and how that came to fruition as this MPP run was the last stop on the road toward the ultimate summer culmination: the Magnaball Festival.

    So let’s join RJB to hear about season 2 of Undermine, the temporary return of the Helping Friendly Podcast, and “46 Days>Bug” at MPP from August 15, 2015.

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    Three Shows w/John "Purcy" Purcell Aug 25, 2021
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    Hi everybody and welcome to this week’s episode of Attendance Bias. I am your host, Brain Weinstein.
    This week’s guest is the John Purcell, who I’ll refer to as Purcy throughout the conversation. As you’ll hear us explain during the episode, Percy and I went back and forth a few times about which show or jam to discuss. As the host, I do my best to stay out of the decision making process, since the story and the Attendance Bias belongs to the guest. In this case, Purcy had a little trouble settling on one show, and so he came up with a good idea: he wanted to talk about how different shows reflected different points of his life. After some back-and-forth, he picked three different shows, years apart, and we would review highlights from each one.

    The three shows that Purcy chose for today’s episode are: New Year’s Eve 1994 at the Boston Garden, the Great Went, August 17, 1997 at Loring Air Force Base, and then December 28, 2019 at Madison Square Garden. Due to the back-and-forth decision making process, plus a typo here and there, you may hear me mistake the date of the Madison Square Garden show during our conversation. But, officially, it’s December 28, 2019.

    So let’s join Purcy to hear about what actually happened with the hot dog on New Year’s 1994, the incredible Harry Hood from the Great Went, and how Phish can be there for you through good times and bad over the course of 25 years.

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    7/30/17 @ Madison Square Garden w/Dave Burland Aug 18, 2021
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    Hi everybody, and welcome to this week’s episode of Attendance Bias. This week’s guest is the host of the Cinema Dave Media YouTube channel, Dave Burland. When Dave and I got in touch, two things stood out to me that made me want to speak with him about Phish: first, he is a huge fan of The Who, just like I am, so we have a lot of shared musical DNA.
    Second, he is a huge movie buff. And although I wouldn’t call myself a film buff, I will say that, after music, movies are my biggest passion. So this seemed like a perfect match.

    For today’s episode, Dave picked July 30, 2017, better known as the “Jimmies” night of the Baker’s Dozen. In an earlier episode with author Jason Gershuny, he and I went over Glazed Night, the final night of the run, but Jimmies Night just seemed to hit different. It was the same summer, but tonally, it was completely different and you’ll hear Dave and I spend a lot of time about the details, the appeal, and the tone of the Baker’s Dozen as a whole.

    So let’s join Dave to hear about the Criterion Collection, Phish’s version of Drowned, and Baker’s Dozen setlist predictions, as we discuss July 30, 2017.

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    One Year Anniversary! Interview w/Brian Weinstein Aug 11, 2021
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    Hi everybody and welcome to today's episode of Attendance Bias. I am your host, Brian Weinstein. Today, we wish Attendance Bias a HAPPY BIRTHDAY since it appeared on Apple Podcasts for the first time one year ago today, August 11, 2020.
    It's been a full year of episodes, and I'd like to thank you all SO MUCH for listening. In celebration, I thought it would be fun to have a guest host so I could take a break and be the guest for once. I was lucky enough to have previous Attendance Bias guest, Justin Bruce of Las Vegas, to be our guest host for today. Justin previously appeared on Attendance Bias to talk about 7/7/00 at Burgettstown.
    As a favor to the podcast, Justin was gracious enough to come on the show and interview me and give some background information about myself, who I am as a person, as a music fan, as a Phish fan, and as a podcaster.
    So today, you won't hear about one specific show or jam, but you'll hear tidbits about 7 or 8 different ones, as well as different bands, and get a look behind the curtain at what makes Attendance Bias happen.

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    "Miss You" w/Brett Kreiner Aug 04, 2021
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    Hello everybody and welcome to this week’s episode of Attendance Bias. This week’s guest is Illinois native, Brett Kreiner. Brett messaged me on Phish.net, explaining that he was a fan of the podcast and that an earlier episode, where actor Luke LaGraff talked about the importance of the song “Lizards,” inspired him to reach out and tell his story about “Miss You.”

    At first, Brett said that he wanted to talk about the performance of “Miss You” from October 28, 2018 at Allstate Arena in Rosemont, Illinois. But as Brett explained the importance of the song overall--not just from that performance--it became clear that “Miss You” means more to Brett and his family than one 7-minute performance in 2018.

    But I’ll leave it to Brett to tell the details. So let’s join him to hear about 1980s WWF stars at Indio, the importance of Phish ballads, and making peace with your hometown venues as we talk about “Miss You.”

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    "Waste" and "Terrapin Station," 8/9/98 @ Virginia Beach w/Dave Waxman Jul 28, 2021
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    Hi everyone, and welcome to today's episode of Attendance Bias. My guest today is Dave Waxman. Dave is a former employee of Phish Dry Goods, he worked at a bar with former Phish road manager Jason Colton, and he also recently created a merchandise website called Maybe So Maybe Lot.
    While I was promoting an earlier episode, Dave messaged me and asked that if I ever needed anyone to discuss the band's version of "Waste" from 8/9/98, that he was available. "Waste" is usually a disposable song, especially from that show in Virginia where the band busted out the famous "Terrapin Station" encore. Since he messaged me about "Waste" and not "Terrapin Station," I figured that there must be something great to talk about.
    After I listened to "Waste," it was obvious why Dave wanted to discuss it...and we'll get into that later. We also discussed that it would be silly of us, almost stubborn, to not talk about "Terrapin Station," even if it's not the focus of the episode.
    So let's join Dave Waxman to talk about both "Waste" and "Terrapin Station" from the Virginia Beach Amphitheater on August 9, 1998.

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