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    Music

    Attendance Bias

    Attendance Bias is a podcast for fans to tell a story about an especially meaningful Phish show.

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    Copyright: © 2024 Attendance Bias

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    Latest Episodes:
    "If I Could" -- 10/11/95 @ The Compton Terrace Amphitheater with Robert Miller Jun 22, 2022
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    Hi everybody and welcome to this week’s episode of Attendance Bias. I am your host, Brian Weinstein. Today’s guest is Robert Miller.

    I love every episode of Attendance Bias, and while hosting this podcast, it’s become clear that the word “special” or “meaningful” means something different for every Phish fan. Some people want to talk about their first show, others have a special connection with the venue or city where the show was played, and sometimes, it’s simply a matter of the music. Other times, a fan has a memory and an emotional connection to a particular song played one night. That is the case for today’s episode, where Rob picked “If I Could” from October 11, 1995 at the Compton Terrace Amphitheater in Phoenix, Arizona. Rob was in college at the time, and we’ve all been there; we go on an adventure with someone who starts off as a friend. But during the adventure, we get tunnel vision, and we want the friend to become something more than a friend. Sometimes it works, and sometimes it doesn’t. But there are times when our favorite band becomes the soundtrack to that memory, and a specific song gains meaning and weight as it somehow describes the situation in the moment.

    It’s not always that simple, but it sometimes makes for a good story, and that’s why we are all here today.

    So let’s join Rob to chat about the fall ‘95 tour, our dream special guests, and when it is and isn’t okay to take a piss break as we break down “If I Could’ from October 11, 1995 at The Compton Terrace Amphitheater in Phoenix.
    Jambase--Fall '95 By The Numbers
    Audio Used in This Episode

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    100th Episode Special! Jun 15, 2022
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    Hello everyone, and welcome to Attendance Bias! I am your host, Brian Weinstein. Before anything, I want to begin today’s episode with a message of gratitude. A few weeks ago, I put out two requests to you, the attendance bias audience. First, I had to swallow my pride and ask for monetary donations. Attendance Bias, or any podcast, is not free to produce. It does take quite a bit of money to produce each episode on a weekly basis, and I’m happy to cover it, as long as I can. After all, as the listener, you pay for it. Not with money, but with your time and attention. And those are the most important commodities we have, so I am truly grateful to every one of you. If you would still like to donate to keep the lights on at Attendance Bias, you can go to www.buymeacoffee.com/attendancebias and contribute anything you can. Every penny will go to the operating costs of the podcast.

    Now if you’ve listened to every episode of this podcast, you’ve heard me introduce myself and the episode literally 99 times. That is because today is a special episode. It marks 100 episodes of Attendance Bias, and I cannot believe it. From the day I had the idea of beginning a podcast about Phish and their fans, it took me nearly three months to put one episode together. Now, two years later, we are at the 100th episode of Attendance Bias.

    For Phish fans, 100 shows is a sort of milestone. In one sense, it’s pointless gatekeeping, as a person’s first, ninth, 57th or 90th show could be just as meaningful as their 100th. But as a culture, we celebrate anniversaries and round numbers, for whatever reason. A couple’s 10 year wedding anniversary. A baseball player’s 20th season. 40 years since a classic album came out, and so on. For Phish fans who are obsessed with statistics, happenstance, coincidence, and and date numerology, 100 shows takes on a significance that could mean everything and nothing at the same time.

    I fell victim to this, for sure. When Phish announced their 2016 holiday run at Madison Square Garden, I took a look at my stats and realized that my 100th show would be on the same date, at the same venue as my first: it would be on December 29, 2016, exactly 19 years after my first show on December 29, 1997. What did this mean? Double rainbow? It meant that that the Phish gods somehow conspired to make this incredible coincidence…or it just meant that I’ve lived in the NYC area for virtually my entire life and it was only a matter of time? Either way, I was so jazzed about it that I began to write a blog called Phish100. In it, I detailed every Phish show I’d seen, leading up to my 100th. In many ways, it was a precursor to Attendance Bias. The biggest difference, though, was that Phish100 was entirely about my experience at Phish. Attendance Bias is about the guest’s experience at his or her special show.

    So how does this 100 show threshold translate to a podcast? The fetish for round numbers holds tight in this case, but again, Attendance Bias isn’t really about me–it’s about the audience. So for today’s celebration of 100 episodes of Attendance Bias, I wanted to split the stories. For the first half of today’s episode, I’ll review my 100th show on December 29, 2016 and then for the second half, I’ll hand it over to the Attendance Bias listeners. So many of you reached out to tell your stories about your 100th Phish show, and I’m thrilled to share them. But first, let’s start with Phish at MSG on December 29 2016 at Madison Square Garden.

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    12/6/96 @ The Aladdin w/ Shawn Fausett Jun 08, 2022
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    Hi everybody and welcome to this week’s episode of Attendance Bias. I am your host, Brian Weinstein. Today’s guest is Shawn Fausett of Colorado.

    For me, there are some Phish shows that I’ve always taken for granted as being part of the DNA of the assumption that Phish is one of the greatest bands of all time. Every fan may have his or her own list, but I always assumed that there are some that are inarguably great, with a capital “G,” and are agreed upon as the best. For this episode, Shawn picked one of those shows: December 6, 1996 at the Aladdin in Las Vegas, Nevada. It’s been released as an official triple album by Phish, it was their first show in Sin City, there’s a Harpua encore with special guests, and jams galore. Personally, it was also one of my very first tapes, and probably the first time I ever hear some of the greatest Phish songs ever. But for Shawn, it was the time when he decided that he was all in on this goofy band from Vermont.

    Shawn was 16 years old at the time, had just seen his first Phish show a few months prior, and Vegas was all he needed to become submerged into the world of Phish.

    So let’s go over the reputation of 1996, reap the benefits of the Clifford Ball, and feel the spirit of Elvis as Shawn Fausett tells about December 6, 1996 at The Aladdin in Las Vegas.
    Audio used in today's episode


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    12/7/97 @ The Nutter Center w/ Eric Creighton Jun 01, 2022
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    Hi everybody and welcome to this week’s episode of Attendance Bias. I am your host, Brian Weinstein. Today’s guest is fan Eric Creighton of Illinois.

    For this episode, Eric picked a show that was an instant classic from a legendary tour: December 7, 1997 at the Ervin J. Nutter Center in Dayton, Ohio. I know, I know. This show is often cited as a top tier show from one of the best tours in Phish history but believe it or not, the only thing I knew from this show before Eric selected it was its version of Tube. A signature performance, to be sure, but there is so much more to this amazing concert a top notch version of theme from the bottom, a funky "Possum," and-oh yeah-an "AC/DC Bag" into "Psycho Killer!"

    More important than that, it was the best experience to hear Eric talk about what it’s like to see shows in and around the Chicagoland area. Aside from one trip to the Windy City in 2015, I’d never seen a concert there. And between Northerly Island, UIC Pavilion, and even the Cubby Bear, Phish has such a strong history in Chicago that it was a lesson for me just to hear Eric talk about the band and his hometown city.

    So witness the growth of "Timber Ho," brush up on your Motown, and watch out for Bart backstage as Eric Creighton tells his story about December 7, 1997 at The Nutter Center in Dayton, Ohio.

    Audio used in today's episode

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    12/11/95 @ The CCCC w/ Luke Hall May 25, 2022
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    Hi everybody and welcome to this week’s episode of Attendance Bias. I am your host, Brian Weinstein. Today’s guest is Luke Hall, and he is here to talk about an old-school favorite: December 11, 1995 at the Cumberland County Civic Center.

    I love speaking and learning from all different kinds of guests on Attendance Bias, and Luke offered a new perspective; one which I haven’t heard before: Luke is Canadian! And while that isn’t wildly different from any other fan, it does offer a unique perspective. Phish isn’t huge in Canada, and they rarely play the country these days. There’s nothing new about a person getting into Phish when they weren’t well-known, but imagine if you were learning about Phish and there was barely any interest on a NATIONAL scale, let alone a local scale. Throw in the fact that Luke first got into Phish during the mid-90s, when Phish was just becoming nationally known in America, and there’s a perspective certainly worth hearing.

    Plus, Luke picked a show that is considered a Phish classic–December 11, 1995 at the Cumberland County Civic Center–that features many Phish classics at the end of one of their best tours, as well as Dog Log goofiness and a guest appearance by Warren Haynes, and both of us had lots to say.

    So let’s join Luke to talk about Fall ‘95, Canadian/American exchange rates, and when we should expect an officially released Dog Log album, as we discuss Phish’s performance on December 11, 1995 at The Cumberland County Civic Center in Portland, Maine.
    Audio Used in Today's Episode

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    10/8/95 @ The Adams Fieldhouse in Missoula, MT w/Damon Callisto May 18, 2022
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    Hi everybody. And welcome to today's episode of attendance bias. I am your host, Brian Weinstein.
    Today's guest is the founder of the Oceans of Osyrus message board, Damon Callisto.
    For today's conversation, Damon picked Phish's show from October 8th, 1995 at the Adams Fieldhouse at the University of Montana in Missoula. Now, this is a pretty unique pick for a number of reasons. Number one, it was played in 1995. And as I combed back through the Attendance Bias episodes, the only other show from that year was December 31st, 1995; the legendary New Year's Eve show. And yet the fact that so many fans cited as their favorite year of Phish, I was just. surprised that no one else had picked a show from '95. So I was really glad that Damon chose it. Also, it's a show from Montana. And if you look up the statistics, Phish has played Montana just twice in their whole career.
    And Damon did a really great job melding the history of Montana and the culture of Montana with this show that was played at the Adams Fieldhouse in 1995. So, I was thrilled to learn a little bit more background about the show and about the state.
    Something that really surprised me was the amount of bluegrass that fish played in the show. And Damon is really wonderful at explaining how it made him feel throughout the entire show, because it felt like a hometown show and you don't get to say that very often if you live in Montana.
    So let's join Damon to talk about one of the best message boards out there for Phish and Phish related content, to hear about the history of Montana and Phish, and also to hear why "Suspicious Minds" should make a comeback as we talk about Phish's show from October 8th, 1995 at the Adams Fieldhouse at the University of Montana in Missoula.
    Oceans of Osyrus message board
    Audio used for today's episode

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    Buy Me A Coffee and "Ya Mar" from 7/11/14 at Randall's Island May 15, 2022
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    Hi Everybody, and welcome to Attendance Bias. I am your host, Brain Weinstein. This is not a full episode of Attendance Bias, as it’s more of an announcement and a request. And then of course, one of my favorite tracks because I could not in good conscience ask you to listen to an episode of Attendance Bias without any Phish music.

    First and foremost, Attendance Bias is a true labor of love. I never expect to get any sort of monetary profit out of it, and that doesn’t bother me for a second. My priority now remains the same as when I began this podcast during the early summer of 2020: to meet people who had a story about Phish, and who were eager to talk shop about the most unique live music experience possible in our lifetime. In terms of satisfaction, Attendance Bias has paid for itself a million times over.

    Like any other hobby or new venture, podcasting comes with its own costs. Without going into too much detail, a lot goes into the back-end of producing an episode of Attendance Bias. Many of the services that I utilize run on a subscription basis, meaning that there is a monthly cost that makes it a somewhat expensive hobby. Unlike a hobby such as painting or playing the guitar, where there’s a startup cost and then the rest of what you spend is by choice, podcasting has recurring costs on a monthly basis.

    To be clear, I don’t mind paying these costs. Attendance Bias has been one of the most satisfying creative projects of my life. I would pay double the amount to do it, if I had to. But some of the services that I signed up for two years ago have recently upped their subscription costs, and like a toll bridge or a Ticketmaster surcharge, once the price goes up, it’s a safe assumption that it’s not going to come back down.

    It’s here where the hopeful begging comes in. I signed up for a page on BuyMeACoffee.com to accept donations from listeners, and I’m asking you to donate anything you can to help keep the lights on at Attendance Bias. I didn’t set a price point or a monetary goal because like I said, costs are part of the deal when creating something that people enjoy. But now that some costs are rising for essential piece of the podcast, I see the writing on the wall and would appreciate any help any of you could provide to offset the costs and make it financially easier for me to keep the show up to the standard that you deserve. Seeing as this is just me in my apartment, I don’t foresee advertisements on Attendance Bias, and aside from the guest or guests on each episode, this is a one man show from start to finish.

    If you enjoy Attendance Bias and have the ability to donate even a small amount of money, please go to buymeacoffee.com/attendancebias. The website is spelled exactly as it sounds. Once you visit there, there are options for how much you want to donate, and believe me, every cent is appreciated and will 100% go toward the operating costs of Attendance Bias.

    I want to thank everyone who has already contributed, and thank you in advance to anybody who contributes in the future. Again, if I’m lucky enough to receive your contribution, the website is buymeacoffee.com/attendance bias. Thank you a million times over.
    Audio used in today's episode
    Buymeacoffee.com

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    "Chalkdust Torture" from 7/20/91 @ Arrowhead Ranch with Peter Conners May 11, 2022
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    Hi everybody and welcome to this week’s episode of Attendance Bias. I am your host, Brian Weinstein. Today’s guest is author Peter Conners. If you’re a reader of nonfiction and enjoy books about The Grateful Dead or the jamband scene at large, chances are that you’ve at least heard of Peter and hopefully read some of his books. Some of his titles include: “JAMerica: The history of the jam band and festival scene,” “White Hand Society: The Psychedelic Partnership of Timothy Leary and Allen Ginsberg,” “Cornell ‘77: The Music, The Myth, and the Magnificence of the Grateful Dead’s Concert at Barton Hall,” “Growing up Dead: The Hallucinated Confessions of a Teenage Deadhead,” and “Beyond the Edge of Suffering: a book of prose poems.” You’ll notice that these titles have at least two things in common: first, they all somehow revolve around the Grateful Dead or the Jamband scene, and second, they’re all works of non fiction.

    However, Peter’s latest release is a novel–his first published fictional work. It is called “Merch Table Blues,” and by the time this episode airs, it should be available everywhere you get books. Listen carefully to the first segment of this interview, and you’ll hear more specific websites where you can find it and simultaneously support independent booksellers. Also, you can find relevant links in today’s show notes.

    For today’s episode, Peter picked “Chalkdust Torture” from July 20, 1991 at Arrowhead Ranch. I was thrilled when he chose that track and that show because it’s lived in my mind’s eye for so long. The 1991 horn tour provided so many of my first tapes so long ago that the Arrowhead Ranch shows in particular have gained legendary status. The first night of that two-night run opened with “Chalkdust,” which was a new song at that point, and the band never looked back. It was satisfying to hear about that show and that venue after listening to it for so many years.

    So let’s join Peter Conners to talk about his writing process, upstate New York, and how Phish in 1991 was the same band, and yet entirely different, from the band we know today, as we discuss Phish’s performance of “Chalkdust Torture” from July 20, 1991 at Arrowhead Ranch in Parksville, New York.
    Audio used in today's episode
    Manic D Press

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    April 2022 MSG Recap w/Stub Me Down May 04, 2022
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    12/30/97 @ MSG w/Kate Fuego Apr 27, 2022
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    Hi everybody and welcome to this week’s episode of Attendance Bias. I am your host, Brian Weinstein. Today’s guest is fire dancer Kate Houlihan of Austin, Texas.

    At the beginning of this podcast, I was surprised that so many guests picked shows from 1999. But now that we are two years into the show, a new trend has developed: the holiday run. For a multitude of reasons, many special moments in Phish history happen during the holiday run. By now, at least six guests have come on Attendance Bias to talk about a personal experience they’ve had from one of the legendary Phish shows from December 28 to 31st of any given year. For this episode, however, Kate picked the cream of the crop: Phish’s show on December 30, 1997 at Madison Square Garden.

    While the 1994 and 1995 holiday runs have been covered on Attendance Bias, this is the first time that the 1997 run of shows has been chosen by a guest. It’s a thrill for me, because this was the stretch when I saw Phish live for the first time. For Kate, it wasn’t her first time, but you’ll hear how this show, on the 30th, was when she got it and decided that she was all in on this band that we love so much.

    So put on your best speakers, get your lunchboxes full of olive loafs and fried eggs, and make sure that you make that last train out of Penn Station as Kate Houlihan tells her story about December 30, 1997 at Madison Square Garden.
    Audio used in today's episode
    Purple Bee

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