Stay ConnectedIrreverent Deep Dives into Art & Art History – by artists and art historian Stephanie Dueñas and Russell Shoemaker.
No gatekeeping, privilege, or that cognitive fog called ‘art speaking.'
Follow along with the images we discuss on our Youtube page, artslicepod.com, @artslicepod on Instagram.
Get bonus content and support the show at http://www.patreon.com/artslicepod
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In this Second Slice of Art History, we dig into the lesser known Dorothea Tanning work - her prismatic or insomnia works from the 1950s. To get access to this episode and support Art Slice, head on over to:
MUSIC: Scanglobe - Undulation (Remix)
We are just gonna say it: August...absolutely... kicked our butts.
It’s like when you're creating something, it doesn't quite turn out how you want it to - like that painting in the studio that you just can't look at anymore because you've struggled so much with it - you just have to put it away for a while and come back to it.
. . . So we did. It was especially disappointing because we had such high hopes for August.
However, things are in the upswing - we will have a full serving and a Color Theory episode in the next few weeks.
In the meantime, here is a Patreon exclusive we managed to put together from a segment we just couldn't fit into a full episode...on Dorothea Tanning's time in Sedona Arizona, and the prismatic-abstract-but-not-that-abstract work she made as a result of her time there (which we LOVE).
Anyway, we're going to try and enjoy what’s left of August...which is…*checks calendar* … OH GOD.
...we'd love to know what you thought about Dorothea's prismatic works as well... let us know!
In this Second Slice of Art History, we dig into a very early work of Wassily Kandinsky’s ‘Comet (aka Night Rider)’ from 1910, and discuss how it bookends (burger buns) his late period work perfectly. We also, share some of OUR earliest work… you can support this show, get access to this episode and other bonus material all at:
Buon Appetito!
For its third installment, the Art Slice Museum Laboratories Division of Color Theory and Color Studies presents . . . FLUORESCENT YELLOW.
Join us as we discuss FLUORESCENT YELLOW’s history that all started in a DayGlo lab and its far reaching effect on everything from military warfare, fashion, subversive pop culture, music and art history.
We also dig into our associations - which ranged from danger/caution, eeriness, youth, and nightlife - with FLUORESCENT YELLOW through data compiled by the Art Slice Pantrémon from clinical participants.
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The song featured in this episode was “I need to do it to be alive” by Soft and Furious from the album Diving in the Self which is one of a hundred incredible songs by Rrrrrose of Loyalty Freak Music. Support Rrrrrose’s mission to create queer, free music against Capitalism and Fascism on Patreon. Consider supporting their work!
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FILL OUT THE LATEST COLOR SURVEY: https://linktr.ee/artslicepod
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We are back (!) and in this episode, we pick up where we left off in Episode 14 to discuss Hilma's life between 1908-1915.
We dismantle the misconstrued studio visit with Rudolf Steiner that paints him as a ruthless, dream-crushing villain.
We unpack what abstraction is and what it's used for: what might have she thought of Wassily Kandinsky's work at the Baltic Exhibition?
...and of course - The Swan - an allegorical diagrammatic, symbol loaded, interplainensional matryoshka doll, gender bending epic - told through 24 SEQUENTIAL paintings...
The awesome, mind-bending complexities of the series further proves her badass skills and versatility as a modern painter expressing her Theosophical spirituality. In the end, we discovered this group of works reveals a surprising and empowering message for herself and for all of us.
Topics include country singer Faith Hill’s kiss, Hans & Jens, Occult Chemistry, the Qabalah / Kabbalah tree of life, tender hearts in blenders, star-shaped gasses, psychedelic jawbreakers, and so much more.
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The featured music today was “Startup Nation” by Anonymous420 by way of Rrrrrose of Loyalty Freak Music. Their music is amazing! GO PICK UP SOME OF THEIR ALBUMS here.
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Pick up some honest to god amazing coffee fromMother Tongue! Use the offercode ARTSLICE at checkout for 15% off:
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In its second episode, the Art Slice Museum Laboratories Division of Color Theory and Color Studies presents . . . MAGENTA.
Join us as we discuss MAGENTA’S history involving flowery military uniforms, CMKY, cease and desist letters, and Charles Burchfield. We also get into the weeds regarding our associations with MAGENTA through data compiled by the Art Slice Pantrémon from clinical participants.
Pick up some honest to god amazing coffee from Mother Tongue! Use the offer code ARTSLICE at checkout for 15% off - https://mothertongue.coffee/
Support us on Patreon here and/or grab some merch: https://www.artslicepod.com/shop
TO FILL OUT THE NEXT SURVEY head on over to: https://www.artslicepod.com/episodes/01-viridian-art-history-art-slice-laboratories-division-of-color-studies/#survey
The song featured in this episode was “I need to do it to be alive” by Soft and Furious from the album Diving in the Self which is one of a hundred incredible songs by Rrrrrose of Loyalty Freak Music. Support Rrrrrose’s mission to create queer, free music against Capitalism and Fascism on Patreon. Consider supporting their work!
Reviewing, subscribing, liking, and sharing really helps support the show:
Follow us on twitter, tiktok, youtube, and instagram.
Support us on Patreon here and/or grab some merch: https://www.artslicepod.com/shop
Consider subscribing and leaving us a review on apple podcasts.
In this Second Slice of Art History, things get kind of wild as we try new mics and new drinks as well as discuss Bernini’s trippy work that is Memorial of Maria Raggi from 1647-1653 made of marble and bronze!
Buon Appetito!
Stephanie and Russell are back to discuss the wild intersection of two unlikely figures - Italian artist Gian Lorenzo Bernini and Spanish nun Saint Teresa of Avila - that results in the controversial, monumental masterpiece that is The Ecstasy of Saint Teresa (1647-52).
See all the images we discuss at artslicepod.com or on our instagram @artslicepod
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Gian Lorenzo Bernini, a pure talent with resources to nurture it, thrived without consequence under the protection of the Pope and the Roman Catholic Church. His talent, freedom and privilege led him to produce some of the best examples - or THE BEST (depending who you ask) - of Baroque sculpture and architecture. His name is synonymous with Baroque as his work always contained a combination of theatricality, dynamic compositions, opulent materials but most of all craft.
On the other hand, Saint Teresa of Avila who, born into privilege, still faced a restrictive existence as a queer woman in 16th century Spain, yet continued testing the boundaries of her autonomy even under the terrifying Spanish Inquisition. Her courage, faith, her reforming and her legendary mystical visions have come to inspire countless figures over the centuries, Bernini included.
Despite their differences, Bernini and St. Teresa shared discipline and a curiosity that pushed them to the limits of art and/or spirituality - no matter the cost. To this day, both of their shadows loom large in their respective fields and it’s hard to imagine how differently the world would look without them.
And it’s through The Ecstasy of Saint Teresa (1647-52) that their stories are forever cemented in history.
Other works discussed are The Rape of Proserpina, 1621-22. Marble.
Topics include frosting on frosting, architect drama, donkey ears, visions of Jesus in your mirror/soul and . . the return of the God Bod - kind of.
The Art Pantry this week is Marble.
Be sure to listen to all the cuts that didn’t make it into the episode on our Patreon.
The featured music in this episode was “Net content electric ingredients” by Patrick Kilpatrick from the album “Introducing Patrick Kilpatrick”. This album is perfect for Spring - consider supporting his work here!
Reviewing, subscribing, liking, and sharing really helps support the show:
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You can also support us on Patreon here and/or grab some merch: https://www.artslicepod.com/shop
In its’ inaugural episode, the Art Slice Museum Laboratories Division of Color Theory and Color Studies presents . . . VIRIDIAN.
Join us as we discuss VIRIDIAN’s varied and noxious history involving the Ancient Egyptians, Romans, and Paolo Veronese. We also get into the weeds regarding our associations surrounding VIRIDIAN through data compiled by the Art Slice Pantrémon from clinical participants (listeners).
Support us on Patreon here and/or grab some merch: https://www.artslicepod.com/shop
There is also a heated debate regarding a undecidedly viridian colored couch - be sure to cast your vote:
The song featured in this episode was “I need to do it to be alive” by Soft and Furious from the album Diving in the Self which is one of a hundred incredible songs by Rrrrrose of Loyalty Freak Music. Support Rrrrrose’s mission to create queer, free music against Capitalism and Fascism on Patreon. Consider supporting their work!
Reviewing, subscribing, liking, and sharing really helps support the show:
Follow us on twitter, tiktok, youtube, and instagram.
Support us on Patreon here and/or grab some merch: https://www.artslicepod.com/shop
Consider subscribing and leaving us a review on apple podcasts.
Stephanie and Russell are back to take you to the California desert, where they discuss the life and work of Agnes Pelton, a theosophical and occult painter of the 20th century who was relatively unknown in the Art World Mainstream until recently.
For all the clips we cut from this and other episodes, including us covering another Agnes Pelton work - Future, 1943 - head on over to our Patreon https://www.patreon.com/artslicepod
Despite similarities to Hilma af Klint and Wassily Kandinsky (both inspired by Theosophy) in terms of abstraction and often compared to painter Georgia O’ Keefe with her desert landscapes – Agnes’ work is truly unique, combining theosophical symbology with a keen eye to light filled observations resulting in otherworldly and incandescent compositions. Using oil paint and numerous layers of glazes, she achieves that mesmerizing glowing light effect present in paintings of Italian Baroque masters like Artemisia Gentileschi and (Michelangelo Merisi da) Caravaggio.
After leaving behind the bustling East Coast, Agnes sought a life in Cathedral City, located in the California desert, where she could channel her energy and focus on harnessing the incandescent visions that came to her through her meditations while also exploring her spirituality.
There, she found a community of like-minded outsiders and artists who thrived in the oasis that was Cathedral City for them too. Despite her lack of mainstream success for the most part during her life, she made a lasting impression on those who knew her – whether it was through her presence or through her stunning paintings.
Topics include sugar addiction problems, dirty windshields, studious rattlesnakes, silver tea sets, and cliffside thrift stores.
The works discussed today are Sandstorm, 1932; Orbits. 1934; and The Blest. 1941.
The featured music today is "Doug and Mike Starn" by Rob Lynch & Jonathan Hughes from the album Public / Private
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Stephanie Dueñas and Russell Shoemaker are back to take you way, WAY further back than ever - to the Giottosphere where they explore the frescoes of Italian artist and architect Giotto in the Scrovegni (Arena) Chapel - an Early Renaissance masterpiece.
Be sure to listen to all the cuts that didn’t make it into the episode on our Patreon.
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Join them as they discuss Giotto’s early life from his humble shepherd boy beginnings to his coming of age as a prodigy under the (former) GOAT painter Cimabue.
Giotto’s talent, personality, and fame landed him his most famous commission: the Scrovegni Chapel - commissioned by LendNation Loan Shark CEO Enrico Scrovegni - where he depicts the lives of the Virgin Mary and Jesus (oh, the irony).
At the end of Medieval times and on the cusp of the Renaissance, Giotto’s work reminds his audience that art can, in fact, depict actual humans through the use of attention to details like a figure’s emotional expression, babies (no, not shrunken men), the curl of a sheep’s wool or the drapery of a figure’s clothing. Giotto’s realistic and natural style would go on to inspire Renaissance masters like Michelangelo as well as stir emotions within those who experience the chapel
Topics include: medieval flyswatters, T-clinic lawn signs, Lord Farquaad haircuts, and ancient comets.
You can experience 360 VR of the Scrovegni (Arena) Chapel here.
The Art Pantry this week is Trompe L’oeil.
The song featured in this episode was “En attendant domain (Waiting for Tomorrow)” which is one of a hundred incredible songs by Rrrrrose of Loyalty Freak Music. Support Rrrrrose’s mission to create queer, free music against Capitalism and Fascism on Patreon. Consider supporting their work!
Reviewing, subscribing, liking, and sharing really helps support the show:
Follow us on twitter, tiktok, youtube, and instagram.
You can also support us on Patreon here and/or grab some merch: https://www.artslicepod.com/shop
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