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    Games & Hobbies

    Appendix N Book Club

    Jeff, Hoi, and a rotating roster of special guests discuss the adventure, fantasy, horror, science fiction, and weird fiction that inspires our gaming

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    Latest Episodes:
    Episode 29 - Fritz Leiber's "Swords in the Mist" with special guest Joey Royale Jul 23, 2018
    Show notes

    Special guest Joey Royale of Drinking & Dragons joins us to discuss Fritz Leiber’s Swords in the Mist! (Please also see the Episode 3 and Episode 18 show notes for additional information about the saga of Fafhrd and the Gray Mouser) Swords in the Mist (Ace Books, 1968) by Fritz Leiber was originally published in paperback as the third book in Ace Books’ complete seven volume saga of Fafhrd and the Gray Mouser. The stories is this volume are “The Cloud of Hate” (1963), “Lean Times in Lankhmar” (1959), “Their Mistress, the Sea” (1968), “When the Sea-King’s Away” (1960), “The Wrong Branch” (1968), and “Adept’s Gambit” (1947). “Adept’s Gambit” was the very first Fafhrd and Gray Mouser story written in 1936, only to be rejected for publication in Weird Tales magazine. It did not appear in print until after World War II in the hardcover collection Night’s Black Agents (Arkham House, 1947). H.P. Lovecraft himself read “Adept’s Gambit” in manuscript after Leiber’s wife Jonquil opened a correspondence between the Leibers and Lovecraft that lasted until Lovecraft’s death in early 1937. Lovecraft became a great champion of “Adept’s Gambit”, calling it “remarkably fine & distinctive bit of cosmic fantasy”. The draft that Lovecraft read and critiqued is now lost, but we do know that Leiber removed the overt Cthulhu Mythos references in the story and eventually created the world of Nehwon rather than continuing to set Fafhrd and the Mouser’s adventures in the Mediterranean and Near East of Antiquity. The other particularly notable story in Swords in the Mist is “Lean Times in Lankhmar”, which was originally commissioned by Cele Goldsmith for the all-Leiber November 1959 issue of Fantastic magazine. Leiber’s career had hit the doldrums in mid-1950s partly due to alcohol problems, so Goldsmith’s commissioning of “Lean Times in Lankhmar” was significant step in bringing back Fafhrd and the Mouser. New tales of Nehwon would appear regularly after that up until the late 1980s, enshrining the Twain as Leiber’s most beloved creations. Jeffrey Catherine Jones provided the cover art for Swords in the Mist, opting to create an overall mood of mystery and epic adventure rather than a literal depiction of a scene from any of the stories. Once again though, the trade dress of later printings constrained and compromised the overall effect: TSR continued to hold the role-playing game license for Lankhmar during the 1990s, publishing the following adventures for Advanced Dungeons & Dragons, 2nd Edition: LNA1: Thieves of Lankhmar (1990), LNA2: Newhon (1990), LNA3: Prince of Lankhmar (1991), LNQ1: Slayers of Lankhmar (1992), LNR1: Wonders of Lankhmar (1990), and LNR2: Tales of Lankhmar (1991). Additionally, Lankhmar: City of Adventure was updated for AD&D 2E in 1993 and it was followed by the sourcebook Rogues in Lankhmar in 1995. TSR’s last Lankhmar product was the boxed set Fritz Leiber’s Lankhmar: The New Adventures of Fafhrd and Gray Mouser (1996), which was both a campaign setting and a stand-alone game featuring a stripped-down version of the AD&D 2E ruleset. TSR self-destructed shortly thereafter in 1997 so that was the end of Lankhmar in Dungeons & Dragons. That wasn’t the end of Fafhrd and the Mouser’s adventures in roleplaying though, but once again that’s a story for another day…. Reading Resources: Swords in the Mist (Fafhrd and the Gray Mouser Book 3) (trade paperback/Kindle ebook) Fafhrd and the Gray Mouser publication order reading list - Michael Curtis and the Goodman Games crew have compiled an original publication order reading list for the DCC Lankhmar Kickstarter, helpfully highlighting stories they consider “essential reading”. Additional Reading: Fritz Leiber's Fafhrd and the Gray Mouser: Cloud of Hate and Other Stories collects the 1973 DC Comics series Sword of Sorcery, featuring adaptations and original tales of Fafhrd and the Gray Mouser by comics legends Denny O'Neil, Howard Chaykin, Walt Simonson, and Jim Starlin.


    Episode 28 - Robert E. Howard's "Conan the Freebooter" with special guest Diogo Nogueira Jun 11, 2018
    Show notes

    Conan the Freebooter (Lancer Books, 1968) by Robert E. Howard and L. Sprague de Camp, was part of the first comprehensive paperback edition of the Conan saga. Conan the Freebooter was the eighth volume published, although it is third in the internal chronology--later printings of the series numbered the books in chronological order. When Lancer went out of business in 1973, Ace Books picked up and completed the series, keeping it in print until the mid 1990s. As with the other Lancer/Ace Conan books, series editor de Camp filled in gaps in Conan’s timeline by expanding Howard’s unpublished notes and fragments, re-writing non-Conan stories, and writing entirely new stories. For the purist, the Howard-only stories in Conan the Freebooter are “Black Colossus” (1933), “Shadows in the Moonlight” (AKA “Iron Shadows in the Moon”, 1934), and “A Witch Shall be Born” (1934). In 1955, L. Sprague de Camp rewrote the then unpublished Howard story “Hawks over Egypt” as “Hawks over Shem”, changing the setting from Cairo in AD 1021 and adding the fantastic elements to turn it into a Conan tale. “The Road of the Kings” received the same treatment, being transferred to the Hyborian Age from the Ottoman Empire in AD 1595. Both of the original Howard stories were suppressed after de Camp’s rewrites and would not see print until they were collected in the small-press hardcover The Road of Azrael (Donald M. Grant, 1979). John Duilo contributed possibly the worst Conan cover ever, an anatomically nonsensical depiction of Conan’s battle with the great gray man-ape from “Shadows in the Moonlight”: The sad thing is that Duilo was normally an exceptional illustrator, as evidenced by the moody romanticism of his Western art and the sleazy verve of his men’s magazine covers. The later Boris Vallejo cover interpreting the climax of “A Witch Shall be Born” is much better, but static in comparison to the furious energy of Frank Frazetta: In both “Black Colossus” and “A Witch Shall be Born” we see Conan as a cunning strategist who leads thousand of men into battle. It’s easy to imagine Gary Gygax and company playing out these Hyborian Age conflicts in the pre-Dungeons & Dragons miniatures wargame Chainmail (1971) or in the later Swords & Spells (1976) ruleset. Other story elements from Conan the Freebooter that stand out as being proto-D&D include Shevatas the “thief among thieves” from the prologue to “Black Colossus” and gray man-ape of “Shadows in the Moonlight” is certainly the “APE, Carnivorous” of the AD&D Monster Manual (1977). As always, Robert E. Howard’s stories remain the motherlode of swords & sorcery inspiration…. Reading Resources: The Coming of Conan the Cimmerian (Conan of Cimmeria Book 1) The Bloody Crown of Conan (Conan of Cimmeria Book 2) TPB (trade paperback) The Bloody Crown of Conan (Conan of Cimmeria Book 2) (Kindle ebook) These books are part of the Del Rey/Ballantine 3-book trade paperback series collecting the Conan stories in the order they were written by Robert E. Howard, often going back to his original typescripts. Also included are many of Howard’s Conan story drafts, note, and fragments, but none of the posthumous revisions and new stories by de Camp, Carter, et al. “Black Colossus” and “Iron Shadows in the Moon” both appear in the first volume and “A Witch Shall be Born” appears in the second volume. http://freeread.com.au/@RGLibrary/RobertEHoward/REH-Conan/@Conan.html is an online public domain repository of all of the Conan stories that were published during Robert E. Howard’s lifetime and several posthumously published works that are out of copyright. Additional Reading: Sword Woman and Other Historical Adventures collects Robert E. Howard’s original versions of “Hawks over Egypt” and “The Road of the Eagles”, untouched by L. Sprague de Camp. Gaming Resources: Sharp Swords & Sinister Spells (PWYW RPGNow affiliate link) Sharp Swords & Sinister Spells Addendum (PWYW RPGNow affiliate link)


    Episode 27 - Edgar Rice Burroughs' "Pellucidar" with special guest Harley Stroh May 28, 2018
    Show notes

    Hoi and Jeff discuss Edgar Rice Burroughs' "Pellucidar" with special guest Harley Stroh.


    Episode 26 - Lord Dunsany's "The King of Elfland's Daughter" with special guest Andrew Sternick May 07, 2018
    Show notes

    Hoi and Jeff discuss Lord Dunsany's "The King of Elfland's Daughter" with special guest Andrew Sternick.


    Episode 25 - Andre Norton's "Witch World" with special guest Fletcher Vredenburgh Apr 02, 2018
    Show notes

    Hoi and Jeff discuss Andre Norton's "Witch World" with special guest Fletcher Vredenburgh.


    Episode 24 - J.R.R. Tolkien's "The Fellowship of the Ring" with special guest Daniel J. Bishop Mar 19, 2018
    Show notes

    Hoi and Jeff discuss J.R.R. Tolkien's "The Fellowship of the Ring" with special guest Daniel J. Bishop.


    Episode 23 - H.P. Lovecraft's "At the Mountains of Madness" with special guest Bob Brinkman Mar 05, 2018
    Show notes

    Hoi and Jeff discuss H.P. Lovecraft’s At the Mountains of Madness & Other Tales of Terror with special guest Bob “The Voice” Brinkman! Given H.P. Lovecraft’s omnipresence today, it’s easy to forget that he had largely faded out of reading public’s mind within a few years of his death in 1937. August Derleth and Donald Wandrei did their best to keep Lovecraft in print by founding the small press Arkham House in 1939, but the publishing house’s output for its first 20 years was mostly limited to high quality hardcovers in short print runs. Arkham House was often on tenuous financial footing from its very founding, but the snowballing revival of interest in Lovecraft’s Weird Tales compatriot Robert E. Howard in the 1960s seems to have also raised Lovecraft’s visibility. Arkham House seized the opportunity by releasing three newly re-edited omnibus volumes of Lovecraft’s fiction, The Dunwich Horror & Others (1963, revised 1985), At the Mountains of Madness & Other Novels (1964, revised 1986), and Dagon & Other Macabre Tales (1965, revised 1986) and then licensing the stories for paperback publication. At the Mountains of Madness & Other Tales of Terror (Beagle/Ballantine Books, 1971) was a slimmed-down version of the Arkham House hardcover and featured the novel At the Mountains of Madness and the short stories “The Shunned House”, “Dreams in the Witch-House”, and “The Statement of Randolph Carter”.


    Episode 22 – Extra Credit - Clark Ashton Smith's "Zothique" with special guest Andy Markham Feb 12, 2018
    Show notes

    Hoi and Jeff discuss Clark Ashton Smith's "Zothique" with special guest Andy Markham.


    Episode 21 - Margaret St. Clair's "The Shadow People" with special guest Julian Bernick Jan 23, 2018
    Show notes

    Hoi and Jeff discuss Margaret St. Clair's "The Shadow People" with special guest Julian Bernick.


    Episode 20 - A. Merritt's "Burn Witch, Burn!" with special guest Stephen Newton Jan 08, 2018
    Show notes

    Abraham Grace Merritt (better known by his byline A. Merritt) has the odd distinction of being perhaps second only to Edgar Rice Burroughs in popularity as a writer of fantastic fiction during the first half of the 20th century, only to be largely forgotten today. Perhaps this is because Merritt’s relatively small body of work didn’t feature recurring iconic heroes like John Carter of Mars or Conan of Cimmeria, or it may be down to his prose style’s reputation for being more baroque and densely descriptive than is the norm nowadays. Merritt came from a poor Quaker family, and financial difficulties forced his withdrawal from legal studies at the University of Pennsylvania. He landed a job at the age of 19 in 1903 as a reporter at The Philadelphia Inquirer, remaining a journalist for the rest of his life. Early in his career Merritt experienced or witnessed something (political corruption? heinous violence? eldritch horrors?) of which he never spoke again. Merritt was forced to lay low for a year in Mexico and Central America, where he visited many pre-Columbian sites and befriended the indigenous peoples. Merritt’s Latin American exile sparked in him a lifelong love of travel to exotic locales and a keen interest in the rituals and legends associated with those places. This anthropological eye would inform all of Merritt’s fiction, from his first published story “Through the Dragon Glass” (1917) to his final uncompleted novella “The Fox Woman” (first published in 1946). Merritt’s powers of imagination and description would inspire generations of writers of fantastic fiction, not least the “Big Three” of Weird Tales, H.P. Lovecraft, Clark Ashton Smith, and Robert E. Howard. Unlike many of the Appendix N authors, Merritt did not need to survive on his fiction work since he was one of the best-paid journalists of his time--in 1912 he was tapped to be the assistant editor of The American Weekly and was earning $25,000 a year by 1919 (over $365,000 in 2017 dollars). Merritt served as the editor-in-chief of The American Weekly from 1937 until his death in 1943, by which time he was earning $100,000 a year (over $1.4 million in 2017 dollars). Merritt’s editorial responsibilities and his tendency to re-visit and rework his stories meant that he only completed 8 novels and 7 short stories in his lifetime. But regardless of whether Merritt’s commitment to The American Weekly limited his fantastic fiction output, his time there was well-spent as it also allowed him to champion and hire Virgil Finlay and Hannes Bok, two up-and-coming artists who would become among the greatest of the pulp era. Both Finlay and Bok would go on to illustrate many of Merritt’s stories and Bok was given permission to complete and publish two unfinished Merritt novellas, The Fox Woman and the Blue Pagoda (New Collectors Group, 1946) and The Black Wheel (New Collectors Group, 1947). Merritt’s second to last novel, Burn, Witch, Burn! was originally serialized in 6 parts in Argosy Weekly magazine in the fall of 1932 and compiled in hardcover the following year by Liveright, Inc. It’s a mark of Merritt’s literary respectability at the time that he shared the same publisher as Theodore Dreiser, William Faulkner, Ernest Hemingway, Sigmund Freud, and E.E. Cummings among others.


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