AP Taylor Swift

Latest Episodes:

“Dear John” by Taylor Swift, Lyrics Explained | AP Taylor Swift E143 Oct 07, 2026

Show notes

"I took your matches before fire could catch me" This week we're going line-by-line through Taylor Swift's "Dear John" (Speak Now, 2010). We go through the WWII-era history behind the title, the epistolary letter form, and how a breakup letter becomes an act of reclaiming her own story. And surprisingly, we walk away realizing (spoiler alert) maybe this song isn’t as sad as we thought!

Two ways to get more of AP Taylor Swift:

Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next. Subscribe: http://aptaylorswift.substack.com/subscribe

First 50 people to grab a Substack After School annual plan get 40% off: https://aptaylorswift.substack.com/wishlistmemberdiscount

Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episode

Stay up to date at aptaylorswift.com

Mentioned in this episode:

Episode Highlights:

[01:19] Why "Dear John" is such a track five

[01:42] What a Dear John letter actually is — the WWII-era origin of the phrase

[05:55] "Long were the nights"

[10:39] "You paint me a blue sky and go back and turn it to rain"

[17:48] "don't you think I was too young to be messed with"

[36:33] "I took your matches before fire could catch me"

[45:53] The turn from "I should have known" to "you should have known"

Follow AP Taylor Swift podcast on social!

Stay up to date at aptaylorswift.com

Affiliate Codes:

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig akaScotty Z.

Taylor Swift and the Game Metaphor | Dear John, Foolish One, End Game Sep 30, 2026

Show notes

I wanna be your end game. Roll the dice, pick your teams, and pull up a chair, because this week is all about games (decidedly not sports). Taylor reaches for game metaphors constantly, and once you start looking, you find chess boards, poker hands, and team rosters all over her catalog.

Jenn kicks things off with the big thinkers of play, from Johan Huizinga’s magic circle to Roger Caillois’s four types of play to game theory, the field that treats every board game as a tiny model of human decision making. Then Jodi takes us inside the chess game of “Dear John,” where somebody else keeps changing the rules. Jenn lays her cards on the table with “Foolish One” and explains why showing your hand first is a classic game theory mistake (hello, sucker’s payoff). Maansi closes with “End Game,” tracing “end game,” “first string,” and “A-Team” back to chess, medieval archery, and the US Army, and landing on a very different kind of game where both players finally sit on the same side of the board.

Along the way we detour through Jumanji, Lord of the Flies, Alice in Wonderland, The Queen’s Gambit, a Garry Kasparov masterclass, and the ancient Indian roots of chess. Grab your game pieces and play along!

Episode Highlights

[01:27] Jenn sets the stage with games as a core part of being human
[09:44] Jodi on “Dear John”
[22:46] Jenn on “Foolish One”
[37:28] Maansi on “End Game”
[52:57] Honorable mentions lightning round

Mentioned in This Episode

Browse all our picks at bookshop.org/shop/apts

Film and TV

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Website aptaylorswift.com
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Rate, review, and subscribe wherever you listen, and tell us your favorite game reference in the comments!

Extra Credit on Substack

We barely scratched the surface on games (we didn’t even get to video games). Find more extra credit on our Substack at aptaylorswift.substack.com, and join After School, our paid tier, for bonus content from all three of us.

Intro music by Scott Zadig aka Scotty Z.

AP Taylor Swift is an independent podcast and is not affiliated with or endorsed by Taylor Swift, her team, or her record labels.

"False God" Lyric Analysis | Taylor Swift's Sales Pitch for Blind Faith | AP Taylor Swift E141 Sep 23, 2026

Show notes

"They say the road gets hard, and you get lost when you're led by blind faith." This week we're going line-by-line through "False God" (Lover, 2019). We trace the blind faith, the confession and forgiveness, and the New York City vs. West Village metaphor to figure out who's the deity and who's the devotee in this relationship.

Check out more at aptaylorswift.com

Two ways to get more of AP Taylor Swift:

First 50 people to grab a Substack After School annual plan get 40% off: https://aptaylorswift.substack.com/wishlistmemberdiscount

Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episodes

Mentioned in this episode:

Episode Highlights:

[00:15] What is a “false god”?
[02:27] "We were crazy to think, crazy to think that this could work"

[08:29] "Like I'm not your favorite town... I'm New York City"

[15:38] "You get lost when you're led by blind faith"

[25:46] "Even if it's a false god, we'd still worship this love"

[40:09] "Heaven's a thing... hell is when I fight with you"

[46:18] "You're the West Village"

Follow AP Taylor Swift podcast on social!

Affiliate Codes:

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig akaScotty Z.

God in Taylor Swift's Lyrics: A Literary Analysis | AP Taylor Swift 140 Sep 14, 2026

Show notes

And the God's honest truth is that the pain was heaven" This week we're looking at Taylor Swift's lyrics through the lens of God as a literary symbol — the ultimate judge, the absent silent one, and the lover. Maansi brings in "Soon You'll Get Better" (Lover, 2019), Jodi covers "False God" (Lover, 2019), and Jenn digs into "Would've, Could've, Should've" (Midnights, 2022).

Two ways to get more of AP Taylor Swift:

Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next. Subscribe: http://aptaylorswift.substack.com/subscribe
- First 50 people to grab a Substack After School annual plan get 40% off: https://aptaylorswift.substack.com/wishlistmemberdiscount
Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episodes

Mentioned in this episode:

Episode Highlights:

[01:00] God as a literary symbol:
[13:23] "Soon You'll Get Better"
[26:46] "False God"
[37:29] "Would've, Could've, Should've"

Follow AP Taylor Swift podcast on social!

Affiliate Codes:

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

"Forever and Always" Song Meaning | AP Taylor Swift Podcast E139 Sep 09, 2026

Show notes

"I was there when you said, forever and always." In this deep dive, we crack open why "Forever and Always" is a bait and switch song, tracing how Taylor takes a romantic idiom and flips it into a play by play of a relationship falling apart in real time. We trace the whole arc: the extraordinary to ordinary swap in that first "I believe it was a Tuesday" line, the low-key violence hiding inside a single word ("caught"), and the moment a few lines in when she stops calling it a relationship and starts calling it "this thing." By the bridge, even the chorus gets rewritten. So what actually happened between them? All three of us landed somewhere different, and that's kind of the whole point of a deep dive.

Stay up to date at aptaylorswift.com

Two ways to get more of AP Taylor Swift:

First 50 people to grab a Substack After School annual plan get 40% off: https://aptaylorswift.substack.com/wishlistmemberdiscount

Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episodes

Episode Highlights:

[02:16] What "forever and always" actually means, and why the title uses it ironically

[08:54] "Caught" versus "hold": the violence and the comfort hiding in her word choice

[25:30] The chorus hits: "I stare at the phone"

[41:14] The universal ache of not knowing what you did wrong

Subscribe to get new episode updates: aptaylorswift.substack.com/subscribe

TikTok → tiktok.com/@APTaylorSwift

Instagram → instagram.com/APTaylorSwift

YouTube → youtube.com/@APTaylorSwift

Link Tree →linktr.ee/aptaylorswift

Bookshop.org → bookshop.org/shop/apts

Libro.fm → tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

Reader-Response Theory & Taylor Swift's Music | AP Taylor Swift E138 Aug 31, 2026

Show notes

"Dear Reader, If it feels like a trap, you're already in one." This week we're kicking off Season 4 by looking at Taylor Swift's lyrics through reader-response theory. The framework, pioneered by Stanley Fish, argues meaning isn't fixed in a text but created in the act of reading—or in our case, listening! Jodi digs into "Forever and Always" (Fearless, 2008), Maansi takes on "Peace" (folklore, 2020), and Jenn closes it out with "Dear Reader" (Midnights, 2022) — a song that's basically begging for this exact analysis. Listen and learn why Swifties are the epitome of an interpretive community.

Learn more at aptaylorswift.com

Two ways to get more of AP Taylor Swift:

Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next. Subscribe: http://aptaylorswift.substack.com/subscribe
- First 50 people to grab a Substack After School annual plan get 40% off: https://aptaylorswift.substack.com/wishlistmemberdiscount
Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episodes

Mentioned in this episode:

Episode Highlights:

[01:12] What is reader-response theory?
[09:50] "Forever and Always"
[22:35] "Peace"
[32:37] "Dear Reader"

Follow AP Taylor Swift podcast on social!

Affiliate Codes:

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

Greek Mythology & Taylor Swift | "My Tears Ricochet," "Long Story Short" Aug 26, 2026

Show notes

“Fatefully, I tried to pick my battles 'til the battle picked me” This week, we're diving into the timeless influence of Greek mythology in Taylor Swift's music by exploring connections between Taylor's songs and classic Greek myths. Jodi finds links between Demeter and Persephone’s sorrow in The Hymn to Demeter and the Folklore song"My Tears Ricochet.” Maansi shows us how "Long Story Short” sounds like Odysseus recounting his epic journey as he returns home. And Jenn gets into the ancient story of the Labyrinth and how it reflects themes of self-discovery and transformation in "Labyrinth." Is Taylor Swift a modern-day Homer? Listen and find out!

Subscribe to get new episode updates: aptaylorswift.substack.com/subscribe

Stay up to date: www.aptaylorswift.com

Mentioned in this episode:

Mythology, Edith Hamilton

The Iliad, Homer

The Odyssey, Homer

Metamorphoses, Ovid

Percy Jackson series by Rick Riordan

E44: Metaphors + “The Tortured Poets Department”

E22: Mastermind

Homeric Hymns

The Hymn to Demeter

Hadestown (musical)

Hercules (Disney animated film)

E54: One Year Anniversary of AP Taylor Swift

Circe, Madeline Miller

Fantasyland by Kurt Andersen

The Hero with a Thousand Faces by Joseph Campbell

Stephen Fry’s Mythos, Heroes, and Troy

Episode Highlights:

Introduction to Greek Mythology
"my tears ricochet" folklore
"long story short" evermore
"Labyrinth" Midnights

Affiliate Codes:

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

***

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

Emily Dickinson and Taylor Swift |"Karma," "evermore" & Why They're Literary Twins Aug 19, 2026

Show notes

“And I was catching my breath, barefoot in the wildest winter…” What happens when a 21st-century American poet meets a 19th-century one? In this Show & Tell episode, we explore the literary lineage between Taylor Swift and Emily Dickinson. Each of us brings a favorite Dickinson poem paired with a Swift song that touch on shared motifs such as separation, isolation, and hope. Tune in to find out which modern-day Taylor tracks sound like 19th-century poetry—and why we think Emily might vibe with Evermore.

Two ways to get more of AP Taylor Swift:

Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next.

Subscribe: aptaylorswift.substack.com/subscribe
First 50 people to grab a Substack After School annual plan get 40% off: aptaylorswift.substack.com/wishlistmemberdiscount

Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episodes

Mentioned in this episode:

The Letters of Emily Dickinson

The Complete Poems of Emily Dickinson

Hope is the Thing with Feathers

They Put Us Far Apart (Poem 474)

It Was Not Death, for I Stood Up (Poem 355)

Message in a Bottle – Taylor Swift

Evermore – Taylor Swift
Karma – Taylor Swift
Beauty and the Beast (live-action & Broadway versions)
Hamilton

Taylor Swift by the Book
Ancestry.com – Taylor & Emily’s distant cousin connection
Emily Dickinson Museum
Tikvah (Hebrew word for hope)

***

Episode Highlights:

[6:26] “Message in a Bottle” + they put us far apart

[16:03] “Evermore” + It was not death, for I stood up

[29:31] “Karma” + Hope is a thing with feathers

Follow AP Taylor Swift podcast on social!

Affiliate Codes:

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

“Blank Space” Line-by-Line Analysis | AP Taylor Swift Podcast Aug 12, 2026

Show notes

"Nice to meet you, where you been? I could show you incredible things..." In this deep dive episode, we dissect one of Taylor Swift's most iconic satirical masterpieces: "Blank Space" from 1989. Join us as we unpack the magic, madness, heaven, and sin of a song that dared to ask: what if we owned the narrative instead of fighting it?

Two ways to get more of AP Taylor Swift:

Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next.

Subscribe: aptaylorswift.substack.com/subscribe
First 50 people to grab a Substack After School annual plan get 40% off: aptaylorswift.substack.com/wishlistmemberdiscount

Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episodes

Mentioned in this episode:

Episode Highlights:

[04:29] Diving into “Blank Space”

[10:15] “New money, suit and tie” - character analysis

[17:27] Analyzing the chorus

[24:31] Shakespearean references

[30:50] “Cherry lips, crystal skies” vs. “stolen kisses, pretty lies”

[37:25] "I get drunk on jealousy"

[40:44] Bridge analysis: "Boys only want love if it's torture"

[46:59] Getting into the purpose of “Blank Space”

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"Don’t Leave Me Like This": Taylor Swift Meets Pride and Prejudice | I’m Only Me When I’m With You, Haunted, and Lavender Haze | AP Taylor Swift Aug 05, 2026

Show notes

"I'm only me when I'm with you" This week on AP Taylor Swift, we're diving into an AP Lit favorite: Jane Austen's Pride and Prejudice (1813). We trace Elizabeth and Jane Bennet's unshakeable sisterhood through "I'm Only Me When I'm With You," relive Darcy's catastrophically bad proposal through "Haunted," and land on "Lavender Haze" for a look at gossip, reputation, and what it means to fall in love in a world where marriage is a woman's only real option. Along the way: the literary canon, Regency courtship logistics, Bridgerton comparisons, and a debate about whether Elizabeth would be a Hinge girl.

Two ways to get more of AP Taylor Swift:

Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next.

Subscribe: aptaylorswift.substack.com/subscribe
First 50 people to grab a Substack After School annual plan get 40% off: aptaylorswift.substack.com/wishlistmemberdiscount

Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episodes

Songs Discussed

"I'm Only Me When I'm With You"

Taylor Swift, Track 12 (2006)

Written by: Taylor Swift, Robert Ellis Orrall, Angelo Petraglia

"Haunted"

Speak Now (2010) / Speak Now (Taylor's Version) (2023)

Written by: Taylor Swift

"Lavender Haze"

Midnights, Track 1 (2022)

Written by: Taylor Swift, Jack Antonoff, Jahaan Sweet, Mark "Sounwave" Spears, Sam Dew, Zoë Kravitz

Episode Highlights

[01:01] Setting the scene: Pride and Prejudice, published 1813, and "a truth universally acknowledged"

[06:48] "I'm Only Me When I'm With You" — Jenn's pick and the case for Jane and Elizabeth as the book's real love story

[30:36] "Haunted" — Maansi's pick, staged around the infamous first proposal

[48:24] "Lavender Haze" — Jodi's pick, tied to the novel's opening line about marriage

Mentioned in this episode:

Books

Pride and Prejudice, Jane Austen — Bookshop.org

Emma, Jane Austen — Bookshop.org

The Tenant of Wildfell Hall, Anne Brontë — Bookshop.org

Pride & Prejudice (2005) — JustWatch

Bridgerton — JustWatch

& Juliet (musical) — Official site

Follow AP Taylor Swift podcast on social!

TikTok → tiktok.com/@APTaylorSwift
Instagram → instagram.com/APTaylorSwift
YouTube → youtube.com/@APTaylorSwift
Link Tree → linktr.ee/aptaylorswift
Bookshop.org → bookshop.org/shop/apts
Libro.fm → use code APTS30 — libro.fm

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

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