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    Arts

    Ann Kroeker, Writing Coach

    With Ann Kroeker, Writing Coach, you’ll gain clarity and overcome hurdles to become a better writer, pursue publishing, and reach your writing goals. Ann provides practical tips and motivation for writers at all stages, keeping most episodes short and focused so writers only need a few minutes to collect ideas, inspiration, resources and recommendations they can apply right away to their work. For additional insight, she incorporates interviews from authors and publishing professionals like Allison Fallon, Ron Friedman, Shawn Smucker, Jennifer Dukes Lee, and Patrice Gopo. Tune in for solutions addressing anything from self-editing and goal-setting solutions to administrative and scheduling challenges. Subscribe for ongoing input for your writing life that’s efficient and encouraging. More at annkroeker.com.

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    Latest Episodes:
    Ep 82: Plan a Sustainable Year for Your Writing Life Dec 30, 2016
    Show notes

    It’s that time of year when everyone is working on their annual business plans, intentions, resolutions, habits—or even big, hairy, audacious goals, those BHAGS. Or “stretch” goals. A lot of writers are thinking through their goals for the year ahead. You may be measuring and drawing out calendar grids in your bullet journal or shopping for a bright, new, fresh yearly planner. You’re organizing and reorganizing Evernote tags and Notebooks. You’re trying out productivity apps. You’re going to test run a new social media platform. Maybe you decided this is the year to write your first book, so you set up a Word document or Scrivener file with the working title, as a promise to make progress. You can imagine that as a coach, I love all of that dreaming, all that energy, all that desire and hope. I’m so happy you’re making plans and experimenting—maybe setting out to launch a new project. Go for it. Make those plans. Set those goals. Write out your intentions and resolutions. Stretch and get a little audacious. And then, before you lock everything in, may I make a suggestion? Run it through one more grid. Because I’d hate for you to get deep into the second quarter and realize you can't possibly keep up with the pace you set for yourself. You can’t turn out the daily word count you set up, or you were unrealistic about how fast you could land a byline in a national publication. I encourage you to look ahead with the idea of sustainability. The word “sustainable” traces back to ideas of being able to last or continue over the long haul. But its root word, “sustain," means to give support or relief to, or to supply with sustenance or nourish. I find that to be a satisfying way of looking at our work. So with those ideas of sustenance and nourishment in mind, let’s consider four ways our writing can be sustainable: 1. You can sustain your writing plan if you have enough ideas to keep going This first idea is obvious. Your writing plan is sustainable only if you have enough ideas. If you set out to publish a blog post five times a week or three times a week, you need enough content to keep that up. In episode 76, I did some math for you—and believe me, I’m really invested in you to do math for you. In that post, I figured out that to publish twice a week for three years, you’ll need 312 ideas. I was suggesting you brainstorm and see if you can generate a big number in one or two sessions because that would confirm you have plenty of content to keep writing in your niche. Well, it’s the same principle as you move ahead with your writing plan for the year ahead. You want to be sure you have plenty of content to supply and support the plan. If you have 312 ideas, you’ll have no problem continuing—you’ll be able to move ahead with two articles per week. If you have only 75, perhaps you should reduce your frequency to once a week or broaden your niche so you can generate more ideas. In any case, the concept here is that if you’ve set up a goal that requires a steady supply of content, make sure you have enough on deck to sustain it. 2. You can sustain your writing plan if the schedule isn’t brutal This is closely related to the first sustainability challenge, except that you could have 700 ideas ready to go, but if writing still comes a bit slow for you, or if you’re working full time and writing is still a side gig, or if you face other complicated scheduling challenges, those ideas are just going to sit there. Even efficient writers need time to write and prep content for a blog or freelance submissions or as pieces of a bigger project like chapters for a book. If you don’t have much writing time available, you can have all the ideas in the world and it doesn’t matter if you can’t get them written.


    Ep 81: A Gift of Writing Dec 21, 2016
    Show notes

    Last time we talked about our writing as a gift to the world, but our writing can be a gift in a more specific, focused way when we write for individuals we know and love. When our writing is sent out to the world, it's usually enjoyed by one reader at a time, so in a way, all of our writing is for individuals. What I mean here is you can sit down and write for someone in particular—an individual who will be the only intended recipient of a given project. Maybe you write a long letter to a family member, or you compose a children’s story for your child or grandchildren, or you write a love poem to your significant other. You might write a note to a soldier stationed in another country, a person in prison, or a sponsored child. One project, for one person. This is where writing is personal. Sure, the projects we send to publishers are important, offering the potential to reach into circles we might never have connected with on our own, carrying our message far and wide. And yet the people who have been part of our lives all along, the people who like your posts on Facebook and look for your letters in the mailbox—the person you'd send a sympathy card to? Those people treasure your words. If you write a gift of words specifically for and to them, you're sending a powerful present. It’s likely your gift of words will be held closer than any book you may write in the future because the book is for many, whereas the gift of words you crafted is a present for that one person alone. Anne Lamott explains in Bird by Bird how she wrote "books that began as presents.” In her case, they were initially a project for one person and did end up being much more—they were published as books for anyone who might enjoy them. But when she initially sat down to create, she had one reader—one recipient—in mind. One book was a present to her father and the other, to her best friend, Pammy. Both were people Anne loved; both were people who were going to die (185). Motivated by love and a sense of urgency, she wrote a present for each of them. She explains: I got to write books about my father and my best friend, and they got to read them before they died. Can you imagine? I wrote for an audience of two whom I loved and respected, who loved and respected me. So I wrote for them as carefully and soulfully as I could—which is, needless to say, how I wish I could write all the time. (194) We can work on our platform and stick our deadlines when we write on assignment, but when we write for someone we love and respect—when we write out of love—we are giving an inimitable gift. Stay on track with your professional goals. And if you feel inspired, write someone a present. But whatever you do, as much as possible, write as carefully and soulfully as you can. Isn’t that how we wish we could write all the time? Click on the podcast player above or use subscription options below to listen to the full episode. Resources: What Do Writers Dream About? Ep 80: Your Writing as a Gift Your Writing Platform episode collection Bird by Bird: Some Instructions on Writing and Life, by Anne Lamott (affiliate link) * * * You can subscribe with iTunes, where I'd love to have you subscribe, rate, and leave a review. The podcast is also available Stitcher, and you should be able to search for and find "Ann Kroeker, Writing Coach" in any podcast player. ____________________ Writing is solitary work—but why not include others in aspects of the writing process? Join the Group Coaching Winter Session I'm facilitating a five-week group coaching opportunity for nonfiction writers. Starts January 7 (cart closes on January 5 or when ten people have...


    Ep 80: Your Writing as a Gift Dec 13, 2016
    Show notes

    In this season of giving, it seems apt to talk about our writing as a gift. "Hold on, now," you say. "I was kinda hoping to make some money at this whole writing gig, so are you saying we have to give our words away?" Whether we're paid or not, isn’t viewing our words as a gift…isn’t that how we begin the process of connecting with people? We toil over our message and send off something for a reader to consider. “Here. I wrote this for you.” I recently published a blog post about the longing we writers have for applause—not for how amazing we write or how heroic we might be for sharing the depths of our heart or pain, but to hear the sound of someone responding to the words we've composed and offered. We long to build a bridge from writer to reader. To connect. Author, poet, and essayist Scott Russell Sanders explains his motivation. In an essay entitled “The Singular First Person," he says, “I choose to write about my experience not because it is mine, but because it seems to me a door through which others might pass” (p. 8, Earth Works). If we share that mindset, we write to solve someone’s problem or ease their pain or show them we know what it’s like, how it feels. And in writing that down as best we can, we build a door “through which others might pass” or a bridge over which a reader might cross. We create a threshold. Or a safe passage. A gift. All of our writing in that sense seems to be a gift, even if we receive payment for it. Now the funny thing is, literally giving away our work for free can have a literal payoff. Science fiction author Cory Doctorow partnered with Litographs in an article published on Medium, where Doctorow writes, "I’ve been giving away my books ever since my first novel came out, and boy has it ever made me a bunch of money…” When the print version of his first novel was published, he made the electronic text available for free at this website as a digital download—a gift—and within a day he saw 30,000 downloads. People “met” him through that free copy—it introduced them to his work. He created an instant audience that suddenly knew him and wanted their friends to know him as well. “My problem isn’t piracy," he explains, "it’s obscurity, and free ebooks generate more sales than they displace.” Getting known by readers is a challenge for all of us; obscurity is indeed a problem for those writers trying to build a platform. Giving away some of our work to introduce ourselves could pay off in the long run. So if you’re kinda hoping to make a little money at this whole writing gig, never fear. View your work as a gift to the world—as a bridge built to create connection or a door opened wide through which others might pass. Pour your heart into it, knowing you might make a difference in someone’s life. You can sell it. Absolutely. Or you can give it away, expecting no particular gain. Either way, you're holding it out to the world, to a reader, as a gift, saying, "Here. I wrote this for you." Click on the podcast player above or use subscription options below to listen to the full episode. Resources: What Do Writers Dream About? Why Give Away Your Work for Free? (Medium article featuring Cory Doctorow) Your Writing Platform episode collection Earth Works: Selected Essays, by Scott Russell Sanders (includes "The Singular First Person") affiliate link * * * You can subscribe with iTunes, where I'd love to have you subscribe, rate, and leave a review. The podcast is also available Stitcher, and you should be able to search for and find "Ann Kroeker, Writing Coach" in any podcast player. ____________________


    #79: Your Writing Platform: Who Is Your Who? Dec 06, 2016
    Show notes

    When building a platform, we might be told to build our email list or increase our social media numbers, so we're tempted to do a lot of things maybe before we’re ready—some people advise writers to buy a bunch of Twitter followers or set up an Instagram account even if we don't like taking pictures. We get so busy trying to follow somebody else’s plan, we forget that before any of those steps, we need to get the basics down. We need to have a solid idea of the main Whos involved. The First Who…Is You! In the last episode, I encouraged you to embark on a memoir project regardless of whether you write memoir or nonfiction of any kind. Even if you write science fiction or romance, if you write, you’ll write better if know yourself well. And one powerful way to get to know yourself is to reflect on the events that formed you in big and small ways—moments when you felt a shift or an insight, moments when you changed. As I’ve said, these personal pieces don't need to be shared publicly, although they could if you felt one would benefit other people. Most importantly, they help you know yourself—you get to know who you are as a person and a writer, continually deepening your understanding of self, even as you evolve. From that place of knowing, you can write with an authentic voice. Make sure that first “Who”—you—is the real you. Know yourself as best you can. Know who you are. Who Are the Other Whos? You can call it your ideal reader. The cool kids call it your avatar. It’s your target audience or target market. Today, for simplicity, I thought I’d just call this your “Who.” Not the Whos down in Whoville, but the Whos for whom you are writing. Who is your Who? When you write, some Whos are out there you're hoping to reach. Right? I mean, that's why we write something and "ship it," whether we submit our work to a publisher or click “publish” on our blog or write Christmas letters that we stamp and mail. We're wanting to reach a reader. Who is that reader? For most of the content you create with your most important message, who are you trying to reach out to? Who are you talking to? Who are you writing for? Who are you helping, encouraging, entertaining, informing, or persuading? Picture those people—real people: a man, woman, young adult, teen, or child. Who do you imagine reading your words? Some writers will say, "Everyone!” They want to write for everyone in the whole world. And I appreciate the longing to appeal to the widest possible audience. You can try, but most likely, you’re going to be writing for a narrower audience just as you will, most likely, need to narrow your topic, your focus, and find your niche. A case in point: I know a lot of people who enjoyed the novel I just finished listening to, All the Light We Cannot See. One could argue it’s written for anyone and everyone to read and enjoy, but I know people who didn’t really like it—it wasn't their style. The Hunger Games had wide appeal beyond the young adult readers it was written for, but some people didn't want to even consider a story with so much violence—even the concept of the book was too disconcerting. It's not for everyone. People read books that aren't written with them in mind all the time, like The Hunger Games, but no book is really for everyone. Even if our book or blog post or poem enjoys unexpected reach, we really do write for a segment of the population. If nothing else, you probably write for an English-speaking audience or you wouldn’t be listening to an English-speaking podcaster. Most of my listeners and readers are located in the United States. See how that’s a natural narrowing? Identify Your Who How can we figure out who we’re reaching and who we want to reach? Consider some of these questions to help you begin to imagine and identify your ideal reader—your Who:


    #78: Your Best Material - The Practice of Remembering Nov 29, 2016
    Show notes

    This week I want to encourage you to dip into memories and memoir. Even though this veers from the more obvious platform series we’ve been in, it may, eventually, reveal more about who you are and what you want your platform to be about. I believe it’ll be time well spent. Think back to an […]


    #77: When You Don't Know What to Say, Try Poetry Nov 15, 2016
    Show notes

    Last week on my blog I shared an excerpt from Mary Pipher’s book Writing to Change the World: I left it up to readers to decide what it meant for them, but I did hope her thoughts would encourage us to listen closely, to realize the power of our words, and then, when we choose to use them, to use our words well and use them for good. The Power of Poetry On Friday, I wrote a post for Tweetspeak Poetry that highlighted the healing power of poetry. I shared an interview with Gerda and Kurt Klein. Kurt was an American lieutenant who arrived at a concentration camp just after it was liberated. Gerda had been imprisoned in the camp and brought the lieutenant into a factory where female prisoners lay on scant beds of straw, sick and skeletal, many with the look of death, barely moving. Kurt recalls his first interaction with Gerda, where she made a sweeping gesture over the scene, and quoted a line from the German poet Goethe, “Noble be man, merciful and good.” Kurt said, "I could hardly believe that she was able to summon a poem...at such a moment. And there was nothing she could have said that would have underscored the grim irony of the situation better than what she did." I was struck by the power of poetry in that moment, for Kurt, for Gerda. In the midst of suffering, she had that line ready. She connected with Kurt. As he said, she “underscored the grim irony of the situation” with one phrase, one line. Turn to Poetry When you don't know what to say, try poetry. It's what we can turn to when our own words would fall flat. As Emily Dickinson reminds us, it gives us a way to tell all the truth, but tell it slant. An article at Vox suggests we turn to poetry, because “[a]rt can help us express what is otherwise too difficult to stomach. It can help us bear witness actively, and it can strengthen our souls for the work we need to do.” The Atlantic also noticed how many people turned to poetry in recent days and interviewed Don Share, chief editor of Poetry magazine, about this phenomenon. He responded: What poetry does is it puts us in touch with people who are different from ourselves—and it does so in a way that isn’t violent. It’s a way of listening. When you’re reading a poem, you’re listening to what someone else is thinking and feeling and saying...It says, "Here’s what it’s like from my point of view.” The poem is a catalyst where you’re bringing two different kinds of people together. And at its best, when it works, there’s a kind of spark, and everyone comes away illuminated by what the spark has ignited. Poetry: A Prescription for Adversity Though Megan Willome and I already knew each other, a poem of mine created a deeper connection for us. She included it in her book The Joy of Poetry, setting it up like this: The following poem was written after a tragedy the poet didn’t feel ready to talk about. That information is not in the text. But a year or so later, when there was a national tragedy, she reposted the poem on her blog, realizing it might have value for other people in their moments of heartbreak. Maybe they didn’t want to talk either. Maybe they were standing in a kitchen, breaking eggs to make a pie. [You can read the poem at this link or hear me read it in the podcast.] Willome offers some observations you can use in your own poetry. The poem makes great use of the sense of touch. It uses words like cradle, palm, jagged, and soft. This pain of mourning the poet feels—it’s tactile. The other sense explored is sight, but everything is translucent. The sun is “filtered.” The windowpanes, “Streaked.” The light is “muted.” Nothing is clear. When something catastrophic happens, our world becomes unclear. Our glasses are gone. We reach out raw hands to feel our way through.


    #76: Your Writing Platform - How to Confirm Your Niche Nov 08, 2016
    Show notes

    Your writing platform will have a lot of elements, but it starts with you, the writer, and what you’re about or what’s your thing, your topic, your niche. We’ve talked about establishing an online home, because you want to have a place to welcome people who are searching for your niche or your name. When people arrive, they should have some idea of your focus. “Ah, I see that Alice Author writes about the Arts.” The visitor—whether editor or reader—won’t be surprised to find the image of a painting or a still shot of a stage production on Alice Author's home page. Nonfiction Ned writes about leadership. His website will offer some clues through design choices and content—maybe taking inspiration from leadership book covers or from websites like Fast Company and Entrepreneur. Let’s say Ned decides to narrow his niche from leadership to leadership for entrepreneurs in the startup phase. That’s his niche. And Alice writes not just about the Arts in general but about introducing children and families to the Arts. If you’re like Alice and Ned, narrowing your niche, you want to ensure you love it enough and can write enough about it without getting bored. How will you know you’re able to sustain interest in this to write about it over the long haul? The Temptation of Trends Resist the urge to pick a topic because it’s trendy—it’s tempting to think If it’s working for others, I'll increase the odds it’ll work for me, too, and I’ll find plenty of material from others to inspire and inform my own posts. But that’s their thing. Is it really your thing? Maybe. But remember that you need to be fascinated, captivated, and energized by it now and long into the future. So just be sure before going in that direction. The Temptation of Popular Posts It’s also tempting to pick a category because you’ve been writing about all kinds of things for a while and happen to find some success with one topic—an article went viral or you got hundreds of comments on one particular post. This could be a clue, yes. Maybe that is pointing to your narrowed niche. But it might be a random post you wrote that happened to hit people the right way, and you would never sustain interest in it longer than a dozen posts. If I’d made a decision about my narrowed category—my specialty, my niche—based on the popularity and response to a post or article I wrote, I’d have a blog devoted entirely to oatmeal. And while I do like oatmeal, I don’t like it that much. Confirm Your Niche But back to you. When you think you’ve got some narrowed topics in the running, pick one. Just one, for now. The top contender. The narrowed-down category that makes you smile because you realize you think about it all the time. You read about it all the time. You talk about it all the time. That’s a good place to start. Step One: List Subtopics Make a list of subtopics related to this narrowed category. Let’s say it’s Ned’s leadership for startup entrepreneurs. He starts thinking about all the startups he’s consulted with and realizes he could write dozens of case studies, interview entrepreneurs, ask if they want to guest post. He could talk about organizational tools for startup teams, communication skills, startup statistics, recommended conferences, top leadership books. His mind goes wild as he thinks of all the subtopics he can explore. Alice, who loves the Arts, starts thinking of how families can begin to engage with the Arts, so she lists all the museums she’s visited with her family, all the Broadway shows she’s seen, the concerts and operas she’s attended, and what she did to prepare her children to understand and appreciate it all. She looks into virtual tours she can link to and starts listing educators who might offer guest posts, courses people can sign up for online to learn...


    #75: Your Writing Platform: What Fascinates, Captivates, and Energizes You? Nov 02, 2016
    Show notes

    If you’re writing nonfiction, you’re probably trying to zero in on a category or topic that you’d like to write about and be known for. You’re trying to find your focus. If you haven’t already been exploring the possibilities by writing blog posts or articles, you’ve probably had some inkling. If not, look for clues. When you’re leafing through a magazine, what articles catch your eye? What do you rip out and stick in a folder? When you’re skimming your Twitter or Facebook feed, what do you retweet or share? What do you save to Pocket or Evernote? What Topics Fascinate, Captivate, or Energize You? Make a list of those fascinating, captivating, energizing topics—the ones you return to again and again. Once you’ve identified those topics or categories, you have some choices. For example, do you see a common thread that ties them together? If so, see if you can create an umbrella under which they can fall. Lifestyle bloggers do this, where under that “umbrella” they have categories on their website—buttons or tabs to click on—for things like “travel,” “health,” “style” and “photography.” A mom-blogger “umbrella" might have these for “recipes,” “crafts, “money-saving tips” and “organization.” It all depends on the things you love and want to write about—the things that fascinate, captivate, and energize you. Narrow Your Categories A couple of things may help you at this point. First, as much as possible, consider narrowing down—or “niche-ing down,” as they say—to stand out in a crowded online world. You can try to enter the lifestyle blogger world, but by narrowing, you’ll make it easier for people to find you and your focused topic. You can narrow by the audience or reader you find yourself drawn to—or the readers drawn to you already if you’re out there writing now. Or, you can narrow the topic to a subtopic and focus on that. For example, instead of “travel," which is a big, crowded category, maybe you focus on frugal travel tips—that’s narrowing the kind of travel, but even that’s kind of a big category. How about frugal travel tips for young families? That’s narrowing the target audience. You could mix and match given who you are, what you’re drawn to, and the people you want to reach. Maybe you want to offer frugal travel trips for big families, or frugal travel tips for retirees. Or singles. Or maybe you want to focus on camping for big families. You see how you can narrow the topic and the audience or reader? That’s niche-ing down. To illustrate how this will work to your advantage as a blogger or writer, consider this: If I want to find an article about frugal camping tips for big families, am I going to be more inclined to dig into a lifestyle blogger’s website that has high-end photography tips and craft beer recommendations as well as three or four camping articles under their broad “travel” category? Or am I going to spend some time digging into the resources I find at a blog offering all kinds of camping tips for big families? Chances are, I’m going to bookmark that second website and return to it. I’m going to pin their stuff on Pinterest and share it on Twitter. That’s the power of narrowing or niche-ing down—the people who need that specific information, and the people who care about a certain subject or the people who are captivated by certain types of stories, will come to you: the one writing exclusively about it. If You're Feeling Constrained A frustration I’ve heard is that this narrowing feels constraining to some writers. It’s like I’m asking you to be a bookseller crammed into a tiny rented space squeezed in next to a barber shop with barely enough room to sell just one category of books, like mysteries. But you do it. You’re fascinated with mysteries,


    #74: Your Writing Platform - The Need for Focus Oct 27, 2016
    Show notes

    Back in 2004, I was on the phone with my publisher and he told me I should start a blog. "It’s what authors are doing," he said. So, I tried to figure it out. I started learning about blogs and paid particular attention to the sub-category of mom-bloggers because my first book was for moms and it felt like the right world to run around in. Rather than using the mom’s name in association with the website, these mom-blogs would often be named things like, "Patience and Pacifiers,” or “Somewhere Under the Laundry Heap”—creative names that said something about what the website would contain and communicate. They were focused. I liked the idea, so I thought for a long time about what to name my blog. For a brief time I used the name of my book, The Contemplative Mom, but before long I realized the adjective “contemplative” felt too limiting or confusing, because while I was contemplative, I was also downright goofy sometimes. I dropped that name and generated a long list of alternative ideas, debated with myself which one fit best, and finally gave up and just went with my name. I don’t think I even had a tagline or subtitle. In a world of clever, creative, specific, branded blog names—even though we didn’t think of as branding at the time—I was just…me. Ann Kroeker. Name Association What was the name Ann Kroeker associated with back then? What was the focus of her website? What would a visitor expect? What would AnnKroeker.com contain and communicate? I don’t think anyone could tell you. I don’t think I could tell you. My blog needed focus. And for my blog to have focus, I needed focus. I had none. I decided to find out what I would write, by writing. That was my strategy. And I learned, in time, it was not the savviest strategy, nor the most efficient. For years, I wrote about whatever came into my mind, and being a curious lifelong learner, just about anything could pop into my mind, including fascinating facts about katydids and the Byzantine Empire. If we looked back in my archives, I would not be surprised to see a reference to Constantinople. I was all over the map. I was a Russian roulette of content with no niche, no clear brand, no focus. I’d have been better off with a narrow tagline, like Ann Kroeker: Somewhere Under the Laundry Heap. But as I said, I wasn’t savvy. I just wrote about whatever. The Oatmeal Connection One day, I wrote about steel cut oats. I wanted to make them and eat them, but I didn’t want to cook them for 20-30 minutes on the stove, which is what’s required, so I dug around the internet and found, deep in a discussion thread somewhere, a method for cooking them overnight in a crock pot using a water bath. And it worked. The oats were delicious—ready and waiting for me in the morning. I was so excited to share this with readers, I snapped photos to show the bowl of oats sitting in the crock, surrounded by water. I included a blurry image of the steel cut oats container—in other words, this was not the staged, high-end, natural-light presentation you’d find in a foodie blogger’s post. It was just unfocused Ann, sharing another random tidbit. Well, I must have hit the right moment in the wave of interest in steel cut oats. Because before long, this post became the most visited post on my website. I’d peek at the stats and see that hundreds clicked through from referral sites. Then thousands. Then ten thousand. A hundred thousand. I switched my website to another host at some point and lost my stats, but based on current information, I would not be surprised if that post has hit a million views. Ann Kroeker was finally associated with something: Oatmeal. This is not what my publisher had in mind when he tol...


    #73: Your Writing Platform Needs a Home Base: An Author Website Oct 19, 2016
    Show notes

    Let’s say you send a query letter to a magazine or a book proposal to an agent. She reads it through and feels there’s potential—it looks like there’s a match between you and her publication or agency. What’s the next thing she’s going to do, most likely? Google you. She’s going to type your name into a search engine and then click around the links that come up. "Let’s see what we can find out about this writer..." What will she turn up? Maybe some articles you submitted to an online organization? Comments you left at someone’s blog? Your Facebook and Google+ profiles? Maybe the race results from a 5K Turkey Trot you ran last Thanksgiving? Is that it? Is that all she’s going to find? If so, you may need to set up a permanent residence. Your virtual home. If you’re a writer working on building a writing platform, you need a website. Help Industry Professionals Find You When you secure your own little plot of online real estate, an editor at a publishing house or literary journal can type your name into a search engine and find articles and “About” information that you compose, that you want him to see, that represents you well, that reflects your personality as a writer. Your author website is presented in your voice and features ideas, stories, and topics you tend to write about along with samples of your work—everything you publish there serves as an online portfolio. It’s the hub of your writing platform. The foundation. Other platform efforts may be super-fruitful, but you still need to have one space where you control your image and content. Help Readers Find You Of course, it’s not just industry professionals who may search for you. Don’t forget readers. Who are you trying to reach? What do you write, and who would read your work if you could just get it into their hands? Again, you want to establish yourself online with the kind of content that will draw those people and help them find you and your work. Imagine if they were to find in a magazine’s archives a story you wrote. It intrigues them, and they search for your name. If they find nothing else about you, that’s a missed opportunity. You could have made a connection with readers, invited them into your space, and welcomed them. All the other places you might start making friends online—on Facebook, Instagram, LinkedIn, Twitter—they all offer various strengths and opportunities to connect. But to help people really get to know you as a writer, think about inviting them over to your place for a visit. A Website That Reflects You and Your Work Your website doesn’t have to be fancy with lots of bells and whistles—not at all. It can be simple. At the very least, you want a clean space that doesn’t mislead people about the kind of writer you are and the kind of writing you produce. If you write thrillers, you probably don’t want a lot of white space with flowers in the header. If you write reflective, serious creative nonfiction, you probably don’t want a hand-drawn comic strip like The Oatmeal featured front and center on your home page. And you want a way to get content out there from time to time, even if you aren’t regularly blogging. A Simple, Flexible Online Home You can set up a self-hosted website, which will require a monthly fee, but if resources are limited, don’t wait. With all the free and inexpensive website options out there, there’s no need to be a wandering troubadour with no permanent residence. Come up with a basic idea of how you want to present yourself to the world, and find a simple template that will allow you to create some content—pages people can click on to get to know you, and maybe a blog feature that allows you to write and publi...


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