‘All Your Days’ features essays, conversations, reviews and roundups focusing on politics, culture, creativity, art, work, crisis, persistence, and how creative lives transform over time.
Host: James O’Brien
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‘All Your Days’ features essays, conversations, reviews and roundups focusing on politics, culture, creativity, art, work, crisis, persistence, and how creative lives transform over time.
Host: James O’Brien
Copyright: © Copyright 2023 James O'Brien
Our guest is Lynn Gilbert, a massive contributor to 20th-century portrait photography — her photos of sculptor Louise Nevelson became the face of the Venice Biennale in 2022 — whose 1981 book of photos and essays, ‘Particular Passions,’ became a significant document of second-wave feminism. Lynn, with virtually no professional portfolio at the time, somehow brought together luminaries and unknowns to create her monumental book, cataloging some of the most important well-known — and unknown — persons of the time and movement. Her subjects included Gloria Steinem, Margaret Mead, Ruth Bader Ginsburg, Julia Child, Lillian Hellman, Barbara Walters, and more. A beautiful and generous figure in my own small story, it is my sincere pleasure to bring part one of this wide-ranging conversation with Lynn to you this Tuesday, a deep look at a life lived behind the lens.
Please welcome the legendary Lach to your ears. Lower East Side/Edinburgh artist and producer and presenter, novelist, BBC radio host — you name it, he's probably done it. We go super deep into the history of anti-folk in NYC and the world, but that's just the surface of the thing. Memory, dreams, visions, heartbreak and triumph, life and death, love and letdowns — it's the very DNA of this little podcast, and few guests have hit so many of the notes. You're in for it.
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Sam Shaber is in the middle of a resurrection. For years, if you found Sam’s work, you found it via storytelling or her podcast focusing on in-vitro fertilization and women’s health and just and accurate information and access to both. Or you knew her power-pop-punk bands. These were the points of contact. This week we pick up the story, the rest of the story, how she came out of a landmark moment in her career recording an album named ‘Eighty Numbered Streets’ with a Grammy-nominated artist and what happened after that. We also come back to family, talking about her father, who in his lifetime wrote the screenplay of ‘The Warriors’ — a milestone film in several ways. And we at last come to the story of Sam’s mother, whose passing in 2022 changed what had been our plan to have an interview on this show shortly after we’d recorded it. That’s the only “lost” episode, and in this installment, we restore the ideas and central truths of that original conversation. And I’m glad to have it.
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Sam Shaber is back with the very songs she shelved after those years in the early 2000s, back with ‘Eighty Numbered Streets.’ She’s about to take the album on the road for the first time in decades, playing it front to back in Los Angeles, New York, and elsewhere — and soon she’ll reunite with Shawn Mullins for a concert in Georgia. It’s a critical moment to meet this artist, or meet them again. Please let me introduce you to an old collaborator and friend.
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One night in the late 1990s I walked up to a big black door under a tattered green awning, and I walked through that door, and I was in a room. I was at a crossroads. I was a kid with a guitar, and I was about to meet a man named Geoff Bartley. I’ve seldom respected an artist and a host and a curator of a room the way I respect Geoff. He’s our guest on the season closer of ‘All Your Days,' and for the first time, I have the privilege of learning where this man, this musician that critics and producers and artists have described as “one of the most under-recognized musicians alive today,” this award-winning fingerstyle player, this picker, this poet, this bluesman, this maker of a space that was essential to the songwriter scene in Boston and Cambridge came from, what he meant to do, what he achieved, where he has been and where he is going tomorrow. A must. A deep and soulful talk.
Please meet Timothy Mason. There is probably no one more consequential in terms of my awakening artist’s mind in the 1990s. There was no early room in which I discovered or started to practice art that was not either produced by Tim or for which he was not in some way materially responsible. Nothing that followed would have played out the same way. This one is a catch from the deeper waters, the personal depths. We’re swimming with the tides of the cosmos in this one: the story of a person who created a network of stages and performance venues across geography and time, bringing luminaries and future luminaries together in places unlikely or spaces imperiled — all the while practicing his own craft as a poet and performer striving to channel voices and experience both inside and outside the human condition.
Back in the early 2010s, I met a man named Rafat Ali, who’d just co-founded an online travel news company called Skift, and he gave me an assignment. And that changed everything. In my journey, Rafat has unlocked incredible next steps and new chapters, but we’ve never really talked to each other about his journey, the whole thing, from India to Indiana to New York and many circles opened and closed along the way. Culture shock, climbing the cliff face of a career in writing and journalism, triumphs, injustices, escapes and narrow passages, fearlessness lost and found again. This is Rafat’s story and it’s a great privilege to have had such a deep and generous conversation. Many lessons within. Spend some time with the mind of Rafat Ali. You’ll be glad you did.
This week our conversation turns to Africa with the brilliant Gift Kiti, who has been building water resources and a crucial health clinic for the people of Kashani, Kenya, since 2017. I've been fortunate enough to be along for parts of Gift's journey, thanks to The Resolution Project, and in this episode, 'All Your Days' unpacks the nature of a project that is materially changing lives but that has also come with prices, costs, lessons and revelations for all of us
Some songs and their writers get to you by degrees. Some creep up on your consciousness, a verse here, a chorus there. Others land on your world in a song. That’s all it takes. It’s not a lot, and then it’s everything. In this episode, songwriter Randy Kaplan and I talk about the moment his song “Slow Eater” landed in my world, and then we unpack a lifetime of incredible moments, from Los Angeles and coming up with luminaries like Dan Bern and Andras Jones to a career on TV, including ‘Beauty and the Beast,’ scenes with Jennifer Aniston in ’Ferris Bueller,’ and more. And that’s just scratching the surface.
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The second part of our conversation with the topical songwriter David Rovics. Part one traced the evolution of a political mind to the moment when tragedy undid the shackles of expectations and set David on his path. This week we follow what happens next, the collapse of the college circuit that supported activists throughout the later 20th Century, the implosion of the CD revenue stream and the rise of an atomized social-media-driven culture.
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Some songwriters, they yearn for a mantle — they strive for the political mark. David Rovics’ songs move musically in the way of the great protesters, singers and poets — the Seegers and the Guthries, Baez, early Dylan, the Anne Feenies and the Alix Olson. I’ve finally had a chance to talk with David. What I discovered, and what fills the next two episodes of this show, is an artist still at work on the specific and the topical and the positively protest-oriented, but I also found a person deeply embroiled in the new tides of the present. this is a story of protest, and of being protested, and it is a story of minds and souls that are searching for the paths that navigate both of those poles while staying in the light and, if were are lucky enough, offering some guiding point, some pinprick of illumination, to others.
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In the fall of 2002, I turned on a four-track and demo-ed the album I intended to record as a follow-up to my record 'Life Underwater.' A lot of things changed after that. The new season of ‘All Your Days’ starts with the story of lost work and how it was made between the events of September 11, 2001, and the day I switched on the recorder. A portrait of a year marked by fire and death, haunted spaces and creations, by the accidental making of a time capsule that would emerge 20 years later as a testament of sorts.
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Part two of a stunning and wide-open conversation with Melissa Ferrick. From the Spotify class action suit to writer’s block to the revival and reinforcement of a practice to the transformation of a life into one that strives for balance between artist and academic, the podcast is joined again by this incredible voice, one that has been putting in the work since 1991. We pick up Melissa’s journey from where we left off in the heady early days, tracking days of triumph and troubles all the way to the present, where the artist — and the academic — are on the cusp of new and powerful moments. And we get a sneak peek at Melissa’s new single.
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In 1991, nineteen-year-old Melissa Ferrick got a phone call. The caller told her that she was about to open for Morrissey. She had about an hour to get to the amphitheater. And the next day, they sent a car to take her away on tour with Moz. It has been a long time since I last spoke with Melissa. And never before have we spoken to each other about the stories and experiences and details that she shares. Part 1 of 2, this episode is such a generous conversation re: early days, transformations, triumphs, frustrations ... and "Drive." Our conversation floored me with its specificity and sometimes its vulnerability and always by how powerfully the way Melissa Ferrick describes her world resonates.
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Chris Chandler is a maker of new things out of two things, out of three things, out of four — one of the world’s consummate collaborators, sharing tracks with luminaries, fusing the verse he inhabits with the chords and choruses of artists such as Dan Bern, Jim Infantino, Peter Yarrow, Anne Feeney and Paul Benoit. I’ve known Chris a bit over the years, and years ago shared stages with him here and there, and I’ve always been moved and awed by what he manages to do with a pair of vocal cords and the truth. But I’ve never heard his full story or gotten under the hood with the head that makes it all work. Until this episode.
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Ted Drozdowski penned what is probably the most important article about my musical work in the whole of my strange little start-and-stop songwriting career. But that's not what this episode is really about. Ted Drozdowski packed his bags and traveled the world and played the blues, and he gets to say that forever. That is part of what this episode is about, and that he is a believer in the power of the guitar, and that he is connected to some part of an older source, an older trunk line. This is his story, an artist's story. Ted Drozdowski is our guest on this episode of 'All Your Days.'
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The sound of John Sinclair giving his poetry to a room is a deep motion, a rumble from some planetary layer. The sound of John Sinclair giving this interview is a hurricane motion, a gale force communication from a past and present that cannot be ignored. His is a story that includes great artists of our time, of his time — the 1960s especially — of a time that feels long ago until you hear the voices again ... huge, urgent, howling. Poet, activist, ally, cause celebre, White Panther, prisoner, a free man — and all the complications that come with all those things — this is John Sinclair on 'All Your Days.'
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Archaeologist and historian Edward L. Bell joins ‘All Your Days’ to talk about his recent book, a history — and a mystery (and he's come the furthest in solving it) — tied to stories of slaves in the Northeast U.S. and what we think we know about bastions of abolition. A lot. Heavy talk. Good talk. Needed talk. Ed and I go back as musical friends as well, and I learn a lot about this person I’ve known for many years, including his parents’ early days around Woody Guthrie and Leadbelly, and our shared connection to Ferron’s incredible songwriting.
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Walter Geer III is a creative director in the advertising world. In 2018, he approached me with this one specific story, and in this episode, we return to that moment, that project — one that is now ongoing, one that focuses on social justice, equality, ambition, expectations, repercussions, and perseverance. One that's changed Walt's life and changed the lives of people working with words and images and sound throughout his industry. And made some of them angry, too. This is a story of what it means to stand up, to take flak for standing up, and to keep standing up regardless. Walter Geer III is our guest on this episode of ‘All Your Days.’
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His name is Dhani Jones. He was a middle linebacker in the NFL from 2000 to 2011, from the New York Giants to the Eagles to the Cincinnati Bengals. And that’s only part of the story. Dhani hosts TV shows on The Travel Channel and CNBC, publishes a book about his sport, starts companies and creative agencies and invests in visionary organizations that are shaping the future, all while working for equality in our schools and workplaces. He’s one of the most inspiring people I know, in a rare class of doers — the kind that talks the talk and walks the walk. In this episode of ‘All Your Days,’ Dhani Jones is my mind-blowingly passionate guest for a deep talk about persistence and recognition, passion, curiosity — and about exhaustion as a process rather than an obstacle. It’s a big one. This is Dhani Jones.
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Pamela Means is among the most incisive and insightful describers of injustice and indignation, anger and antipathy — on a level with few others. Her songs create a lens, and in its focus we can call out the racists, the fascists, the homophobes, the horror dealers among us. And yet, Pamela Means is at the same time a writer of love songs, making space for love. This is the story of her career doing both and more and how Pamela continues to honor that heavy responsibility, speaking the truth and calling things out.
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'All Your Days' is back in your ears on February 7. It’s Season 4, and the talks are intense and funny and sad and sometimes angry as I step into the discussion with artists and athletes, poets and ad executives, historians and colleagues and friends — all the creative souls I know who’ve been putting in the work and dealing with the world in which we live.
We start with the Conan O'Brien moment. Songwriter Michael McDermott has been loved by luminaries (Stephen King wrote his liner notes), followed by fans, showcased on the biggest stages, and written about by the widest-reaching publications. Yet, as Michael puts it, he still suffered under a kind of reversal — pleasure over peace, the quick fix over the long game. Join us for the finale of Season Three, a journey into Michael's roaring music, his meteoric rise, his subsequent crashes and resurrections, and now the incredible album and memoir he's riding to new heights in a lighter — and light-filled — reality.
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In a sense, Andras Jones has always lived in a world that overlaps with dreaming. His father was a dream researcher. In the 1980s, Andras starred in ‘A Nightmare on Elm Street 4' (he also appeared on 'Saved By The Bell' and in films with Drew Barrymore, Alice Cooper and Jeffrey Combs). All the while, he has been conjuring his own world with a guitar and a head full of clever, funny, angry songs.
In this episode of ‘All Your Days,’ we join Andras’s journey, exploring the triumphs and frustrations of wrangling with dreams and, as a writer about synchronicity, how in giving attention to different ways of perceiving the "real" world Andras has redefined his own dream and its pursuit.
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Adam Brodsky gives zero fucks. Adam Brodsky cares very, very deeply. This is the dichotomy and part of the genius at the center of Philadelphia's own King of Anti-Folk (though he'd put that crown on your head and mine, just as quickly ... but maybe only if you deserved it). In this episode, Adam and I dig deep into rejection, betrayal, and hard traveling. Plus yelling at Nazis, landing a Guinness World Record, early days, vanishing acts, life, death, new recordings, and all things 'All Your Days'.
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Just before the pandemic, there was this restaurant, our neighborhood local. Chef Camille Rodriguez ran its kitchen, and she kept us well fed, well poured, and just plain happy at our end-of-the-bar dinner spot. Then, when the quarantine locked down New York, Chef Camille transformed her talents into a lifeline for those of us stuck inside. From her apartment kitchen, she emerged with a full bistro menu, lovingly cooked with the help of her tiny team. In this episode, we dive into how she managed to stay alive, stay creative, and thrive as a food person in a world where hospitality and breaking bread went on hold. Lot’s more, too: Late starts at the cooking career, equity in the kitchen, and traveling to learn what people eat. A feast!
Join us for a story of survival and guarding a cultural treasure in the face of terrible odds. Matt Smith is the managing director of Passim, the legendary folk club in Harvard Square, in Cambridge, Massachusetts. The room saved my life more than once in the late 1990s and early 2000s. And then, in 2020, Matt faced an incredible dilemma — how to keep the 60-plus-year-old venue alive during the lockdown of quarantine. He's on the pod, taking us through those months and moves, steps and challenges, and ultimately triumphs. We also talk about the remarkable changes folk music — and what we call folk music — has undergone since those days I worked (and played) in the room.
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At the turn of the millennium, I learned to mix sound for an Arabic music series at a famous folk club in Massachusetts. Every month was a musical challenge; every month a personal reward. And then, in the middle of our work together, 9/11 changed everything. Joining me on this episode is the remarkable Karim Nagi — one of the great culture bearers; a masterful musician — who created and shaped that series. We talk about the post-9/11 world, his vast array of musical projects, being an ally in antagonistic times, and the future of hope for pluralists and multiculturalists in 2022.
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A powerful painter with a very personal perspective, Annie Leist takes us into the mind, the oils, and the brushes. We talk about her eyes, which deliver visual information differently than the typical pair, and her advocacy for accessibility and equity. Hot and cool times at the canvas. New work with photos at the Mall of America. The artist and advocate at large; please meet Annie Leist.
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To put it mildly, it's a raging Season 3 kickoff episode with the unbelievable guest presence of Hamell on Trial. We get into the records, the stages, the wages, and what's next for an artist who's seen a lot, done more, and earned the right, night after night, to give us all a couple pointers on the unbelievable shit that's going down.
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'All Your Days' returns on September 6. Here's a bite of the apple, a sample of the ample, a bit of the wit that's on the way next week, as we get back into the mix and hear from our new season's guests, including Hamell on Trial, Michael McDermott, Andras Jones, and more.
Nine-six-twenty-two: Get yer pod!
It’s the season finale of ‘All Your Days,’ part two of my conversation with Dan Bern. We talk about the ways songs come into being, and sometimes try to slip away, the difference between the big ones and the topical singles, fatherhood, the pandemic, ‘Hunkered in the Bunker,’ and more.
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In the first part of a two-episode conversation with Dan Bern, we get into early days, the lure of the vanishing act and the power of vulnerability, about north stars and big moments, and what to do about following them — both the north stars and the big moments. I offer a (partial) biography of the artist. We talk about time.
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Lauren Eileen has just published a vital and tender LGBTQIA+ inclusive book for kids, but I met her long before this milestone. Her journey into identity — navigating her college years not yet out of the closet, running away and becoming a club kid in Miami in the roaring ‘90s, life as a not-yet-out suburban wife and mother in the 2000s, and then fully owning her world at age 45 as an out-and-proud lesbian, mom, writer and advocate — is an inspiration. Those stories and more. So pleased and proud to shine a light on her spirit — this is 'All Your Days'.
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Take an epic and deep dive into a pair of albums Karaugh Brown created in the early 2000s, one produced by Bill Morrissey (the Grammy-nominated songwriter and genius) and one by Billy Conway (of Morphine, and Dana Colley of that band plays sax on the sessions). What happened then. What happened after. Big life talk.
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What if a psychic said you’d never make it in music? In this episode, Jim Infantino — songwriter, Jim’s Big Ego frontman, and novelist — tells us what happened next, along with stories from the early days and the road, the bubble-world of the creative mindset, a very special carriage house located in the Paris of the '90s, surprise studio visits from Aimee Mann, and how knowing your Friends from your 'Friends' can make all the difference.
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Jordan Tishler was living a kind of double life, even as he produced my first two albums, ‘Life Underwater’ and ‘Church of the Kitchen Sink’ … truth is, he’s always been a doctor on top of being a music producer. Now, he’s a vibrant voice in the medical cannabis industry. We go deep on the music days (with shout-outs to Mission of Burma, The Neighborhoods, U2, Midnight Oil, The Motion Sick, Vishnu, Dan Bern, and more). We dive into twists of fate, vanishing acts, self-confidence and self-doubt, post-pandemic PTSD, the nature of prescribing THC for people, and how healthcare is working to work with marijuana in the new world.
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From stumping Cheap Trick to partying with Perry Farrell and gigging with Cherrie Curie of The Runaways, to landing a job with The Guess Who — to wedding bells, finally, at the end — this is the third episode of the three-parter with the first bassist in my first band ... it's the Michael Devin finale.
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What if you got to live your teenage rock-and-roll dream? Michael Devin returns to take us into a life of unreal encounters and, well, incredible networking. The pod may never top these namedrops: the Manson ranch, Henry Rollins, Billy Idol, Slash, Jimmy Fallon, Jason Bonham, George Lynch, Mike Love, David Coverdale and more. It's part two of the Michael Devin conversation on 'All Your Days'.
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A deep dive into adolescence interrupted. James talks with Michael Devin, one of his first musical collaborators, bassist for Whitesnake, The Guess Who, Jon Bonham's Led Zeppelin project (and more) about first bands and escaping from a very difficult situation that almost derailed everything that would follow.
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In the final installment of Season 1 of ‘All Your Days - The Podcast,' there’s a new song in the works. Follow along as “Tomorrow” gets to its first stages. More to come, for that one. And catch a preview of what Season 2 will bring; big moments headed our way. The end of one chapter and the edges of a new story.
At last, the making of the 2022 album ‘All Your Days’ — featuring Matthew Girard (bass, engineer, mixing, mastering) and Richard Adkins (drums and rhythm sequencing). Good chat, including some notes about Joy Division, Stevie Nicks, Karaugh Brown, Frank Ocean, and more. We go all the way down, surfacing the steps, ideas, challenges, and triumphs that came with putting the trio together remotely and making a giant, weird album in the middle of a giant, awful mess.
If you dig this, find my music at Bandcamp.
The following songs and sources are included in this episode.
This week we are in New York in the heart of the pandemic and the national election in 2020. The birth of a record called ‘You Get Your Own Parade’. The birth of a band in a remote world. The conception of a record called ‘All Your Days.’ And just survival in general. Words, sounds, and experiences from deep in the shit. Get yer pod!
If you dig this, find my music at Bandcamp.
The following songs and sources are included in this episode:
We go deep on the strange and powerful journey that was ‘Careful in the Future - The Film’ and then dive into the edges of the precarious project that almost wasn’t — the early recordings for ‘All Your Days,’ which would end up being a different (and sort of) “lost” record entirely. Clips from the sessions that never made the album, plus behind-the-scenes audio from the making of the film, all in this episode.
If you dig this, find my music at Bandcamp.
The following songs and sources are included in this episode:
Link to 'Careful in the Future - The Film'
Link to 'Weaponized - The Video'
Dig into the making of the 2018 album ‘Careful in the Future’ and a return to the stage for the first time in more than a decade. The genesis of a movie. The edge of great transformations. Clips from the recording sessions and live cuts.
If you dig this, find my music at Bandcamp.
The following songs and sources are included in this episode:
Leaving the orbit of guitars and stages, the rise and fall of DJ James and a DJ named Dalkesh, the unexpected musical role of one kitchen counter in Manhattan, and a series of 'Bothersome Injuries' brings the songs back around.
If you dig this, find my music at Bandcamp.
The following songs and sources are included in this episode:
Unearthing the mystery of Friedman, the music of Television, a band called Bikini Radio, unpublished Dylan and more.
If you dig this, find my music at Bandcamp.
The following songs are included in this episode:
Episode 1 starts with a guitar and ends with a sing-along — a brief history of the early days, the first days of tours and bands, two albums ... and how it all came to a stop in 2004.
If you dig this, find my music at Bandcamp.
The following songs are included in this episode:
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