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    Arts

    A brush with…

    A brush with…, sponsored by Bloomberg Connects, is a podcast by The Art Newspaper that features in-depth conversations with leading international artists. Host Ben Luke asks the questions you’ve always wanted to: who are the artists, historical and contemporary, they most admire? Which are the museums they return to? What are the books, music and other media that most inspire them? What do they get up to in the studio every day? And what is art for, anyway?

    The podcast offers a fascinating insight into the inspirations, the preoccupations and the working lives of some of the most prominent artists today.


    Hosted on Acast. See acast.com/privacy for more information.

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    Latest Episodes:
    A brush with... Tacita Dean Sep 21, 2021
    Show notes

    Ben Luke talks to Tacita Dean, whose 16mm and 35mm films, drawings on blackboard, photogravures, collages, sound works and found object pieces form one of the most poetic bodies of work in contemporary art. Dean was born in 1965 in Canterbury in the UK, but for most of her life as an artist has lived outside of Britain, first in Berlin, which has provided the location for some of her most compelling works, and now between the German capital and Los Angeles. As the three-venue group of museum shows she had in London in 2018 proved, Dean has a deep engagement with the traditional genres of art, making numerous moving portraits on film, as well as stirring and lyrical works exploring landscape, seascape and cityscape. Although film is her primary medium, her works are intimately connected in form and content. Her films regularly have a distinctive painterly quality, evoke the process of collage, and relate directly to her drawings. In this podcast she talks about her love of film as a medium, the pioneering techniques she uses, her encounters with the work of Giotto, with Cy Twombly and Julie Mehretu, and the influence of writers including WG Sebald and JG Ballard. She also discusses her work for The Dante Project, a new production at the Royal Opera House in London with choreography by Wayne McGregor and music by Thomas Adès, for which she has provided the costumes and set designs. Plus, she responds to the ultimate questions we ask all our guests: if you could live with just one work of art what would it be? And what is art for? This episode is sponsored by Bloomberg Connects.

    Hosted on Acast. See acast.com/privacy for more information.


    A brush with... Philippe Parreno Sep 14, 2021
    Show notes

    Philippe Parreno talks to Ben Luke in depth about his cultural experiences and influences. A master of exhibition-making, Parreno was born in 1964 in Oran, Algeria, but grew up Grenoble in France. Ever since he emerged in the 1990s, he has used the spaces he shows in and the immediate environment around them as an active presence in his work. Architectural elements in the gallery might be animated at certain moments, lighting might flicker according to scores we don’t see, screens might descend to show examples of Philippe’s diverse video works, at unexpected times. Often these actions are triggered by hidden environmental forces that Philippe harnesses as data to orchestrate his shows. He talks about his close network of collaborators, the group shows they put on early in their careers, his interest in science fiction, his new work about Francisco de Goya's Black Paintings, his aim to make a film about Mary Shelley's Frankenstein from the monster's point of view, and the unlikely experience of getting Angus Young from AC/DC to contribute to one of his works. Plus, he responds to the ultimate questions we ask on each podcast: if he could live with just one work of art, what would it be? And, what is art for? This episode is sponsored by Bloomberg Connects.


    Links for this episode:


    Philippe Parreno at Pilar Corrias


    Danny/No More Reality at LUMA Arles


    Jaron Lanier, computer scientist, composer, artist and author


    Dominique Gonzalez-Foerster, artist, at Esther Schipper


    Gottfried Wilhelm Leibniz in the Stanford Encyclopaedia of Philosophy


    Pier Paolo Pasolini biography on BFI website


    Daniel Buren, artist


    Peter Plagens on Michael Asher in Artforum in 1972


    Goya's Black Paintings in the Museo del Prado


    Schatten/Le Montreur d'Ombres/Warning Shadows at IMDb


    Fiona Sampson on Mary Shelley’s Frankenstein at 200


    The Year Without a Summer on the In Our Time podcast


    Adam Thirlwell at Granta, and his book Conversation: A Script with Philippe Parreno


    Pierre Huygh, artist, at Marian Goodman Gallery


    Danny the Street at DC Comics


    Nathalie Heinich on Les Immatériaux, exhibition at the Centre Pompidou in 1985 in Tate Papers


    Author Kenric MacDowell’s Pharmako-AI


    Philippe Parreno’s Federico, initially made for the Lorca’s family home, the Huerta de San Vicente in Granada


    Neal Stephenson, author


    Marko Nikodijević, composer, at sikorski.de


    Angus Young on Spotify


    Dmitri Shostakovich, Fugue no24 in D Minor


    Robert Filliou, artist, at Peter Freeman, Inc



    Hosted on Acast. See acast.com/privacy for more information.


    A brush with... Glenn Ligon Aug 17, 2021
    Show notes


    Glenn Ligon talks to Ben Luke about the artists, writers, musicians and other cultural figures who inspire and intrigue him, and the pivotal cultural moments in his life. Born in the Bronx, New York, in 1960, Ligon works across various media, from painting to film and neon, and primarily uses text and found images to produce powerful ruminations on contemporary politics, culture and African American identity. Despite the array of media he uses, Ligon’s work is hugely consistent in its language and subject matter, with an economy and directness of form allied to a capacity for rich ambiguity and diverse meaning. Ligon joins us as he prepares to show the epic conclusion to his series Stranger, which he started in 1997, featuring excerpts from James Baldwin’s 1953 essay, Stranger in the Village, in which the American writer uses his experiences in a remote Swiss village to reflect on the nature of Blackness and the embeddedness of white supremacy, among much else. In this conversation, he discusses Baldwin and the Stranger series, along with other writers, from Gertrude Stein and Charles Dickens to Toni Morrison. He talks about his visits to the Metropolitan Museum of Art to draw Cézanne as a teenager, the depth and enduring power of Andy Warhol’s work and the abiding influence of David Hammons. He reflects on his musical references, from Steve Reich to Stevie Wonder, and on his interest in Korean ceramics. And, of course, he answers the questions we ask all our guests, about his daily rituals, the cultural experience that changed his view of the world and, ultimately, what art is for. This episode is sponsored by ARTIKA.


    Glenn Ligon: First Contact is at Hauser & Wirth, Zürich, 17 September-23 December and a big show of his work opens at Hauser & Wirth in New York on 10 November. A new publication from Hauser & Wirth Publishers is out this autumn. A show at the Carré d’Art in Nîmes, France, opens in 2022.


    Links for this episode:


    Glenn Ligon Studio

    Glenn Ligon: First Contact at Hauser & Wirth, Zurich


    James Baldwin interview in the Paris Review and Collected Essays, edited by Toni Morrison, including the collection Notes of a Native Son, in which Stranger in the Village features

    Cézanne at the Metropolitan Museum of Art

    Cézanne Drawing at the Museum of Modern Art

    Andy Warhol's Shadows at Dia Beacon

    Calvin Tomkins on David Hammons in the New Yorker and Glenn Ligon’s text on Hammons, Black Light: David Hammons’s Poetics of Emptiness

    Lite Brite Neon

    Three Lives by Gertrude Stein

    Willem de Kooning's Pirate (Untitled II) (1981) at the Museum of Modern Art

    Robert Mapplethorpe at the Mapplethorpe Foundation and Glenn Ligon's Notes on the Margin of the Black Book at the Guggenheim Museum

    Studio Museum, Harlem

    Whitney Museum of American Art

    White porcelain “moon jar” at the British Museum

    Raku Museum

    Extract from Ralph Ellison's Invisible Man at penguin.co.uk

    Zora Neale Hurston official site

    Toni Morrison Society and audiobooks narrated by Toni Morrison at Audible

    Édouard Glissant at Global Social Theory

    Stuart Hall Foundation

    Charles Dickens's Tale of Two Cities

    DeForrest Brown Jr as Speaker Music at bandcamp

    WNYC New York public radio

    Don Cherry on Spotify

    Sonny Sharrock on Spotify

    Aphex Twin on Spotify

    Chrissie Hynde on the Pretenders’ I’ll Stand by You

    Jessye Norman on Spotify and Jessye Norman singing Richard Strauss's Vier Letzte Lieder/Four Last Songs

    Steve Reich’s Come Out on Spotify and a Pitchfork article on the piece and the Harlem Six

    Stevie Wonder on Spotify and a link Music of My Mind, which came out when Glenn Ligon was 11 years old

    Uncle Tom's Cabin by Thomas Edison and Edwin Porter at the University of Virginia’s Uncle Tom’s Cabin multimedia archive, Death of Tom by Glenn Ligon

    Jason Moran official site

    Hosted on Acast. See acast.com/privacy for more information.


    A brush with... Alberta Whittle Aug 10, 2021
    Show notes

    Alberta Whittle talks to Ben Luke about her influences in art, books, music and other media and the cultural experiences that have shaped her life and work. Over the last few years, Whittle has emerged as one of the most striking new voices in contemporary British art, especially with her collaborative film installations focusing on battling anti-blackness. Born in 1980 in Bridgetown on the Caribbean island of Barbados, Whittle moved to Birmingham in the UK as a teenager before studying at the Glasgow School of Art—she still lives in Glasgow today but spends some of her time in Barbados. This relationship between her native Caribbean and her Scottish hometown have informed her work from the start, in terms of exploring her own identity and its connection with the histories of colonialism, slavery and systemic racism. Whittle's acclaimed films are a collage of disparate moving images, including found archival material, footage shot on an iPhone and extraordinary performances filmed in beautiful high definition, among other things. In this conversation, she explains her instinct to collaborate with performers, artists and writers, reflects on her love of the art of Frida Kahlo and Hilma af Klint, among many others, and discusses the music she adores, by artists as diverse as Dancehall queen Patra and the late opera singer Jessye Norman. Plus, she answers our usual questions, including the ultimate one: what is art for? This episode is sponsored by ARTIKA.


    Links for this episode


    Alberta Whittle


    Shows:

    Alberta Whittle: Reset at Jupiter Artland

    business as usual: hostile environment at Glasgow Sculpture Studios

    Life Support at Glasgow Women’s Library

    Sonia Boyce’s exhibition In the Castle of My Skin at MIMA, Middlesborough

    British Art Show 9

    Life Between Islands: Caribbean-British Art 1950s-Now at Tate Britain

    Sex Ecologies at Kunsthal Trondheim

    Scotland + Venice


    Discussed in the interview:

    The Guardian newspaper’s reporting on the Windrush scandal

    Frida Kahlo at Tate Modern, 2005—room guide

    Louise Bourgeois at The Easton Foundation

    Chris Ofili at David Zwirner

    Denzil Forrester at Stephen Friedman Gallery

    Hilma af Klint Foundation

    Tramway, Glasgow

    Fruitmarket, Edinburgh

    Dundee Contemporary Arts (DCA)

    Transmission, Glasgow

    Maryhill Integration Network

    Apartheid Museum, Johannesburg

    Cry Freedom on Amazon Prime

    Kamau Brathwaite at the Poetry Foundation

    Christina Sharpe’s In the Wake: On Blackness and Being

    Dionne Brand at Penguin Random House

    Edwidge Danticat’s Create Dangerously: The Immigrant Artist at Work

    Jessye Norman’s Spirituals on Spotify and her Spotify page

    Tumi Mogorosi’s Project ELO on Spotify and his Spotify page

    Patra’s Spotify page

    Alberta Whittle’s blog about her Fresh Milk residency in Barbados, including the fete posters

    Max Roach and Abbey Lincoln perform Tears For Johannesburg & Triptych (Prayer, Protest)

    Constantin Brancusi’s Endless Column at the World Monuments Fund


    Alberta Whittle’s "accomplices":

    Sekai Machache

    Mele Broomes

    Matthew Arthur Williams

    Christian Noelle Charles

    Ama Josephine Budge

    Yves B Golden

    Anushka Naanayakkara

    Sabrina Henry

    Richy Carey

    Basharat Khan

    Hosted on Acast. See acast.com/privacy for more information.


    A brush with... Tino Sehgal Aug 03, 2021
    Show notes

    Tino Sehgal talks to Ben Luke about his unique work, which transforms the space in which it is shown through the power of movement and sound. Sehgal, who is based in Berlin, moved to art from dance after studying choreography alongside economics. His latest show, at Blenheim Palace, commissioned by the Blenheim Art Foundation, features his work from the last 20 years staged amid the Baroque palace and its gardens. It features interpreters or participants who enact "constructed situations" ranging from group work, where they sing in unison or move in formation, veering from slow controlled movement to dance or even game-playing, to more intimate pieces involving individuals or duos—but always directly engaging the viewer as a participant. Sehgal discusses the structures that underpin his work, making art that exists only in the moment or memory rather than as an object or through documentation, and why he sees it more in the tradition of sculpture and installation than performance art. He reflects on his early encounters with the art of Joseph Beuys and Yves Klein, his interest in the work of Antoine Watteau, the powerful effect of the works of radical theatre director Christoph Schlingensief and choreographer Felix Ruckert, how he regularly returns to William Forsythe's work In the Middle, Somewhat Elevated, and his response to the Belgian producers Soulwax and their 2manydjs project. And he responds to the questions we ask all our guests, including the ultimate question: what is art for? This episode is sponsored by ARTIKA.


    Links for this episode:


    Tino Sehgal at Blenheim Art Foundation

    Blenheim Palace

    Tino Sehgal at Globart Art Academy, Melk Abbey

    Joseph Beuys’s 7000 Oaks in Kassel

    Yves Klein Archives

    Jean-Antoine Watteau’s paintings in the Louvre

    Auguste Rodin’s The Kiss

    Xavier Le Roy, Product of Circumstances and context at tate.org.uk

    Christoph Schlingshief

    Felix Ruckert and a performance of Hautnah (1995)

    Excerpt from In the Middle, Somewhat Elevated by William Forsythe from its original performance in 1987, featuring Fanny Gaïda and Sylvie Guillem, Opéra National de Paris

    John Maynard Keynes, Economic Possibilities for our Grandchildren

    Margaret Mead

    John Kenneth Galbreath’s The Affluent Society

    2manydjs: Soulwax’s official YouTube channel

    Ode to Joy, Friedrich Schiller poem

    The Robots on Kraftwerk’s YouTube channel

    Sock It to Me on Missy Elliot’s YouTube channel

    Hosted on Acast. See acast.com/privacy for more information.


    A brush with... Oscar Murillo Jul 27, 2021
    Show notes

    Oscar Murillo talks to Ben Luke about the defining cultural experiences and influences of his life. Oscar first shot to fame in the art world with paintings that attracted huge attention in 2013—canvases with loose, scratchy, expressive marks, patches of pure colour, and daily dust and grime from the studio, scrawled with words such as "burrito", "yuka" and "chorizo". But he has also consistently made works in sculpture, installation, performance and film. At the heart of his work is an engagement with language, with the nature of labour and production, with the movement of people and with fluid cultural identities. He discusses his major project Frequencies, in which children from more than 350 schools in 34 countries across the world were sent canvases that were affixed to desks, so that children could draw and write on them, consciously or unconsciously, over several months—and how the project relates to his own work. He talks about his ongoing interest in class as well as race, in relation to his Colombian background. He picks out the artists and musicians that have most influenced him, discusses the dual influence of La Paila, the village in Colombia in which he grew up, and London, to which he emigrated when he was 11 and made his career in art. And he answers the questions we ask all our guests: what are the essential rituals in his working life? If he could live with just one work of art, what would it be? And what is art for? This episode is sponsored by ARTIKA.


    Links for this episode:


    Oscar Murillo at David Zwirner


    Frequencies, presented by Artangel, until the 30 August 2021


    By Means of a Detour, a book co-published by Kettle’s Yard in Cambridge and the Kunstverein in Hamburg


    Jannis Kounellis at Cheim & Read


    David Hammons at MoMA


    Monet’s Water-Lilies at l’Orangerie in Paris and Murillo’s Surge paintings, made partly in response


    Hans Haacke’s Der Pralinenmeister (The Chocolate Master)


    Our podcast, A brush with… Julie Mehretu


    Fela Kuti on Spotify and his song VIP (Vagabonds in Power)

    Hosted on Acast. See acast.com/privacy for more information.


    A brush with... Ellen Gallagher Jun 29, 2021
    Show notes

    Ellen Gallagher talks about her life and work through the art, literature, music and other cultural experiences that have profoundly affected her. She tells Ben Luke about the extraordinary opportunity she had to live with an original Keith Haring print while at Oberlin College, Ohio; her love of Diego Velázquez and Stanley Brouwn; the influence of the Afrofuturist mythology of the Detroit techno band Drexciya; how Herman Melville, in his novels and novellas, wrote more perceptively about race than he is often credited with, and much more. And, of course, she answers the ultimate questions we ask in each episode: if you could live with just one work of art, what would it be? And what is art for? This episode is sponsored by Bloomberg Connects.


    Links for this episode:


    Ellen Gallagher at Hauser & Wirth


    Ellen’s page for the Sonsbeek 20-24 quadrennial


    The Freud Museum, London


    Matisse: The Fabric of Dreams, His Art and His Textiles


    Keith Haring's Untitled (1982), The Keith Haring Foundation


    Diego Velázquez at the Prado


    Velázquez’s Infante Felipe Prospero (1559) at the Kunsthistorisches Museum, Vienna


    Headrest: Female Caryatid Figure (19th century) by the Master of the Cascade Coiffure


    Ellen Gallagher’s Ecstatic Draught of Fishes (2020) at Hauser & Wirth, London


    Pieter Paul Rubens’s Miraculous Draft of Fishes in the Wallraf-Richartz-Museum, Cologne from the Rheinisches Bildarchiv, Cologne


    The Art Newspaper’s report on the racist joke beneath Kazimir Malevich’s Black Square


    Ellen Gallagher’s Art Institute of Chicago exhibition, Are We Obsidian?, featuring her series Negroes Battling in a Cave


    Oscar van den Boogaard on Stanley Brouwn in Frieze magazine


    Go-go legend Chuck Brown on Spotify


    Hugo van der Goes’s Diptych with the fall of man and redemption (Lamentation of Christ) in the Kunsthistorisches Museum, Vienna


    Woods Hole Oceanographic Institution


    The Dew Breaker by Edwidge Danticat


    Maryse Condé at World Editions


    Ode à la Guinea by Aimé Césaire and more on Césaire at the Poetry Foundation


    Léopold Sédar Senghor at the Poetry Foundation


    Drexciya’s Futuristic Electro—a guide, by Albert Freeman at Bandcamp and Drexciya on Spotify


    Herman Melville at Penguin Books


    Kraftwerk


    Alice Coltrane’s album Kirtan: Turiya Sings


    Stuart Maconie’s Freak Zone, BBC Radio 6 Music


    Jan Mostaert’s Portrait of an African Man (Christophle le More?) (1525-30)


    Hosted on Acast. See acast.com/privacy for more information.


    A brush with... Julian Opie Jun 23, 2021
    Show notes

    Ben Luke talks to Julian Opie about his life and work by exploring the artists that have inspired him, his literary and musical influences and the cultural experiences that have most affected him. He talks about the early influence of Egon Schiele, his passion for Japanese prints by Utamaro and Hiroshige, his fascination with reading about ancient cultures and early humans, and his connection with composer Max Richter and the band Blur, among much else. And he answers the ultimate questions: if you could live with just one work of art, what would it be? And what is art for? This episode is sponsored by Bloomberg Connects.

    Hosted on Acast. See acast.com/privacy for more information.


    A brush with... Cristina Iglesias Jun 16, 2021
    Show notes

    Ben Luke talks to Cristina Iglesias about her life and work. She recalls how Disney's Fantasia made an impression on her as a child, how Velázquez's Spinners (Las Hilanderas) started her lifelong love of the collection of the Prado museum in Madrid, for which she created one of her best-known public projects. She discusses other major public commissions, including her underwater sculptures in the Baja California off Mexico and her latest project, Hondalea, in a lighthouse on Santa Clara island in the bay of her home town, San Sebastián, in northern Spain. She talks about her love of science fiction, including J.G. Ballard, the importance of music and her work with her composer brother Alberto on a new opera project. And she answers the final questions we ask all our guests on A brush with...: if you could live with just one work of art, what would it be? And what is art for? This episode is sponsored by Bloomberg Connects.

    Hosted on Acast. See acast.com/privacy for more information.


    A brush with... Michael Rakowitz Jun 09, 2021
    Show notes

    Ben Luke talks to the US-based artist about his influences and life-changing cultural experiences. They discuss his public sculpture in Margate, April Is the Cruellest Month, with its nods to TS Eliot and Siegfried Sassoon. They reflect on his fusing of his autobiography—and particularly the influence of his mother’s Iraqi Jewish family—with global geopolitics and the legacies of colonialism. They discuss his earliest influences and the contemporary artists, writers and musicians that most inspire him. And, as with all the guests on the A brush with... podcast, he answers the ultimate question: what is art for? This episode is sponsored by Bloomberg Connects.

    Hosted on Acast. See acast.com/privacy for more information.


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