Podcast Categories: Performing Arts

Host Adam Graham makes his second journey through every episode of Dragnet as well as quite a few bonus episodes and programs.

In the tapestry of American entertainment, Red Skelton threads a vibrant color of joy. His journey with NBC began in 1939, a time when radio was the hearth around which America gathered. Sponsored by Avalon Cigarettes, Skelton’s voice became a familiar comfort with “Avalon Time.” As the world braced for change, on October 7, 1941, Skelton offered a new respite, “The Raleigh Cigarette Program.” Here, he wove together a patchwork of characters, each unique in their follies and affections, from the lovably disoriented Cauliflower McPugg to the ever inebriated Willie Lump-Lump.One could hear the laughter of a nation in Junior’s catchphrase, “I dood it!” — a phrase that wiggled its way into the very lexicon of America. There was the crafty San Fernando Red, with his peculiar seagull companions, Gertrude and Heathcliffe, and the endearing Clem Kadiddlehopper, whose naiveté often outshone the glitter of high society, much to the chagrin of his cynical father.In those times of global unrest, Skelton’s show became a vessel for unity, aiding the war effort by selling bonds, and graced by the Nelson family and the melodic waves of the Ozzie Nelson Orchestra.Yet, the laughter paused in March 1944 when duty called Skelton to serve. Despite a trying time overseas that challenged his spirits, he returned with his humor unscathed, remarking with a chuckle, “I was the only celebrity who went in and came out a private.”The show’s heartbeats resumed on December 4, 1945, with Skelton breathing life into new follies and characters. The show blossomed with the voices of Lurene Tuttle and Verna Felton, the orchestral talents of David Forrester and David Rose, and the vocals of Anita Ellis, before its final curtain in 1949.As time marches on, an irony unfurls: though Skelton’s television legacy casts a long shadow, it’s the echoes of his radio days that now find a way into the eager hands of nostalgia seekers, a testament to the enduring allure of a voice and a spirit that captivated a nation.

Welcome to “I Witness,” where every sound tells a story and every moment holds a mystery waiting to be uncovered. Join us on a journey into the heart of intrigue and investigation, where our team of relentless investigators leaves no stone unturned in their pursuit of truth.

In this gripping audio drama, listeners will be transported into a world of suspense, as each episode unravels a new case that challenges perceptions and tests the limits of imagination. From unsolved crimes to unexplained phenomena, “I Witness” explores the depths of human curiosity and the relentless pursuit of justice.

With immersive sound design and captivating storytelling, “I Witness” sets a new standard for audio entertainment, offering listeners an unforgettable experience that will keep them on the edge of their seats from start to finish.

Prepare to be captivated, prepare to be amazed, prepare to become an eyewitness to the extraordinary. This is “I Witness.”

Voice talent and voice over artists breathe life into the media we consume and I want to learn what inspires them, what lured them to the microphone, and what they themselves have learned along the way in this mighty journey we all share.

Join us for an extraordinary deep dive inside the most transformative decade on Broadway through gripping behind-the-scenes accounts of shows such as Sunset Boulevard, Rent, Angels in America, Chicago, The Lion King, and The Producers – shows that changed the history of the American theater. Host Michael Riedel, author of the best-selling book Singular Sensation: The Triumph of Broadway, has created a companion podcast featuring his never-before-heard, taped audio interviews with legendary artists from Andrew Lloyd Webber, Stephen Sondheim, Patti LuPone, and so many more.
Michael presents the drama behind the decade’s mega-hits and shocking flops, bringing readers into high-stakes premieres, fraught rehearsals, tough contract negotiations, intense Tony Award battles, and more. From the bitter feuds to the surprising collaborations, all the intrigue of a revolutionary era in the Theater District is packed into Singular Sensation. Broadway has triumphs and disasters, but the show always goes on.
Visit http://bpn.fm/singularsensation for early episode access, to learn more, and be sure to get the book here: https://amzn.to/4cNdfO3

Harlem and Moscow is an audio drama based on the true story of the Harlem Renaissance in the Soviet Union.  This audio podcast immerses you in the journey as you travel to the other side of the world and back again with America’s best-kept literary secret.
In 1932, a group of Harlem Renaissance artists and activists traveled to Moscow to make a film on racism in America that would start a revolution.
Among them was up-and-coming writer Dorothy West, who was looking for a break in her acting career and the chance to connect with famed writer Langston Hughes.
Dorothy West recounts her year in the Soviet Union, recalling the hookups, heartbreaks, and lessons learned along the way.

TJ’s mind has always processed the world around us in a unique and interesting way. “TJ’s Podcast” puts no barricades around his perspectives which allows you to ride upon his personality and sense of humor wherever they may roam. In other words, it’s an off the rails thrill ride of humor, excitement, and fun! Every day there is a new excursion and your ticket is free!

📣본격! 대한민국 평균 30대 여성들의 시시콜콜한 수다 방송🎶

👽크리에이터 햄튜브의 첫 팟캐스트 도전입니다.
👧🏻고정게스트인 프로N잡러 루케씨와 함께합니다.

일상 속 소소한 이야기부터 공감 가득한 주제까지,
필터 없는 진솔한 이야기와 끊임없는 웃음이 가득한 이 곳‼️
영양가 없지만 계속 듣게 되는 매력! 👂🏻
아무 생각 없이 듣다 보면 시간 가는 줄 모르는, 유쾌하고 생생한 두잔🥂의 세계로 여러분을 초대합니다. 👯‍♀️
지금 바로 함께하세요!🔥🔥🔥

💌문의 : hemtube@videovillage.co.kr
편집된 하이라이트 영상은 햄튜브 유튜브 채널에 업로드됩니다

Join Broadway historian, director, and all around MT nerd Robert W. Schneider for a wild and exhaustively researched celebration of the musicals that had set their sights on Broadway but missed the mark. The second season of Broadway Bound is called “YOU’RE ONLY AS GOOD AS YOUR LAST” explores ten Broadway Bound musicals that were written by major songwriters. From a foul mouthed Little Orphan Annie to dancing woolly mammoths, Broadway Bound: The Musicals That Never Came To Broadway is sure to open your eyes to some of the most bizarre, brilliant, and bold musicals that tried to get themselves on the Great Bright Way!