Podcast Categories: Music Interviews

Hangin’ & Sangin’ brings you thoughtful conversation and intimate performances by some of your favorite roots artists, from Americana to folk, country, blues, bluegrass, Southern soul, and rock & roll live from the Bearsville Theater in Woodstock, NY. Hosted by music journalist Kelly McCartney.

The Alternative Music Show.

Join Sam and Marcos every week to talk about all the big news and releases in the alternative music scene!

Crash and Ride is a weekly podcast dedicated to helping musicians and other creative people survive depression and anxiety.

De una amistad de 15 años y una serie de encuentros profesionales nace la unión de dos de las figuras más influyentes de la escena de la música alternativa Latina en Los Ángeles. Pili Montilla, presentadora y productora de televisión ganadora de un Emmy y el reconocido DJ Raúl Campos unen fuerzas para ofrecerte lo mejor de la música Latina en un podcast totalmente nuevo, crudo, genuino y bilingüe. From a 15 year old friendship and an array of professional encounters stems the union of two of the most influential figures in the Latin alternative music scene in Los Angeles. Emmy winning TV host and producer Pili Montilla and renowned DJ Raul Campos join forces to bring you the best of Latin music in an all new uncensored, raw, genuine and bilingual podcast

Jughead’s Basement is hosted by Screeching Weasel, Mopes, and Even In Blackouts’ co-founder John Jughead Pierson.  The podcast has three subcategories: Dissections of punk records.  Long-form interviews of punk & alternative musicians, comedians, and underground performers.  Plus, lastly, an old fashion radio adventure that tells the twisted tale of two men attached to one body roaming an unknown mansion meeting and interviewing different guests every episode.

We make no apologies here: Our goal is to help artists as they work to make the world a more beautiful and musical place, and to help grow audiences for those artists, both in scale and in depth. You might notice that our conversations with artists, producers, authors, and industry leaders are usually focused on those two main themes: artist and audience development. I experienced this first-hand for decades at the Cornerstone Festival – and I have dedicated my life to it for over forty years. And now, as an artist and author myself – and as a professor and director of music industry studies – helping the next generation of songwriters and artists find their way in this algorithmically addled environment is very close to my heart. I’m still here – working to make sense of it all right alongside everyone else.

This is what we believe:

We believe music is spiritually significant, not merely entertaining. All music participates in something larger than itself.

We believe human curation is more valuable than algorithmic convenience. Trusted guides with great taste and earned judgment matter more than a machine that gives you more of what you already like.

We believe gathering matters more than commerce, though commerce makes gathering possible. The transaction is credible because the curation is trustworthy.

We believe countercultural conviction can be held without apology and without aggression. We know who we are. We are not interested in being popular in the wrong rooms.

We believe the artist and the audience are equally sacred. The line between them nearly disappears when music is doing what it is supposed to do. The faith underneath all of it shows up in the questions we bring, not in the answers we insist on.

We are a virtual – and occasionally real-life venue, not a feed, with lots of rooms to explore. A gathering place with human voices at the center — asking what the work is doing to us, where it comes from, and why it matters.

We still believe. So do you. Come join us.