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Rock That Doesn’t Roll: The Story of Christian Music

Rock That Doesn’t Roll looks at how Christian music shaped the world we’re living in now by telling individual stories from the peak era of the contemporary Christian music industry. In the 80s, 90s and early 2000s CCM grew into a billion dollar business that affected millions of evangelical young people. Through interviews with artists, industry players and average fans we trace the long-lasting personal, cultural and political impact of sometimes cringe-worthy music. Expect hilarious moments and heartfelt yearning, purity culture and conservative politics- all in equal measure. Whether you’ve deconstructed, come out or renegotiated your faith, we hope you feel seen. If you’ve never given Christian music any thought beyond a punchline, we hope you’ll gain a deeper understanding of a subculture that’s shaping the world around us now.

1991: The Year AOR Ate Itself

A yearlong investigation into some of the albums released by the genre’s biggest artists in the year before grunge took over. Which ones still rock? Which ones helped burn it all down? Let’s look back.

Amplify Color

Charlamagne Tha God. Wendy Williams. Robin Quivers. The names are familiar, but the stories of their trials and triumphs in the radio industry may not be. Amplify Color reveals the empowering and inspirational stories of individuals who left an undeniable impact on the radio industry despite the challenges and battles they faced. Each week, we chronicle the history of Black radio through the story of a trailblazer who made a long-lasting impact on the medium that we know and love today. Hosted by Ryan Cameron, the “voice of Atlanta” and Georgia and Black Radio Hall of Famer.

The Nightingale of Iran – Danielle Dardashti, Galeet Dardashti

It was a golden age for Jews in Iran. In the 1950s, a religious Jew – Younes Dardashti – became a national celebrity, singing at the Shah’s palace and on the radio. In the 1960s, his son Farid became a teen idol on TV. They were beloved by Iranian Muslims. But at the height of their fame, they left the country. It has always been a mystery to our host Danielle Dardashti and her sister Galeet – Why did their family leave Iran? Now, in a documentary podcast series, the sisters reveal painful secrets unspoken for generations. The Nightingale of Iran is a story that will resonate with outsiders everywhere.

Best Rapper In L.A.

Underground Rap Hero and West Coast Legend Murs, makes his case for why he is the best rapper in L.A. In each episode, Murs breaks down one album from his massive discography of classics from the 90s to today.

Bonus episodes and early access available at: https://www.patreon.com/Murs316


Hosted on Acast. See acast.com/privacy for more information.

The Ed Lover Experience Podcast

Ed Lover, arguably the face of Hip-Hop on MTV in the late 80s and 90s – and an Audacy radio host in NYC, Chicago and Atlanta, as well as a podcast host, a comedy tour host, and so much more – brings his experience and embrace of Classic Hip-Hop to the Audacy network with The Ed Lover Experience.

EarWax: An Amoeba Podcast

EarWax is Amoeba Music’s first podcast!

Hosts Hilary and Cody chat about new releases and in-store events, so you are always up to date on the goings on of the world’s largest independent record store.

Each week, we tell the story of one particular album. How was it made? Where does it exist in our history? What effect did it have then, and how does it affect us today?

EarWax is two longtime record store clerks doing what we do best – learning about and sharing the stories behind the albums we love.

The Clientele Podcast

The Clientele Podcast is a brand new series devoted to the beloved British indie band The Clientele, launched to coincide with the release of the band’s superb new album I Am Not There Anymore. Over the course of the series, host Robin Allender (Your Own Personal Beatles, The Moon Under Water) will interview the band about their history and influences, and will also speak to fans of the band about what makes the music of The Clientele so uniquely evocative and beautiful.


Hosted on Acast. See acast.com/privacy for more information.

Stones Touring Party

In the summer of 1972, the Rolling Stones swept across an America still smoldering from the tumult of the ‘60s, bringing their gritty masterpiece Exile on Main St. to the masses. Rolling Stone magazine journalist Robert Greenfield was along for the ride, writing the seminal rock book STP (Stones Touring Party) — culled from weeks on the road and more than 60 hours of interviews with the band and their entourage. Now, for the first time, Greenfield and fellow STP vet Gary Stromberg share that tape archive, allowing listeners to sit in on intimate chats with the Stones in their prime. Written and hosted by Jordan Runtagh, with original music by Noel Brown and Mykal Alder June, Stones Touring Party is an all-access pass to the sights, sounds, riots, bombings, drug busts, death threats and other assorted mayhem from this pivotal moment in American history.

The Discursive Power of Rock en español and the Desire for Democracy

This podcast examines the perennial quest of Latin Americans and Latinx peoples to create more just and equitable societies. The series focuses on the political project of Latin American rock en español, a musical genre that challenged the hegemony of English rock and began in the 1970s.

During the 1970s, a number of Latin American countries were faced with dictatorships and military coups that led to the “dirty wars” in which citizens were traumatized, tortured, and murdered. This project will be examining the lyrics for main themes of social justice that circulated during the dirty wars of Mexico, Chile, and Argentina in particular.

We will also feature intergenerational conversations to examine the legacies of this music in our present moment and how Rock en Español was employed by LA Latinas and Latinos to fight against anti-immigrant rhetoric and politics in 1990s California.

This project is supported in part by the University of California Office of the President MRPI funding M21PR3286.