Top Arts Podcasts

A true story of family, fraud, land and power in the American West. Ghost Herd is a joint production of KUOW and Northwest Public Broadcasting, both members of the NPR Network. 

word. with Gordon Miller. Each episode begins with a word — but it never ends there. Gordon explores the ideas, language, and narratives shaping the professional salon industry. Because, simply put, the words we choose… shape everything we do.

We are here to tell our story in hopes of bringing help and healing to others. Sexual assault of any kind is extremely hard to talk about, much less childhood sexual assault, but we hope by opening up with our story we open up a truly safe space for anyone who may need help, just an ear to listen, or a shoulder to cry on. We will be bringing this podcast to you in the most honest, endearing, and entertaining way we possibly can. Laughter and tears included for free!

Front Row is a frank discussion about the creative process and the business of creativity with some of the world’s brightest stars. What does it mean to be a creative? And how does a creative earn a living while staying true to their art? I have been exploring these questions my whole professional career. I’m the host of Front Row. My name is James Whiteside and I’m a principal dancer and choreographer with American Ballet Theatre in New York City, and the author of Center Center. Join me as I speak to artists and professionals in the business of art while we try to find the answer to the elusive question: How can I be successful in the arts? Check your ticket and take your seat. You’re in the Front Row. 

Un poquito de todo! Hosted by Angel Robles and Edith Martinez

All lives contain the shadows of the lives we nearly lived: moments where we turned left instead of right, where we closed one door and opened another. The paths we choose create the story of who we are, but the unlived life – the wish unfulfilled, the need unmet, the question unanswered – has much to teach us, if we let it. 

Whether we regret our decisions or rejoice in them, we rarely allow ourselves to explore the possibility of what might have been. We don't want to get lost in the past, stranded without a map back to the here and now.

This podcast is the map.

Each episode, host Miriam Robinson interviews an author about a path their life might have taken. They return to the moment their paths diverged and together, step by step, write the story of their unlived lives.

Most interview podcasts explore the story of our lives. 

This podcast explores the story of our unlived lives

#MyUnlivedLife

Please send pitches to myunlivedlifepod@gmail.com

Hosted on Acast. See acast.com/privacy for more information.

Join internet personality Bryan the Diamond as he tries his best.

The Cosmic Library explores massive books in order to explore everything else. Here, books that can seem overwhelming—books of dreams, infinity, mysteries—turn out to be intensely accessible, offering so many different ways to read them and think with them. Season one considered Finnegans Wake; in season two, it was 1,001 Nights. Season three journeyed through and beyond the Hebrew Bible. In season four, we considered Journey to the West. For season five, we talk about a kind of writing that's filled many massive books: the American short story. Season six: The Brothers Karamazov.

This is my love letter to the working class people and immigrants who shaped me. Too often we focus on stories about people who have achieved positions of influence, wealth, and power. On this podcast, we won’t be doing that. Many of our guests have never been interviewed before. I want to shed light on the experiences of folks who feel invisible. What do everyday people have to say about their lives, their country, their hopes and dreams, and what they believe would make the world a better place? 

I’m your host, Maria Fernenda Diez and I’m a first gen Mexican-American. Growing up, my family moved to different regions of the US - from the East Coast to the Midwest to the South - and we were on food stamps when I was young before we became middle class. I ended up getting an almost full ride to the Ivy League but never left my roots behind. I call myself an in-betweener because I’m part of many communities, but don’t fully fit into one single community. Although this can be lonely at times, it’s a vulnerability that can help me connect with others, have honest conversations, and build genuine connections.