New Books in African American Studies

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How Bright the Path Grows: The Untold Story of the Women Who Made the March on Washington with Marcia Chatelain (Random House, 2026) Oct 29, 2026

Show notes

From the Pulitzer Prize-winning author of Franchise comes How Bright the Path Grows: The Untold Story of the Women Who Made the March on Washington (Pantheon, 2026), the untold story of the pioneering Black women artists and activists who were seen, but barely heard, at the 1963 March on Washington.

There is no shortage of footage immortalizing the men who spoke at the 1963 March on Washington for Jobs and Freedom, when 250,000 Americans gathered beneath the Lincoln Memorial to call for an end to segregation. There were reverends and rabbis, activists and Rat-Pack icons—and of course the day's headliner, whose prophetic dream of a post-Jim Crow world has forever defined the Civil Rights Movement. But there is no “class photo” of the Black women who helped organize the march, performed on its main stage, or were honored during its Tribute to Negro Women Fighters for Freedom. In How Bright the Path Grows, Marcia Chatelain weaves a gleaming group portrait of these singular women. Among this cohort were several household names: vaudeville icon Josephine Baker, civil rights activist Rosa Parks, gospel legend Mahalia Jackson, and Daisy Bates, champion of the Little Rock Nine. But many were relative unknowns, including Eva Jessye, the choir director who designed the day’s musical program; and Anna Hedgeman, the coordinator who pushed in the eleventh hour for a tribute to Black women’s work. How Bright the Path Grows is a scintillating group biography, rendering the lives of thirteen Black women visionaries—some famous, others soon to be—in novelistic detail and like never seen before.

Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

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Never Caught: The Washingtons' Relentless Pursuit of Their Runaway Slave, Ona Judge Oct 29, 2026

Show notes

When George Washington was elected president, he reluctantly left his beloved Mount Vernon to serve in Philadelphia, the temporary seat of the nation’s capital. In setting up his household he took Tobias Lear, his celebrated secretary and eight slaves, including Ona Judge, about whom little has been written. As he grew accustomed to Northern ways, there was one change he couldn’t get his arms around: Pennsylvania law required enslaved people be set free after six months of residency in the state. Rather than comply, Washington decided to circumvent the law. Every six months he sent the slaves back down south just as the clock was about to expire.
Though Ona Judge lived a life of relative comfort, the few pleasantries she was afforded were nothing compared to freedom, a glimpse of which she encountered first-hand in Philadelphia. So, when the opportunity presented itself, Judge left everything she knew to escape to New England. Yet freedom would not come without its costs. At just twenty-two-years-old, Ona became the subject of an intense manhunt led by George Washington, who used his political and personal contacts to recapture his property.
With impeccable research, historian Erica Armstrong Dunbar weaves a powerful tale and offers fascinating new scholarship on how one young woman risked it all to gain freedom from the famous founding father in In Never Caught: The Washingtons' Relentless Pursuit of Their Runaway Slave, Ona Judge (Simon and Schuster, 2017).

Guest: Dr. Erica Armstrong Dunbar holds a B.A. in History and Africana Studies from the University of Pennsylvania and a Ph.D. in History from Columbia University. Her area of expertise centers the lives of eighteenth and nineteenth century Black women who lived in what would become the United States of America. Her work focuses on the history of slavery and freedom, social history, urban history, and women’s history. While Dr. Dunbar is committed to the production of scholarly literature, she is deeply invested in more public facing work—scholarship that reaches large general audiences through television, film, radio, and podcasts.

Host: Dr. Christina Gessler a developmental editor and writing coach for academics. She produces the Academic Life podcast and newsletter.

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Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 325+ Academic Life episodes? Find them here. And thank you for listening!

This episode was originally published on 12/16/2020

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Once Upon a Time in South Central LA: John Singleton's Hood Trilogy with Mark D. Cunningham (UP of Mississippi, 2026) Oct 27, 2026

Show notes

After the groundbreaking success of his debut film, Boyz N the Hood in 1991, filmmaker John Singleton (1968–2019) gained worldwide acclaim, earned the respect of major film industry figures, and became the topic of both scholarly and popular culture film conversations. He also made history by becoming the youngest—and the first African American—nominee for the Academy Award for Best Director. However, lukewarm reception for his sophomore release, Poetic Justice in 1993, dampened the momentum of his early promise, and critical interest in his subsequent work waned. Once Upon a Time in South Central LA: John Singleton’s Hood Trilogy (UP of Mississippi, 2026) seeks to reframe Singleton’s legacy and reaffirm his significance as a filmmaker.

Author Mark D. Cunningham argues that Singleton’s so-called “hood trilogy”—Boyz N the Hood, Poetic Justice, and Baby Boy (2001)—offers a vital cinematic lens into the lived experiences of young African American men and women. Blending film analysis with literature, music, sociology, and cultural studies, the volume positions Singleton’s work as a critical intersection of African American history, identity, and popular culture. Cunningham explores Singleton’s portrayal of Black masculinity, the social environment of South Central Los Angeles, and the impact of hip-hop culture on gender dynamics. By revisiting Singleton’s early career and the cultural weight of his films, Once Upon a Time in South Central LA reasserts the filmmaker’s place in the cinematic canon and highlights the enduring influence of his work on African American youth and storytelling.

Dr. Mark D. Cunningham is professor and chair of the Department of Radio-Television-Film at Austin Community College. His research focuses on film and television studies, with an emphasis on Black filmmakers, screen adaptations, and representations of race and identity in popular media. His scholarship engages figures such as directors John Singleton, Spike Lee, Barry Jenkins, and rapper/actor Ice-T. His work has appeared in The Atlantic and The Journal of Cinema and Media Studies, and he has contributed to numerous edited volumes in film, television, and media studies. You can find Mark on Instagram.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. And check out Sullivan's Substack for a continued conversation between she and Mark, as they discuss the hood trilogy's impact in the 21st century.

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Code of the Street: Decency, Violence, and the Moral Life of the Inner City with Elijah Anderson (Norton, 2026) Oct 26, 2026

Show notes

Inner-city black America is often stereotyped as a place of random violence, but in fact, violence in the inner city is regulated through an informal but well-known code of the street. This unwritten set of rules-based largely on an individual's ability to command respect-is a powerful and pervasive form of etiquette, governing the way in which people learn to negotiate public spaces. Elijah Anderson's incisive book Code of t he St reet: Decency, Violence, and the Moral Life of the Inner City (Norton, 2026) delineates the code and examines it as a response to the lack of jobs that pay a living wage, to the stigma of race, to rampant drug use, to alienation and lack of hope.

Michael O. Johnston is Associate Professor of Sociology at William Penn University. His research explores symbolic interaction, leisure, meaning, place, community, and the sociology of everyday life. He is the author of Smalltown Urban: Performing the City in Rural America (Bloomsbury, forthcoming 2027), The Social Construction of a Cultural Spectacle: Floatzilla (2023), and Community Media Representations of Place and Identity at Tug Fest (2022). His forthcoming book examines how small towns create and perform moments of urbanity through festivals, public gatherings, and community life. Since joining the New Books Network in 2017, he has interviewed more than 100 authors across sociology and the social sciences, helping connect scholars and their work with a broad public audience.

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Jefferson’s Wolf: A Founding Father’s Troubling Answer to the Problem of Slavery with Christa Dierksheide and Nicholas Guyatt (Belknap Press, 2026) Oct 25, 2026

Show notes

In this episode, Matthew Mason (Professor of History at Brigham Young University) interviews Christa Dierksheide (Brockman Foundation Jefferson Scholars Foundation Professor of History at the University of Virginia) and Nicholas Guyatt (Professor of North American History at the University of Cambridge) about their important new book, Jefferson’s Wolf: A Founding Father’s Troubling Answer to the Problem of Slavery (The Belknap Press of Harvard University Press, 2026).

Jefferson’s Wolf offers a decisive reassessment of Thomas Jefferson’s long-debated views on slavery, showing that his chief antislavery strategy was racial exclusion: the removal of emancipated Black people from the United States.

Toward the end of his life, Thomas Jefferson made his most famous statement about American slavery: “We have the wolf by the ear, and we can neither hold him, nor safely let him go.” Presenting abolition as both necessary and perilous, the remark has long been relied upon to explain an apparent paradox: despite publicly opposing slavery for four decades, Jefferson had made no progress toward Black freedom in his political career by the time he died in 1826. Nor had he done so in his expansive household, where he enslaved more than 600 people, including Sally Hemings and the four children he fathered with her.

Dierksheide and Guyatt argue that the key to understanding Jefferson’s antislavery position is his commitment to racial exclusion. Jefferson believed that the principal reason to abolish slavery was the threat of a massive slave revolt, but he viewed the presence of free Black people in the new nation as no less dangerous. To avert racial violence, Jefferson argued, the gradual abolition of slavery had to be paired with Black exile. Even when challenged by white and Black contemporaries with more expansive views of American belonging, Jefferson held fast to his vision for a white republic.

Neither an egalitarian antiracist nor a proslavery apologist, Jefferson became the most influential advocate for racial separation in the early United States. Charting the evolution of his thought across the nation’s formative decades, Jefferson’s Wolf is a surprising and provocative account of the problem of slavery in the founding era.

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Forgive Us Our Debts: How Black Churches Use Bankruptcy to Survive with Pamela Foohey (U Chicago Press, 2026) Oct 23, 2026

Show notes

When American churches face financial difficulties, a disproportionately high number of Black churches reorganize under chapter 11 bankruptcy. There are no easy explanations for this distinction: not location, denomination, leadership structure, or the reasons for the loans. In Forgive Us Our Debts: How Black Churches Use Bankruptcy to Survive (U Chicago Press, 2026), legal scholar Pamela Foohey asks why, then, Black churches account for two-thirds of all congregations that file for chapter 11 bankruptcy every year.

Drawing on case studies of six Black churches and one white church, and 150 interviews with church leaders, members, and attorneys, Foohey finds answers in a long history of predatory lending. Unable to negotiate with recalcitrant loan officers, Black churches turn to the legal system to force reasonable concessions from lenders to prevent the stripping of their wealth and the destruction of their communities. While the structural discrimination remains, these churches have found in the bankruptcy system a refuge and some power to fight back.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Searching for Jane Crow: Black Women and Mass Incarceration in America from the Auction Block to the Cell Block with Talitha LeFlouria (Beacon Press, 2022) Oct 20, 2026

Show notes

In Searching for Jane Crow: Black Women and Mass Incarceration in America from the Auction Block to the Cell Block (Beacon Press, 2022), historian Talitha L. LeFlouria centers Black women at the core of a fresh argument: that the system of mass incarceration was established as protection for the institution of slavery and the profits of enslavers and that this legacy continues today.
For centuries, Black women in America have experienced extreme rates of arrest, conviction, and incarceration in the nation’s jails and prisons, yet their experiences have often been overlooked in favor of Black men’s.
Arguing that the merger between profit and punishment continues to keep Black people bound, LeFlouria traces the connection between enslavement and incarceration, revealing how they have always been intertwined—from the domestic slave trade of 1810-1865, when an estimated one million people were incarcerated in privately owned slave jails, to the post-Civil War era when Black people were enslaved through new systems of state-sponsored mass incarceration, and through to today.

Talitha L. LeFlouriais one of the nation’s leading authorities on the history of Black women, mass incarceration, and the legacies of American slavery. She is an associate professor of history, and the Mastin Gentry White Fellow in Southern History at The University of Texas at Austin. She is the author of the multi-award-winning book, Chained in Silence. Dr. LeFlouria has received numerous awards for her research, including an Andrew Carnegie Fellowship from the Andrew Carnegie Foundation, and her work has been featured in The Atlantic, the Washington Post, Ms. Magazine, The Root, and Vox. You can find her on her website.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

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An Inconvenient Woman: The Extraordinary Life of Lillian Smith, the Southerner Who Defied Jim Crow America with Keri Leigh Merritt (St. Martin's Press, 2026) Oct 17, 2026

Show notes

Born in Florida to a religious family, Lillian Smith (1897-1966) was a white Southern woman living in the Jim Crow South who defied all stereotypes: She lived with her lover, Paula, first running a summer camp in the foothills of the Appalachian Mountains and then a magazine devoted to creating a new vision of the South, one that passionately championed equality and integration. Smith published Black and white writers, a rare feat in those days, and herself wrote articles instructing white Southerners on why they shouldn’t support segregation—Smith firmly believed racism hurt white Americans, too.
In 1944 she published a bestselling novel, Strange Fruit, which became a national sensation and was banned in Boston and Detroit. The FBI began a file on her, she received death threats, and her house caught fire three times, twice intentionally, resulting in the loss of all her works-in-progress and her correspondence. Undaunted, she continued her ardent fight against segregation, maintaining correspondence with some of the great leaders of her day, including Eleanor Roosevelt, Martin Luther King Jr, W. E. B. Dubois, Paul Robeson, and Pauli Murray. She continued to fight for both civil and human rights throughout the 1960s, helping nurture many of the activists in SNCC and CORE, only to succumb to cancer in 1966.
Drawing on previously unpublished archival research, and with a modern appreciation of Smith’s complex identity, An Inconvenient Woman: The Extraordinary Life of Lillian Smith, the Southerner Who Defied Jim Crow America (St. Martin's Press, 2026) is the definitive account of a woman who defied all expectations and dedicated her life to racial equality.

Guest: Keri Leigh Merritt, Ph.D. is a historian and writer. Her first book, Masterless Men: Poor Whites and Slavery in the Antebellum South, won both the Bennett Wall Award from the Southern Historical Association as well as the President’s Book Award from the Social Science History Association. She has co-edited several other books, including After Life: A Collective History of Loss and Redemption in Pandemic America, and her articles have appeared in outlets from Smithsonian and Aeon to The Hill and CNN.

Host: Raymond Williams, PhD, is a political scientist, blogger, and book club administrator with an interest in American history, biographies, and politics.

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Inquisition for Blood: The Making of a Black Female Serial Killer in the Jim Crow South with Lauren Nicole Henley (LSU Press, 2026) Oct 13, 2026

Show notes

For three years in the early 1900s, a serial killer zigzagged across the rice belt region of the United States, using an everyday ax to slaughter Black families living within a mile of the Southern Pacific Railroad’s Sunset Route. The similarities among the murders were uncanny, yet lawmen in early twentieth-century America had neither the technology nor the vocabulary to identify the serial killer in their midst. Instead, regional authorities worked the cases as individual homicides.
This approach led to seemingly contradictory realities: the unknown killer was dubbed “the axman,” and a young Black woman named Clementine Barnabet was arrested as a suspect. She offered questionable confessions and swiftly gained international recognition, as the press reimagined Clementine as a cult-leading, ax-wielding, sacrifice-driven serial killer. But there was a problem: Clementine was already in jail by the time more than half of the murders occurred.
In Inquisition for Blood: The Making of a Black Female Serial Killer in the Jim Crow South with Lauren Nicole Henley (LSU Press, 2026), Lauren Nicole Henley examines this conundrum as she describes how axman madness consumed an entire region for years. She unpacks these crimes and their aftermaths to show how Black communities responded to incomprehensible violence, how the state criminalized Blackness, and how a young Black woman ultimately came to be understood as a serial killer. Drawing on more than three thousand newspaper articles, hundreds of pages of court records, prison ledgers, death certificates, censuses, city directories, and more, Henley tells a historical narrative that is as intriguing as any true crime novel, challenging our assumptions about who has the ability to get away with murder.

Dr. Lauren Henley is an assistant professor in the Jepson School of Leadership Studies at the University of Richmond. She earned her PhD in history from the University of Texas at Austin. Her research focuses on violent crime in the late nineteenth and early twentieth centuries. She investigates how age, race, gender, and religion contribute to perceptions of criminality in the South and West, and her articles have appeared in the Journal of African American History and Souls: A Critical Journal of Black Politics, Culture, and Society. You can find her at the University of Richmond website.

Following this conversation, Lauren and Sullivan went over to the Additions to the Archive Substack to continue their conversation about writing historical figures who, like Clementine Barnabet, don’t neatly fit the respectable boxes we would like for them.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

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The Centrality of Slavery: Empire and Enslavement in Colonial Illinois and Missouri with John Craig Hammond (U Pennsylvania Press, 2025) Oct 08, 2026

Show notes

The Centrality of Slavery: Empire and Enslavement in Colonial Illinois and Missouri (U Pennsylvania Press, 2025) examines how French and American colonizers used the powers of various imperial regimes to create slave societies in present-day Missouri and Illinois from the 1720s through the 1820s. The first book-length study of slavery and empire in both Illinois and Missouri, it begins with the origins of Native American and African American enslavement in the region. It then traces how successive French, Spanish, British, and American regimes shaped the development of slavery over the course of a century, examines the significance of the Northwest Ordinance’s ban on slavery in Illinois, and then analyzes the diverging histories of slavery in Illinois and Missouri in the early 1800s. The book concludes with an analysis of the Missouri Crisis and the compromise of 1820, along with the Middle Mississippi Valley’s significance in the road towards disunion and civil war in the late 1850s.
More broadly, The Centrality of Slavery argues that the Middle Mississippi Valley sat astride the crossroads of imperial North America. The practices of empire and enslavement forged and fought over there exerted an outsized influence on the history of slavery in North America and the United States. Rather than treating the region’s eighteenth-century past as a prologue to the rise of the United States, John Craig Hammond analyzes the colonial history of the region on its own terms, through the European colonizers, American settlers, and enslaved people of Indigenous and African descent who shaped the development of slavery in the Middle Mississippi Valley.

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